Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.
EUR 33,16
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Condizione: New.
Condizione: New.
Lingua: Inglese
Editore: Leuven University Press, BE, 2022
ISBN 10: 9462702810 ISBN 13: 9789462702813
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 45,08
Quantità: 5 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men's lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the case studies presented in this volume examine men's relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siecle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.Contributing authors: Eva Bicskei (Hungarian Academy of Sciences), Brigid Boyle (Rutgers University), Anthea Callen (University of Nottingham and Australian National University), Thijs Dekeukeleire (independent scholar), Henk de Smaele (University of Antwerp), Sean Kramer (University of Michigan), Crawford Alexander Mann III (Smithsonian American Art Museum), Mary Manning (independent scholar), Thomas Moser (Ludwig Maximilian University of Munich), Rachel Sloan (Courtauld Gallery), Patrik Steorn (Thielska Galleriet, Stockholm), Marjan Sterckx (Ghent University), Tom Verschaffel (KU Leuven).
Condizione: Like New. Item is in like new condition.
hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
EUR 34,81
Quantità: 18 disponibili
Aggiungi al carrelloCondizione: New. In.
Lingua: Inglese
Editore: Leuven University Press, Leuven, 2022
ISBN 10: 9462702810 ISBN 13: 9789462702813
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men's lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the case studies presented in this volume examine men's relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siecle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.Contributing authors: Eva Bicskei (Hungarian Academy of Sciences), Brigid Boyle (Rutgers University), Anthea Callen (University of Nottingham and Australian National University), Thijs Dekeukeleire (independent scholar), Henk de Smaele (University of Antwerp), Sean Kramer (University of Michigan), Crawford Alexander Mann III (Smithsonian American Art Museum), Mary Manning (independent scholar), Thomas Moser (Ludwig Maximilian University of Munich), Rachel Sloan (Courtauld Gallery), Patrik Steorn (Thielska Galleriet, Stockholm), Marjan Sterckx (Ghent University), Tom Verschaffel (KU Leuven) Masculinities in nineteenth-century art through the lens of gender and queer history Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 33,14
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Aggiungi al carrelloCondizione: New.
EUR 28,00
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Aggiungi al carrelloCondizione: Neuf.
EUR 49,96
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
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Aggiungi al carrelloSoft cover. Condizione: As New.
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EUR 61,90
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Aggiungi al carrelloPaperback. Condizione: Brand New. 352 pages. 9.10x6.75x0.75 inches. In Stock.
Condizione: As New. Unread book in perfect condition.
EUR 68,39
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Aggiungi al carrellohardcover. Condizione: New.
EUR 38,82
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Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Yale University Press 2024-02-20, 2024
ISBN 10: 0300275765 ISBN 13: 9780300275766
Da: Chiron Media, Wallingford, Regno Unito
EUR 73,68
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Aggiungi al carrelloHardcover. Condizione: New.
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Aggiungi al carrellohardcover. Condizione: New.
Condizione: New.
Lingua: Inglese
Editore: Leuven University Press, BE, 2022
ISBN 10: 9462702810 ISBN 13: 9789462702813
Da: Rarewaves.com UK, London, Regno Unito
EUR 41,44
Quantità: 5 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men's lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the case studies presented in this volume examine men's relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siecle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.Contributing authors: Eva Bicskei (Hungarian Academy of Sciences), Brigid Boyle (Rutgers University), Anthea Callen (University of Nottingham and Australian National University), Thijs Dekeukeleire (independent scholar), Henk de Smaele (University of Antwerp), Sean Kramer (University of Michigan), Crawford Alexander Mann III (Smithsonian American Art Museum), Mary Manning (independent scholar), Thomas Moser (Ludwig Maximilian University of Munich), Rachel Sloan (Courtauld Gallery), Patrik Steorn (Thielska Galleriet, Stockholm), Marjan Sterckx (Ghent University), Tom Verschaffel (KU Leuven).
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
EUR 117,54
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.
hardcover. Condizione: New.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Hardcover. Condizione: new. Hardcover. This volume analyses the international mobility of sculptors and their work in the nineteenth century. The creation of nation-states at that time coincided with an increasingly international outlook shared by artists, their commissioners, sellers, buyers and critics. Sculptors were encouraged to study abroad, and were recognized for their experience and success overseas. As they were very much dependent on commissions, they had to travel to provide for their revenues. While abroad, they were nonetheless expected to represent their nation and showcase their e essays in this collection reflect upon the theoretical and practical implications of the many aspects of transnationality, travel and (cultural) mobility for nineteenth-century sculptors, their work and their careers, by addressing the role of, among others, education, execution, commissions, exhibitions, art criticism and the art market. The main focus is on French, Belgian and Italian sculptors and their works but other countries are represented too, and well-known as well as lesser-known sculptors, through general articles and case studies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 148,44
Quantità: 2 disponibili
Aggiungi al carrelloHardback. Condizione: New.