Subculture (10 risultati)

Color poster, folder into 8 parts, unfolded 85 x 61 cms, illustrated.

Soft cover. Condizione: Very Good. A5判 / 8vo (210 x 148 mm). 211, [228] pp. 4 pp color photographic illustrations at front, black-and-white illustrations throughout. In photographically illustrated wraps. Very good. The 158th issue of Bessatsu Takarajima, dedicated to 'dangerous women.' A spin-off mook series from the subculture magazine Takarajima, each issue is an intensive, deep-dive examination of a single subject. The present issue is dedicated to the sukeban, or 'delinquent girl,' subculture — with a special emphasis on biker girl gangs. A notable publication, it is perhaps best known outside Japan for influencing the creation of Neon Genesis Evangelion's Rei Ayanami. A Bessatsu Takarajima issue dedicated to mental illness informed how Hideaki Anno understood and wrote the character's interiority.…

Condizione: Fine. KOS02201033.

Condizione: Fine. KOS01200402.

Soft cover. Condizione: Near Fine. A4判 / imperial octavo (297 x 210 mm). 138 pp. Profusely illustrated in color and black-and white. In photographically illustrated wraps. Near fine. February 2001 of the essential Japanese countercultural magazine of the late '90s and aughts, BURST. The periodical grew out of the biker magazine CRUSH CITY RIDERS, which only published one issue and dubbed itself "a biker's magazine for the new type of motorcycle-riding delinquents." The magazine quickly pivoted to general fringe, 'delinquent' society, evolving into a general countercultural publication. With content covering a host of taboo subjects, BURST focused on outlaws, drugs, body modifications, pornography, fetish, and some issues even included photography of corpses. Though it only ran for 10 years, the magazine was extremely influential — touching every corner of Japanese punk and counterculture.…

Soft cover. Condizione: Near Fine. A4判 / imperial octavo (297 x 210 mm). 138 pp. Profusely illustrated in color and black-and white. In photographically illustrated wraps. Near fine. March 1999 of the essential Japanese countercultural magazine of the late '90s and aughts, BURST. The periodical grew out of the biker magazine CRUSH CITY RIDERS, which only published one issue and dubbed itself "a biker's magazine for the new type of motorcycle-riding delinquents." The magazine quickly pivoted to general fringe, 'delinquent' society, evolving into a general countercultural publication. With content covering a host of taboo subjects, BURST focused on outlaws, drugs, body modifications, pornography, fetish, and some issues even included photography of corpses. The magazine ran for a decade and was extremely influential — touching every corner of Japanese punk and counterculture.…

Newspaper shaped catalogue, 60 x 42 cms., (48) pp. divided in 3 volumes, throughout photo-illustrated. In good condition.

Bulletin, 29,7 x 21 cms., 16 up to 36 pp., text in Dutch, illustrations.

Bulletin, 29,7 x 21 cms., 16 up to 36 pp., text in Dutch, illustrations.

Stecyk, C.R.; Ancell, Kevin; Rodriguez, Spain; et al. Thrasher Comics. Six issues published between 1988 and 1990, documenting the convergence of skateboarding culture, punk aesthetics, and underground comics in late twentieth-century San Francisco. Produced as an extension of Thrasher Magazine, the series reflects a distinct countercultural sphere defined by anti-authoritarian humor, DIY production, and youth identity formation. The material illustrates how skate culture functioned as both a visual and narrative medium, incorporating elements of earlier underground comix traditions while addressing contemporary social and political concerns of the late 1980s. Thrasher Comics. San Francisco: High Speed Productions, 1988-1990. Six issues, nos. 1, 2, 3, 4, 5, and 8. Quarto, staple-bound in color pictorial wrappers with black-and-white interior illustrations. Each issue features contributions from multiple artists, including C.R. Stecyk, Kevin Ancell, and Spain Rodriguez. The recurring feature "Thrash Gordon" presents a serialized narrative combining science fiction and dystopian themes, with imagery of mechanized violence, urban decay, and alienated youth rendered in dense linework. Additional content includes short comics, illustrated satire, and advertisements styled as parody public service announcements, such as mock organizations and slogans critiquing censorship and moral regulation. Visual motifs across the issues include skateboarding scenes, exaggerated caricatures, and hybrid imagery blending commercial parody with underground graphic traditions. Issued during the late 1980s expansion of skateboarding as a cultural and commercial force, these comics demonstrate how graphic media articulated the values and identity of West Coast skate communities. The series draws on earlier underground comix while anticipating the visual language of 1990s street art and alternative publishing, linking skate culture with broader countercultural production in urban California. The archive supports research into youth subcultures, graphic satire, and the intersection of sport, art, and political expression. Light toning to margins, minor edge wear, and handling consistent with use; overall very good condition. A cohesive grouping illustrating the visual and narrative culture of late 1980s skateboarding counterculture.…