susan foran (25 risultati)

paperback. Condizione: Very Good.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condizione: Fine. *Price HAS BEEN REDUCED by 10% until Monday, June 15 (weekend SALE item)* 264 pp., paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Condizione: Fine. Light scuffs & scratches to the jacket. Content is like new.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. pp 184. 'Leading medieval scholars discuss the impact of English imperialism and the ways in which English and wider European cultural norms were transmitted outwards towards Ireland, Scotland and Wales from the Norman Conquest onwards. Subjects examined include: some views of the Normans in eleventh and twelfth-century English views of what their kings could do; the Scottish experience in the twelfth and thirteenth centuries; Scotland and th monarchy of Britain in "The first English empire"; the emergence of national identity among the religious of Britain in the thirteenth and fourteenth centuries; anglicization in medieval Ireland; foreign apologues in bardic poetry; post-medieval accounts of the lordship of the Isles.'.

Hardcover. Condizione: Very Good. 2015, Europe, D.S.Brewer, 244 p., very good pictorial boards.

Hardback. Condizione: New.

Hardback. Condizione: New.

Hardback. Condizione: New. Fresh approaches to one of the most important poems from medieval Scotland.John Barbour's Bruce, an account of the deeds of Robert I of Scotland (1306-29) and his companions during the so-called wars of independence between England and Scotland, is an important and complicated text. Composed c.1375 during the reign of Robert's grandson, Robert II, the first Stewart king of Scotland (1371-90), the poem represents the earliest surviving complete literary work of any length produced in "Inglis" in late medieval Scotland, andis usually regarded as the starting point for any worthwhile discussion of the language and literature of Early Scots. It has also been used as an essential "historical" source for the career and character of that iconic monarch Robert I. But its narrative defies easy categorisation, and has been variously interpreted as a romance, a verse history, an epic or a chivalric biography. This collection re-assesses the form and purpose of Barbour's great poem. It considers the poem from a variety of perspectives, re-examining the literary, historical, cultural and intellectual contexts in which it was produced, and offering important new insights. Steve Boardman is a Reader in History at the University of Edinburgh. Susan Foran, currently an independent scholar, researches chivalry, war and the idea of nation in late medieval historical writing. Contributors: Steve Boardman, Dauvit Broun, Michael Brown, Susan Foran, Chris Given-Wilson, Theo van Heijnsbergen, Rhiannon Purdie, Biörn Tjällén, Diana B. Tyson, Emily Wingfield.

Condizione: New. In.

Hardback. Condizione: New. Fresh approaches to one of the most important poems from medieval Scotland.John Barbour's Bruce, an account of the deeds of Robert I of Scotland (1306-29) and his companions during the so-called wars of independence between England and Scotland, is an important and complicated text. Composed c.1375 during the reign of Robert's grandson, Robert II, the first Stewart king of Scotland (1371-90), the poem represents the earliest surviving complete literary work of any length produced in "Inglis" in late medieval Scotland, andis usually regarded as the starting point for any worthwhile discussion of the language and literature of Early Scots. It has also been used as an essential "historical" source for the career and character of that iconic monarch Robert I. But its narrative defies easy categorisation, and has been variously interpreted as a romance, a verse history, an epic or a chivalric biography. This collection re-assesses the form and purpose of Barbour's great poem. It considers the poem from a variety of perspectives, re-examining the literary, historical, cultural and intellectual contexts in which it was produced, and offering important new insights. Steve Boardman is a Reader in History at the University of Edinburgh. Susan Foran, currently an independent scholar, researches chivalry, war and the idea of nation in late medieval historical writing. Contributors: Steve Boardman, Dauvit Broun, Michael Brown, Susan Foran, Chris Given-Wilson, Theo van Heijnsbergen, Rhiannon Purdie, Biörn Tjällén, Diana B. Tyson, Emily Wingfield.

Hardback. Condizione: New. Fresh approaches to one of the most important poems from medieval Scotland.John Barbour's Bruce, an account of the deeds of Robert I of Scotland (1306-29) and his companions during the so-called wars of independence between England and Scotland, is an important and complicated text. Composed c.1375 during the reign of Robert's grandson, Robert II, the first Stewart king of Scotland (1371-90), the poem represents the earliest surviving complete literary work of any length produced in "Inglis" in late medieval Scotland, andis usually regarded as the starting point for any worthwhile discussion of the language and literature of Early Scots. It has also been used as an essential "historical" source for the career and character of that iconic monarch Robert I. But its narrative defies easy categorisation, and has been variously interpreted as a romance, a verse history, an epic or a chivalric biography. This collection re-assesses the form and purpose of Barbour's great poem. It considers the poem from a variety of perspectives, re-examining the literary, historical, cultural and intellectual contexts in which it was produced, and offering important new insights. Steve Boardman is a Reader in History at the University of Edinburgh. Susan Foran, currently an independent scholar, researches chivalry, war and the idea of nation in late medieval historical writing. Contributors: Steve Boardman, Dauvit Broun, Michael Brown, Susan Foran, Chris Given-Wilson, Theo van Heijnsbergen, Rhiannon Purdie, Biörn Tjällén, Diana B. Tyson, Emily Wingfield.

Hardcover. Condizione: Brand New. 244 pages. 9.25x6.50x0.75 inches. In Stock.

Hardback. Condizione: New. Fresh approaches to one of the most important poems from medieval Scotland.John Barbour's Bruce, an account of the deeds of Robert I of Scotland (1306-29) and his companions during the so-called wars of independence between England and Scotland, is an important and complicated text. Composed c.1375 during the reign of Robert's grandson, Robert II, the first Stewart king of Scotland (1371-90), the poem represents the earliest surviving complete literary work of any length produced in "Inglis" in late medieval Scotland, andis usually regarded as the starting point for any worthwhile discussion of the language and literature of Early Scots. It has also been used as an essential "historical" source for the career and character of that iconic monarch Robert I. But its narrative defies easy categorisation, and has been variously interpreted as a romance, a verse history, an epic or a chivalric biography. This collection re-assesses the form and purpose of Barbour's great poem. It considers the poem from a variety of perspectives, re-examining the literary, historical, cultural and intellectual contexts in which it was produced, and offering important new insights. Steve Boardman is a Reader in History at the University of Edinburgh. Susan Foran, currently an independent scholar, researches chivalry, war and the idea of nation in late medieval historical writing. Contributors: Steve Boardman, Dauvit Broun, Michael Brown, Susan Foran, Chris Given-Wilson, Theo van Heijnsbergen, Rhiannon Purdie, Biörn Tjällén, Diana B. Tyson, Emily Wingfield.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Signed within the text at the author's reference by: Andre Alexis, Marie-Claire Blais, Clark Blaise, Dionne Brand, Bonnie Burnard, Barry Callaghan, Roch Carrier, Wayson Choy, Austin Clarke 27 Sept 2009, George Elliott Clarke, Douglas Coupland 28/10/09, Lorna Crozier, Trevor Ferguson, Charles Foran, Cecil Foster, Gary Geddes, Katherine Govier, Richard Gwyn, Elizabeth Hay, Steven Heighton, Lawrence Hill, Jack Hodgins, Wayne Johnston, Guy Gavriel Kay, Joseph Kertes, Thomas King, Dany Laferriere, Dennis Lee, Don McKay, Alistair MacLeod, Lee Maracle, Sid Marty, John Metcalf, Anne Michaels, Susan Musgrave, Michael Ondaatje, Kenneth Oppel, Monique Proulx, Paul Quarrington, Nino Ricci, David Adams Richards, Leon Rooke, John Ralston Saul, Diane Schoemperlen, Linda Spalding, Cordelia Strube,Rosemary Sullivan, Susan Swan, Drew Hayden Taylor, Jane Urquhart, M. G. Vassanji, Richard Wright, Ronald Wright, Robert Sawyer. Signed on the title page or adjacent page or front end paper by; Seth, Camilla Gibb, Robert Wilson, Linwood Barclay, John Bemrose, Joseph Boyden, Miriam Toews, Linden MacIntyre (2), Lisa Moore (2), Barry Dempster, Annabel Lyon, Diana Fitzgerald Bryden, Charlotte Gray, Mark Kingwell, Daniel Poliquin, Michael Crummey, Alan Bradley, Patrick Taylor, Jack Whyte, Michael Redhill, Nicholas Ruddock, Peter Robinson (2), Giles Blunt, Joy Fielding, John Ibbitson, Shane Peacock, Alison Pick, Emma Donoghue, Alissa York, Louise Penny, Meaghan Strimas, Michael Wex, Sheila Heti, Sarah Selecky, Johanna Skibsrud, Priscilla Uppal, Olive Senior, David Bezmozgis, Patrick deWitt, Esi Edugyan, Peter Behrens, Frances Itani, Emma Ruby-Sachs, Marina Endicott, Trevor Cole, Kim Thuy, Eva Stachniak, Marjorie Celona, Lilian Nattel, Ami McKay, Richard Wagamese, Gary Barwin, Lynne Kutsukake, Don Needles, Leanne Betasamosake, Suzette Mayr, Zoe Whittall, Catherine Leroux, Daniel Grenier, Barbara Gowdy, Michael Helm, David Chariandy, Michelle Berry, Alexander MacLeod, Wade Davis, Yann Martel, Sara Gruen, Will Ferguson, Terry Fallis, Carmen Aguirre, Donna Morrissey, Dennis Bock, Tanya Talaga, Canisia Lubrin, Cherie Dimaline, Deepa Rajagopalan. All signatures collected personally at multiple local author events. First edition and first printing of the second edition of the Concise Oxford Companion To Canadian Literature. Edited by William Toye. Signed by Author(s).

Condizione: New. Print on Demand 224.

Condizione: New. Print on Demand 224.

Condizione: New. PRINT ON DEMAND 224.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Fresh approaches to one of the most important poems from medieval Scotland.InhaltsverzeichnisIntroduction: King Robert the Bruce s Book - Steven Boardman and Susan ForanThe Manuscript and Print Contexts of Barbour s Bruce - E.

Buch. Condizione: Neu. Barbour's Bruce and Its Cultural Contexts | Politics, Chivalry and Literature in Late Medieval Scotland | Steve Boardman (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2015 | D.S.Brewer | EAN 9781843843573 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - John Barbour's Bruce, an account of the deeds of Robert I of Scotland (1306-29) and his companions during the so-called wars of independence between England and Scotland, is an important and complicated text. Composed c.1375 during the reign of Robert's grandson, Robert II, the first Stewart king of Scotland (1371-90), the poem represents the earliest surviving complete literary work of any length produced in 'Inglis' in late medieval Scotland, and is usually regarded as the starting point for any worthwhile discussion of the language and literature of Early Scots. It has also been used as an essential 'historical' source for the career and character of that iconic monarch Robert I. But its narrative defies easy categorisation, and has been variously interpreted as a romance, a verse history, an epic or a chivalric biography. This collection re-assesses the form and purpose of Barbour's great poem. It considers the poem from a variety of perspectives, re-examining the literary, historical, cultural and intellectual contexts in which it was produced, and offering important new insights. Steve Boardman is a Reader in History at the University of Edinburgh. Susan Foran, currently an independent scholar, researches chivalry, war and the idea of nation in late medieval historical writing. Contributors: Steve Boardman, Dauvit Broun, Michael Brown, Susan Foran, Chris Given-Wilson, Theo van Heijnsbergen, Rhiannon Purdie, Biorn Tjallen, Diana B. Tyson, Emily Wingfield.