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Aggiungi al carrelloCondizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Paperback. Condizione: Fine. 1st. 72 pages, colour illustrations; 27 cm. Catalogue of an exhibition held at the Ashmolean Museum, Oxford, 7 February to 8 June 2019. Firm binding, clean inside copy. *** "This is an intimate look at the career of contemporary art's most famous and, reportedly, expensive, artists. Jeff Koons himself curated the art which remains almost as controversial as it was when the works first hit the art scene by storm in the 1980's. Like the rest of the art world, Koons shocked and inspired the Brits and this publication documents his new exhibition at the Ashmolean Museum, one of the world's most distinguished and oldest institutions which has also led the way in interpreting and presenting the important New in art. There are 43 color works along with two in black-and-white - among them his most famous - Equilibrium, Statuary, Banality, Antiquity and the recent Gazing Ball sculptures and paintings. Koons, together with guest curator, Norman Rosenthal, present a tableaux to provoke a unique conversation about the creations and the history of art and ideas with which the work engages. The publication also includes Alexander Sturgis's interview with Koons. From his earliest works Koons has explored the 'ready-made' and appropriated image - using unadulterated found objects and creating painstaking replicas of ancient sculptures and Old Master paintings which almost defy belief in their craftsmanship and precision. Throughout his career Koons has pushed at the boundaries of contemporary art practice, stretching the limits of what is possible." - Publisher. *** CONTENTS: Director's Foreword; interview with Jeff Koons (by Xa Sturgis); Jeff Koons and the Sheen and Shine of Time (Sir Norman Rosenthal); catalogue entries; Jeff Koon biography. Size: 4to. Collectible.
Condizione: New.
Condizione: As New. Unread book in perfect condition.
Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
paperback. Condizione: Used-Like New. Clean copy. May have remainder mark.
EUR 21,35
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EUR 23,98
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Aggiungi al carrelloPaperback. Condizione: New. Artist Daphne Wright is fascinated with the collections of the Ashmolean Museum and the history of seeing they present. Her latest project grows out of a lifetime's engagement with this theme. Much of Wright's existing body of work is steeped in a deep understanding of the iconography and history of Western art, as represented in the Ashmolean's extensive collection. This book establishes connections to the Ashmolean's rich collection of 17th century Dutch Still Life paintings. These genre paintings portray a range of subjects from arrangements of flowers to fruit, fish and game. Sometimes the paintings include a symbolic reference to the transience of life, in the form of fruit that has begun to rot or flowers that are losing petals. In Fridge Still Life, the exposed body of a fridge, containing upon its shelves a raw chicken and bundle of asparagus, is topped with a vase of wilting tulips. This is a contemporary re-telling of a still life painting, with its various familiar elements, such as a brace of hanging pheasants, a bowl of fruit and a vase of blooms, with can connote status or vanitas. Wright has explored the transitory nature of life throughout her practice. In previous work, Wright has used plants and animals, with their shorter life spans, to stand in for the human. Wright's work also resonates strongly with the Ashmolean's extensive and celebrated cast collection. Prominent amongst the plaster casts of Greek and Roman sculptures are the gods and heroes of Homeric legend. These idealised images of men still form the basis of our ideas of masculinity today. With Sons on Couch Wright is seeking to capture the elusive moment of transition into manhood. The athletic figures in the cast court may have been updated to social media influencers, but the pressure young men face today to achieve a perceived ideal body type remain the same.
EUR 21,60
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Aggiungi al carrelloCondizione: New.
EUR 20,23
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Ashmolean Now 4: Daphne Wright: Deep-Rooted Things. Book.
EUR 25,87
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EUR 25,95
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Aggiungi al carrelloCondizione: New.
Paperback. Condizione: New. Artist Daphne Wright is fascinated with the collections of the Ashmolean Museum and the history of seeing they present. Her latest project grows out of a lifetime's engagement with this theme. Much of Wright's existing body of work is steeped in a deep understanding of the iconography and history of Western art, as represented in the Ashmolean's extensive collection. This book establishes connections to the Ashmolean's rich collection of 17th century Dutch Still Life paintings. These genre paintings portray a range of subjects from arrangements of flowers to fruit, fish and game. Sometimes the paintings include a symbolic reference to the transience of life, in the form of fruit that has begun to rot or flowers that are losing petals. In Fridge Still Life, the exposed body of a fridge, containing upon its shelves a raw chicken and bundle of asparagus, is topped with a vase of wilting tulips. This is a contemporary re-telling of a still life painting, with its various familiar elements, such as a brace of hanging pheasants, a bowl of fruit and a vase of blooms, with can connote status or vanitas. Wright has explored the transitory nature of life throughout her practice. In previous work, Wright has used plants and animals, with their shorter life spans, to stand in for the human. Wright's work also resonates strongly with the Ashmolean's extensive and celebrated cast collection. Prominent amongst the plaster casts of Greek and Roman sculptures are the gods and heroes of Homeric legend. These idealised images of men still form the basis of our ideas of masculinity today. With Sons on Couch Wright is seeking to capture the elusive moment of transition into manhood. The athletic figures in the cast court may have been updated to social media influencers, but the pressure young men face today to achieve a perceived ideal body type remain the same.
Paperback. Condizione: new. Paperback. Artist Daphne Wright is fascinated with the collections of the Ashmolean Museum and the history of seeing they present. Her latest project grows out of a lifetimes engagement with this theme. Much of Wrights existing body of work is steeped in a deep understanding of the iconography and history of Western art, as represented in the Ashmoleans extensive collection. This book establishes connections to the Ashmoleans rich collection of 17th century Dutch Still Life paintings. These genre paintings portray a range of subjects from arrangements of flowers to fruit, fish and game. Sometimes the paintings include a symbolic reference to the transience of life, in the form of fruit that has begun to rot or flowers that are losing petals. In Fridge Still Life, the exposed body of a fridge, containing upon its shelves a raw chicken and bundle of asparagus, is topped with a vase of wilting tulips. This is a contemporary re-telling of a still life painting, with its various familiar elements, such as a brace of hanging pheasants, a bowl of fruit and a vase of blooms, with can connote status or vanitas. Wright has explored the transitory nature of life throughout her practice. In previous work, Wright has used plants and animals, with their shorter life spans, to stand in for the human. Wrights work also resonates strongly with the Ashmoleans extensive and celebrated cast collection. Prominent amongst the plaster casts of Greek and Roman sculptures are the gods and heroes of Homeric legend. These idealised images of men still form the basis of our ideas of masculinity today. With Sons on Couch Wright is seeking to capture the elusive moment of transition into manhood. The athletic figures in the cast court may have been updated to social media influencers, but the pressure young men face today to achieve a perceived ideal body type remain the same. The fourth installment of the Ashmolean Now series focuses on sculptures by Irish artist Daphne Wright. Conceived with the Hugh Lane Gallery, Dublin, the exhibition features several new works in plaster which consider the tradition of still lifes and respond to the sculptures in the Ashmolean's Cast Gallery collection. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 16,38
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EUR 33,86
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EUR 24,83
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Aggiungi al carrelloPaperback. Condizione: Brand New. 144 pages. 11.03x9.06x9.06 inches. In Stock.
EUR 19,17
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EUR 34,93
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EUR 19,94
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Da: California Books, Miami, FL, U.S.A.
EUR 37,94
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EUR 8,44
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Aggiungi al carrelloSoftcover. Condizione: Very Good. First Edition. Size: 4to 9 3/4 - 12". 72 pp. Internally clean. Binding firm. Covers slightly marked. Profusely illustrated. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Sculpture & Ceramics; United States; Modern; Art & Design. ISBN/EAN: 9781910807293. Pictures of this item not already displayed here available upon request. Inventory No: 65020.
EUR 19,95
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Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
EUR 20,29
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Aggiungi al carrellopaperback. Condizione: New.
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 24,84
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Aggiungi al carrelloCondizione: New. In.
EUR 23,95
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EUR 23,75
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EUR 31,62
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Aggiungi al carrellopaperback. Condizione: New. Special order direct from the distributor.
EUR 38,88
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Aggiungi al carrelloPaperback. Condizione: Brand New. 144 pages. 11.03x9.06x9.06 inches. In Stock.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 40,85
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Aggiungi al carrelloCondizione: New.