susan davidson text by (4 risultati)

First edition. 11.75 x 9 inches. 328 pages. Profusely illustrated in color. Original pictorial boards; cloth spine. "This volume presents the astonishing collection in full, offering a concentrated survey of works by such modern masters as Braque, Cézanne, Degas, Gauguin, Manet, Picasso, Pissarro and Van Gogh, among others. Throughout, artworks are given rich context and detail with historical installation views and high-tech conservation images. Short essays on collection highlights by current and former Guggenheim curators and conservators illuminate the artists' stylistic innovations as they sought to liberate art from academic genres and techniques. The book also features extensive technical analyses, offering rare insight into the artists' materials and processes based on the latest advances in conservation technology. A lead essay by Megan Fontanella recounts the genesis of Thannhauser's collection and its eventual transfer to the Guggenheim Museum. Tracing his ambitious career as gallerist and collector in Europe during the interwar years and into the calamity of World War II, she explores how Thannhauser's lifelong support for experimental art and eye for original talent helped define the modernist vanguard of 20th-century art" (the publisher). New in shrinkwrap.

First edition. 11.5 x 9.5 inches. 180 pages. Profusely illustrated in color. Original printed boards. "In 1942, at the opening of her Art of This Century gallery, Peggy Guggenheim famously demonstrated her equability toward both Surrealist and abstract art by wearing one earring made by Surrealist painter Yves Tanguy and one by abstract sculptor and kinetic artist Alexander Calder. Yet the opposition implied by this act of truce-making perhaps overstates the antimonies between these two modernist masters. Tanguy and Calder shared many friends in Surrealist circles in Paris, and showed work in the same exhibitions throughout the middle of the century. In this beautiful volume, full of color reproductions and important ephemera relating to the artists' shared history, Susan Davidson, Senior Curator of collections and exhibitions at the Guggenheim Museum in New York, elucidates the overlap between these two canonical modernists" (the publisher). Some shelf wear; boards with a few minor markings and a small tear; internally a clean copy.

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z : 344 pp., 496 ills. clothbound - Joseph Cornell and Marcel Duchamp met for the first time in 1933 in New York. It was the start of an artistic cooperation and friendship between two of the 20th century's most innovative artists - a relationship that has never before been documented. Cornell supported Duchamp in creating his "portable museum", the "box in a valise". This rapidly led the two artists to discover their common interest in curious objects: optical devices, broken glass and all kinds of objets trouvés. At the heart of this book is Joseph Carroll's "Duchamp Dossier" (ca. 1934-1953), which was first discovered after Duchamp's death in 1968 and is still unknown to the wider public today. The dossier contains 117 small objects, documents and photographs reproduced in color on double- sided pages on a scale of 2:3. The objects - "trash", souvenirs and letters - are documented and analysed in a detailed text with lavish illustrations. The book also presents other works by Cornell and Duchamp that vividly demonstrate the affinity between the two artists.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 398 pp., 352 ills. hardcover - New York in the 1940s was the crucible for post-war American and European art, and at the heart of this was Peggy Guggenheim and her remarkable museum/gallery, made instantly the most sensational venue of the avant-garde in New York by Frederick Kiesler's visionary architectural design. This is the never-before-written story of "Art of This Century"-the name Peggy gave both to her collection (now part of the Solomon R. Guggenheim Foundation and on permanent view in Venice, Italy) and to her 57th Street gallery. The gallery was Kiesler's masterpiece, where the careers of artists such as William Baziotes, David Hare, Robert Motherwell, Jackson Pollock, and Mark Rothko were launched. It is essential reading and reference for all who are interested in the colorful biographies of two outstanding cultural figures of the twentieth century; in the history of art installation, collecting, and art dealing; in the embattled origins of the New York School; and in the history of art and design in general.