sterling eisiminger (31 risultati)

Paperback. Condizione: Good.

paperback. Condizione: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. In.

Condizione: New. A book of language quizzes that ventures into slang, dialect, jargon, graffiti. Num Pages: black & white illustrations. BIC Classification: WDK. Category: (G) General (US: Trade). Dimension: 229 x 150 x 14. Weight in Grams: 345. . 1991. paperback. . . . .

Condizione: New.

Paperback. Condizione: Brand New. 256 pages. 9.00x6.00x0.50 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New. A book of language quizzes that ventures into slang, dialect, jargon, graffiti. Num Pages: black & white illustrations. BIC Classification: WDK. Category: (G) General (US: Trade). Dimension: 229 x 150 x 14. Weight in Grams: 345. . 1991. paperback. . . . . Books ship from the US and Ireland.

Hardback. Condizione: New. This study takes an unusual approach to Nathaniel Hawthorne's work by exploring his knowledge and uses of the visual arts. The authors trace Hawthorne's encounters with art in his native New England, highlight his determined effort to acquire a taste for painting at the Manchester Exhibition in 1857, explore his responses to art as he traveled through France and Italy, and discuss his continuing interest in the visual arts once he returned to America. In contrast to those who maintain that Hawthorne had little feeling for and appreciation of the arts, the authors argue that Hawthorne repeatedly tried to acquire a taste for the arts and used them frequently in his letters, tales, and romances. The study is illuminated by photographs of many of the works of art that Hawthorne saw and wrote about.Accompanying the biographical exploration of Hawthorne's quest to learn more about the visual arts is a study of how techniques adopted from the visual arts inform the texture and content of Hawthorne's works. The authors examine each relevant tale and romance, paying particular attention to The Marble Faun, the work which, they assert, most fully exemplifies Hawthorne's knowledge and uses of the visual arts. A special section includes Hawthorne's responses to selected art works as reflected in his fiction and notebooks together with photographs of the works themselves. The volume concludes with a select bibliography and an index that provides ready access to specific areas of the text. Students of the American novel as well as specialists in American studies will find this a useful study of the ways in which the visual arts affect literary craftsmanship.

Condizione: New. pp. 238 Index.

Condizione: New. pp. 238 9:B&W 6 x 9 in or 229 x 152 mm Case Laminate on Creme w/Gloss Lam.

Condizione: New. In.

Condizione: New. Traces Hawthorne's encounters with art in his native New England, highlights his determined effort to acquire a taste for painting at the Manchester Exhibition in 1857, explores his responses to art as he travelled through Europe, and discusses his continuing interest back in the USA. Series: Contributions in American Studies. Num Pages: 240 pages, black & white illustrations. BIC Classification: DSBF; DSK. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 238 x 162 x 22. Weight in Grams: 506. . 1991. hardcover. . . . .

Condizione: New. Traces Hawthorne's encounters with art in his native New England, highlights his determined effort to acquire a taste for painting at the Manchester Exhibition in 1857, explores his responses to art as he travelled through Europe, and discusses his continuing interest back in the USA. Series: Contributions in American Studies. Num Pages: 240 pages, black & white illustrations. BIC Classification: DSBF; DSK. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 238 x 162 x 22. Weight in Grams: 506. . 1991. hardcover. . . . . Books ship from the US and Ireland.

Hardback. Condizione: New. This study takes an unusual approach to Nathaniel Hawthorne's work by exploring his knowledge and uses of the visual arts. The authors trace Hawthorne's encounters with art in his native New England, highlight his determined effort to acquire a taste for painting at the Manchester Exhibition in 1857, explore his responses to art as he traveled through France and Italy, and discuss his continuing interest in the visual arts once he returned to America. In contrast to those who maintain that Hawthorne had little feeling for and appreciation of the arts, the authors argue that Hawthorne repeatedly tried to acquire a taste for the arts and used them frequently in his letters, tales, and romances. The study is illuminated by photographs of many of the works of art that Hawthorne saw and wrote about.Accompanying the biographical exploration of Hawthorne's quest to learn more about the visual arts is a study of how techniques adopted from the visual arts inform the texture and content of Hawthorne's works. The authors examine each relevant tale and romance, paying particular attention to The Marble Faun, the work which, they assert, most fully exemplifies Hawthorne's knowledge and uses of the visual arts. A special section includes Hawthorne's responses to selected art works as reflected in his fiction and notebooks together with photographs of the works themselves. The volume concludes with a select bibliography and an index that provides ready access to specific areas of the text. Students of the American novel as well as specialists in American studies will find this a useful study of the ways in which the visual arts affect literary craftsmanship.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Paperback. Condizione: new. Paperback. A book of language quizzes that ventures into slang, dialect, jargon, graffiti. A book of language quizzes that ventures into slang, dialect, jargon, graffiti. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: new. Paperback. A book of language quizzes that ventures into slang, dialect, jargon, graffiti. A book of language quizzes that ventures into slang, dialect, jargon, graffiti. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. A book of language quizzes that ventures into slang, dialect, jargon, graffiti.&Uumlber den AutorSterling Eisiminger is Associate Professor of English at Clemson University in South Carolina.KlappentextrnrnA book.

Hardcover. Condizione: new. Hardcover. This study takes an unusual approach to Nathaniel Hawthorne's work by exploring his knowledge and uses of the visual arts. The authors trace Hawthorne's encounters with art in his native New England, highlight his determined effort to acquire a taste for painting at the Manchester Exhibition in 1857, explore his responses to art as he traveled through France and Italy, and discuss his continuing interest in the visual arts once he returned to America. In contrast to those who maintain that Hawthorne had little feeling for and appreciation of the arts, the authors argue that Hawthorne repeatedly tried to acquire a taste for the arts and used them frequently in his letters, tales, and romances. The study is illuminated by photographs of many of the works of art that Hawthorne saw and wrote about.Accompanying the biographical exploration of Hawthorne's quest to learn more about the visual arts is a study of how techniques adopted from the visual arts inform the texture and content of Hawthorne's works. The authors examine each relevant tale and romance, paying particular attention to The Marble Faun, the work which, they assert, most fully exemplifies Hawthorne's knowledge and uses of the visual arts. A special section includes Hawthorne's responses to selected art works as reflected in his fiction and notebooks together with photographs of the works themselves. The volume concludes with a select bibliography and an index that provides ready access to specific areas of the text. Students of the American novel as well as specialists in American studies will find this a useful study of the ways in which the visual arts affect literary craftsmanship. The study is illuminated by photographs of many of the works of art that Hawthorne saw and wrote about.Accompanying the biographical exploration of Hawthorne's quest to learn more about the visual arts is a study of how techniques adopted from the visual arts inform the texture and content of Hawthorne's works. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - A book of language quizzes that ventures into slang, dialect, jargon, graffiti.

Hardcover. Condizione: new. Hardcover. This study takes an unusual approach to Nathaniel Hawthorne's work by exploring his knowledge and uses of the visual arts. The authors trace Hawthorne's encounters with art in his native New England, highlight his determined effort to acquire a taste for painting at the Manchester Exhibition in 1857, explore his responses to art as he traveled through France and Italy, and discuss his continuing interest in the visual arts once he returned to America. In contrast to those who maintain that Hawthorne had little feeling for and appreciation of the arts, the authors argue that Hawthorne repeatedly tried to acquire a taste for the arts and used them frequently in his letters, tales, and romances. The study is illuminated by photographs of many of the works of art that Hawthorne saw and wrote about.Accompanying the biographical exploration of Hawthorne's quest to learn more about the visual arts is a study of how techniques adopted from the visual arts inform the texture and content of Hawthorne's works. The authors examine each relevant tale and romance, paying particular attention to The Marble Faun, the work which, they assert, most fully exemplifies Hawthorne's knowledge and uses of the visual arts. A special section includes Hawthorne's responses to selected art works as reflected in his fiction and notebooks together with photographs of the works themselves. The volume concludes with a select bibliography and an index that provides ready access to specific areas of the text. Students of the American novel as well as specialists in American studies will find this a useful study of the ways in which the visual arts affect literary craftsmanship. The study is illuminated by photographs of many of the works of art that Hawthorne saw and wrote about.Accompanying the biographical exploration of Hawthorne's quest to learn more about the visual arts is a study of how techniques adopted from the visual arts inform the texture and content of Hawthorne's works. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.