steve willats (11 risultati)

Paperback. Condizione: Near Fine. Book. Edited by Colin Painter and Anne Painter, Aspects: a Journal of Contemporary Art, Newcastle-upon-Tyne,Winter 1982/83. 300 x 210 mm. Designed as a folding newspaper broadsheet, this contemporary art journal particularly focused on art that was being produced and exhibited in the North of England. Extensively illustrated in black and white. This issue features an essay on the work of Kinetic artist George Rickey; an art-philosophical text by Janet Wolff entitled "Aesthetic Judgement and Sociological Analysis, as well as a visual text on Steve Willats' "Inside the Night" exhibition at the Lisson Gallery, 4 - 30 January 1983. Condition: near fine.

Paperback. Book. 310 x 222 mm stapled in printed wraps. Text in English illus. b&w. Includes Jon Bird 'Ideology : A sign of The Times'; Peter Dunn and Loraine Leeson 'Adjusting culture to practical function : reflections and projections.; Jane Kelly ' Some observations on the role of the critic in art practice.'; Mary Kelly ' Notes on reading the Post Partum Document'; Stephen Willats ' Between a Symbolic World and a Contextual Reality.'. Edited by Stephen Willats Control is an iconic Artists' Periodical, published in London from 1965 onwards. Control is "purely.a magazine of art theory. In that sense it.presented texts by artists looking at the thinking behind their work" (Willats, Publishing Interventions, p2, as quoted in IN NUMBERS, p.129 PPP Editions, Switzerland, 2009). Condition: Light handling mark to cover, handling marks/ light soiling to back cover. Contents fine. Overall Very Good +.

Card covers, stapled spine. Condizione: Good. First Edition. 23 x 31cm 20pp good card-covered magazine. Extending the Social Function of Art The Foundations of a Practice for Today . Contained articles on ideology, observations on adjusting culture to practical function, the role of the critic, the Post-Partum Document, symbolic worlds and contextual reality. Highlights include Mary Kelly,Notes on Reading the Post-Partum Document and Stephen Willats, Between a Symbolic World and a Contextual Reality The Artwork as a Vehicle for Forwarding Counter-Consciousness.

Card covwers, stapled spine. Condizione: Good. First Edition. 23 x 31cm 22pp good card-covered magazine, some minor marks on the rear cover. Self Organisation The Expression of Counter Consciousness . Contains writings concerning artists working with life and institutions, poster projects, the artist as collector and projects from Mannheim, Zurich, Hamburg, London and Oxford. Contribtors include Stephen Willats, Helen Chadwick, Michael Peel.

Card-covers, stapled spine. Condizione: Good. First Edition. 23 x 31cm good card-covered magazine, an ink squiggle to front cover, some minor marks to rear. According to the Editor: There was no editorial, the magazine specially requested invited artists to explain an actual project or work they had carried out, that looked for different solutions to new social functions for art. Issue Eight described work, projects linked to education, the Edinburgh Social Model Construction Project and notions of ideal types .Contributors to this issue: KEVIN LOLE A Work Involving Attention and Understanding. ERLING STEEN PETERSEN A Conceptual Outlin.STEPHEN WILLATS Meta Filter The Externalisation of Models in Art Practice. GERALD LAIN Hybrid. OHN STEZAKERIdeal Types and Utopias.

Card covers, stapled spine. Condizione: Good. First Edition. 23 x 31cm 28pp good card-covered magazine. Self Organisation The Expression of Counter Consciousness. The issue contains writings on looking at buildings, counter consciousness, questions of paternity and femininity, the Artist s Political Work, and projects from London, California and Berlin. Contributors include Tony Rickaby, Stephen Willats, Mary Kelly.

VG bright tight copy in publishers decorated wrappers.

28 S. Kartoniert. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Ecken und Kanten minimal berieben. Oberkante des hinteren Buchdeckels leicht eingerissen (2 cm). Einband minimal fleckig. Sonst sehr gut erhalten. Sprache: eng.

Condizione: very good only. Steve Willats (ed.), Control Magazine Issue Six, Control Magazine, London, circa 1972. 24 pp. 310 x 228mm. Includes contributions by the editor, Jan Kopinski, Stroud Cornock, David Bugden, Jack Shotbolt, G.C.Mallen, Ernest Edmonds, Andy McKay, John Sharkey.Condition: scratch to front cover as seen, toning to edges of covers, ding top right corner and some rubbing to bottom right corner, very good only.

Condizione: Fine. Condizione sovraccoperta: good +. Control Issue Eleven: Self Organisation, The Expression of Counter Consciousness. 220 x 304 mm. 28pp., printed black on white staplebound stock. Contributions by Tony Rickaby, Steve Willats, Ray Barrie, Mary Kelly, Fern Tiger, Dieter Hacker, Peter Dunn, Loraine Leeson, Dan Graham, Raimund Kummer, Herman Pitz. 'Eleven' is a rare issue from the Control Magazine series - quite difficult to find. Condition: some minor wear to cover, insides clean and no tears. Overall: Fine.

Condizione: Near fine. On Loan, Coracle Press, London, 1980. Cards printed black on white in 88 x 60 x 70mm white box, together with 75 x 75 x 85mm outer mailing box. Edition 11 of 15 signed copies. Numbered by Simon Cutts on underside of both boxes. Published to coincide with the On Loan exhibition ('an exhibition of borrowed art lent by artists'), 22 November 19 December 1980 at 233 Camberwell New Road, London. Artists included Roger Ackling, Glen Baxter, David Brown, Marc Camille Chaimovicz, John Christie, Thomas and Laurie Clark, Les Coleman, Simon Cutts, Stephen Duncalf, Sandra Fisher, Barry Flanagan, Hamish Fulton, Bill Furlong, John Furnival, Gerry Hunt, R. B. Kitaj, Robin Klassnik, Brian Lane, Richard Long, Leonard McComb, Stuart Mills, Eduardo Paolozzi, Roy Perry, David Pescod, David Roe, Martin Rogers, S. East Gallery (Sally East), Joe Tilson, Ian Tyson, Steve Wheatley, Stephen Willats, Jonathan Williams and Richard Wilson.On Loan references the analogue card system once used by British libraries for loaning books. In all, it functions as a list of works for the show, with one card per artist and their exhibited work. In this special edition numbered 11 of 15, each card is signed in ink or pencil by one of the artists who participated in the exhibition. Condition: Near fine.