Stokes adrian 1902 1972 (20 risultati)

Publishers Proof Copy, First Edition. Very good paperback proof copy; wrappers somewhat dust-dulled. Edges lightly foxed; aside from some corrections to the proof, the interior remains tight, bright and clean. A well-preserved copy overall. Physical description; 85 pages ; 22 cm. Notes; Including a dialogue with Donald Meltzer (1922-2004). Includes bibliographical references and index. Subjects; Stokes, Adrian (b. 1902). Turner, J. M. W. (Joseph Mallord William) 1775-1851 Criticism and interpretation. Psychoanalysis and art. Art Psychology. Painting Psychological aspects. Aesthetics Psychological aspects. Creation (Literary, artistic, etc.) Psychological aspects. Meltzer, Donald. 1 Kg.…

Publishers Proof Copy, First Edition. Very good paperback proof copy; wrappers somewhat dust-dulled. Edges lightly foxed; aside from some corrections to the proof, the interior remains tight, bright and clean. A well-preserved copy overall. Physical description; 85 pages ; 22 cm. Notes; Including a dialogue with Donald Meltzer (1922-2004). Includes bibliographical references and index. Subjects; Stokes, Adrian (b. 1902). Turner, J. M. W. (Joseph Mallord William) 1775-1851 Criticism and interpretation. Psychoanalysis and art. Art Psychology. Painting Psychological aspects. Aesthetics Psychological aspects. Creation (Literary, artistic, etc.) Psychological aspects. Meltzer, Donald. 1 Kg.…

First Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description: 22p., 31cm. Subjects: Cezanne, Paul 1839-1907. Genre: History. Language: English. 1 Kg.

First Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description: 22p., 31cm. Subjects: Cezanne, Paul 1839-1907. Genre: History. Language: English. 1 Kg.

First Edition. Poor reading paperback copy. Pages and dust-toned, wrappers nicked and edge-dulled. Front and back covers detached from the primary text. Series; The Faber gallery. Physical description; 22 pages, 31 cm. Subjects; Painting. Art. artist. Collections. Gallery. 1 Kg.

First Edition. Poor reading paperback copy. Pages and dust-toned, wrappers nicked and edge-dulled. Front and back covers detached from the primary text. Series; The Faber gallery. Physical description; 22 pages, 31 cm. Subjects; Painting. Art. artist. Collections. Gallery. 1 Kg.

Hardback edition. Good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains quite well-preserved overall. Physical description; xv, 239, [1] pages LXIV plates on 32 leaves 25 cm. Subjects; Renaissance Italy; history. Art, Renaissance. Art, Italian. Art, Renaissance; works. 1 Kg. …

Hardback edition. Good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains quite well-preserved overall. Physical description; xv, 239, [1] pages LXIV plates on 32 leaves 25 cm. Subjects; Renaissance Italy; history. Art, Renaissance. Art, Italian. Art, Renaissance; works. 1 Kg. …

1st edition. Library copy. Very good cloth copy in a good if somewhat edge-torn (with some loss) and dust-dulled dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall. Library marks remain, Physical description: 82 pages, 24 plates, 28 cm. Notes: Includes bibliographical references. Subjects:Art Philosophy; Art Psychology; Arts; Psychoanalytic Interpretation; Architectural Theory; Psycho-Analytic Theory. 1 Kg. …

First Edition. Provenance:Charles Tomlinson's copy. Price clipped. Fine cloth copy in a good if somewhat edge-torn (with some loss) and dust-dulled dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description: 101 pages ; 23 cm. Subject: Psychoanalysis. Civilization. 1 Kg. …

1st Edition. Very good cloth copy in a good if somewhat edge-torn (with some loss) and dust-dulled dust wrapper, now mylar-sleeved. Remains quite well-preserved overall. Provenance; the critic and poetry activist Charles Tomlinson's copy; signed by him and with his annotations. Physical description: 65 pages 23 cm. Contents:The luxury and necessity of painting.--Some connections and differences between visionary and aesthetic experience.--I s-nes and avant-garde. Subjects:Painting. Art Philosophy. Art criticism and interpretation. Lateral thinking. Painting History. 1 Kg. …

1st edition. Library copy. Very good cloth copy in a good if somewhat edge-torn (with some loss) and dust-dulled dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall. Library marks remain, Physical description: 82 pages, 24 plates, 28 cm. Notes: Includes bibliographical references. Subjects:Art Philosophy; Art Psychology; Arts; Psychoanalytic Interpretation; Architectural Theory; Psycho-Analytic Theory. 1 Kg. …

First Edition. Provenance:Charles Tomlinson's copy. Price clipped. Fine cloth copy in a good if somewhat edge-torn (with some loss) and dust-dulled dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description: 101 pages ; 23 cm. Subject: Psychoanalysis. Civilization. 1 Kg. …

1st Edition. Very good cloth copy in a good if somewhat edge-torn (with some loss) and dust-dulled dust wrapper, now mylar-sleeved. Remains quite well-preserved overall. Provenance; the critic and poetry activist Charles Tomlinson's copy; signed by him and with his annotations. Physical description: 65 pages 23 cm. Contents:The luxury and necessity of painting.--Some connections and differences between visionary and aesthetic experience.--I s-nes and avant-garde. Subjects:Painting. Art Philosophy. Art criticism and interpretation. Lateral thinking. Painting History. 1 Kg. …

Hardback edition. Near fine cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 154 p., [24] p. of plates ; 23 cm. Subjects; Michelangelo Buonarroti 1475-1564 Criticism and interpretation. Michelangelo Buonarroti 1475-1564; works. Artists Italy ; Biography. 1 Kg.…

Hardback edition. Near fine cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 154 p., [24] p. of plates ; 23 cm. Subjects; Michelangelo Buonarroti 1475-1564 Criticism and interpretation. Michelangelo Buonarroti 1475-1564; works. Artists Italy ; Biography. 1 Kg.…

Hardcover. Octavo, Three volumes. In Good plus condition with Good dust jackets. Spines are tan, brown or green with black print. Dust jacket in cellophane sleeves. Short tears to cellophane, light edge wear to dust jackets. Price clipped. Boards in brown cloth. Illustrated: b&w plates. CONTENTS: Vol. 1. 1930-1937: Pisanello, The Quattro Cento, Stones of Rimini, Reviews of Modern Art (ISBN 0500011753; slight warping to boards), 335 pages Vol. 2. 1937-1958: Colour and Form, Venice, Inside Out, Art and Science, Smooth and Rough, Cézanne, Raphael, Monet (ISBN 0500011761; small damp stain at spine tail), 320 pages Vol. 3. 1955-1967: Michelangelo, Greek Culture and the Ego, The Painting of Our Time, Coldstream and the Sitter, The Impact of Architecture, Painting and the Inner World, The Invitation in Art, Reflections on the Nude (ISBN 05501177X; slight warping to boards), 388 pages. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Multi-volume Section. 1390611. FP New Rockville Stock. …

First Edition. Fine cloth copy in a good if somewhat edge-torn and dust-dulled dust-wrapper. Not price-clipped. Remains well-preserved overall. Series; International Behavioural and Social Sciences Library. Psychology of Art : Selected works of Adrian Stokes ; III. Physical description; 90 pages ; 23 cm. Notes; Includes bibliographical references. Subjects; Turner, J. M. W. (Joseph Mallord William) (1775-1851) Criticism and interpretation. Art Psychology. Art and society. Painting Psychological aspects. 1 Kg. …

Condizione: Fine. Condizione sovraccoperta: No Dust Jacket, As Issued. Limited Edition. STUDY OF RENAISSANCE FORM & VISUAL HARMONY Issued for members of the Book Collectors Society in a limitation of only 250 numbered copies, this finely produced edition reflects the mid-century revival of collector-oriented art scholarship and private press publishing. Adrian Stokes, among the most respected British art critics of the twentieth century, examines the relationship between geometry, poetic form, architecture, and painting through three central Renaissance figures: Alberti, Piero della Francesca, and Giorgione. Stokes presents Renaissance art not simply as historical achievement, but as a philosophical system balancing structure and emotional resonance. Particularly notable is his discussion of Giorgione, whose atmospheric and elusive paintings long fascinated modernist critics for their ambiguity and lyrical quality. Compact yet intellectually ambitious, the work reflects Stokes's distinctive synthesis of aesthetics, psychology, and visual perception. PHYSICAL DESCRIPTION: Limited Edition of 250 copies, this being hand-numbered 80. Bound in polished red calf with gilt spine titles and decorative devices, top edge gilt. Octavo, 22.5 cm; 8.75 inches tall; [6] 75 [28] pages with index followed by black-and-white illustrations. CONDITION: No Flaws or Blemishes but minimal shelf handling; Still Gift Quality. The bindings are tight and square. Text is clean; Minimal shelf handling wear. HISTORICAL CONTEXT - Written during the postwar flowering of modern British art criticism, Stokes's study helped reposition Renaissance painting for twentieth-century readers through the lens of psychology, formalism, and modern aesthetics. His writings influenced later generations of critics and artists by treating Renaissance structure and spatial harmony not as historical relics, but as living intellectual and emotional systems. The volume also reflects the postwar private press and collector movement in America, where finely produced limited editions brought serious art criticism to bibliophilic audiences outside the university trade. Stokes became one of the defining English voices interpreting Renaissance art for modern readers, blending formal analysis with psychological and aesthetic theory. Rather than treating Renaissance painting as purely academic subject matter, he presents artistic form as a living intellectual structure shaped by proportion, perception, and emotional balance. SUBJECTS: Adrian Stokes, Giorgione, Piero della Francesca, Leon Battista Alberti, Renaissance Art, Venetian Painting, Art Theory, Italian Renaissance, Book Collectors Society, Limited Editions, British Art Criticism, Art History, Renaissance Studies, Aesthetics, Literary Criticism.…

First Edition. Fine cloth copy in a good if somewhat edge-torn and dust-dulled dust-wrapper. Not price-clipped. Remains well-preserved overall. Series; International Behavioural and Social Sciences Library. Psychology of Art : Selected works of Adrian Stokes ; III. Physical description; 90 pages ; 23 cm. Notes; Includes bibliographical references. Subjects; Turner, J. M. W. (Joseph Mallord William) (1775-1851) Criticism and interpretation. Art Psychology. Art and society. Painting Psychological aspects. 1 Kg. …