Susanna beer (37 risultati)

paperbound, 8vo, 2 volumes 473 pp. Pope Pius II Piccolomini; Cardinal Giacomo degli Ammannati; Cardinal Pietro Riario; King Ferrante of Aragon; Federico da Montefeltro of Urbino; very good condition.

2018; Paperback; goed exemplaar; naam voorin ; Paperback; goed exemplaar; naam voorin ; Paperback; goed exemplaar; naam voorin.

hardcover. Condizione: Good. Condizione sovraccoperta: Includes dust jacket.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Includes dust jacket.

Original Cloth. Condizione: Very Good. No Jacket. First Edition. 153 pp. all clean & mint, black cloth, binding sound. so an author signed as new copy Size: Large crown. Many Photos & a Few Drawings. (illustratore). Author Signed. Personal Tribute.

Paperback. Condizione: new. Paperback. The epigram is certainly one of the most intriguing, while at the same time most elusive, genres of Neo-Latin literature. From the end of the fifteenth century, almost every humanist writer who regarded himself a true "poeta" had composed a respectable number of epigrams. Given our sense of poetical aesthetics, be it idealistic, postidealistic, modern, or postmodern, the epigrammatic genre is difficult to understand. Because of its close ties with the historical and social context, it does not fit any of these aesthetic approaches. By presenting various epigram writers, collections, and subgenres from the fifteenth to the seventeenth century, this volume offers a first step toward a better understanding of some of the features of humanist epigram literature. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. 2009. 1st Edition. hardcover. . . . . .

Hardcover. Condizione: new. Hardcover. The Renaissance Battle for Rome examines the rhetorical battle fought simultaneously between a wide variety of parties (individuals, groups, authorities) seeking prestige or legitimacy through the legacy of ancient RomeEDa battle over the question of whose claims to this legacy were most legitimate. Distinguishing four domainsEDpower, morality, cityscape and literatureEDin which ancient Rome represented a particularly powerful example, this book traces thecontours of this rhetorical battle across Renaissance Europe, based on a broad selection of Humanist Latin Poetry. It shows how humanist poets negotiated different claims on behalf of others and themselves intheir work, acting both as "spin doctors" and "new Romans", while also undermining competing claims to this same idealized past. By so doing this book not only offers a new understanding of several aspects of the Renaissance that are usually considered separately, but ultimately allows us to understand Renaissance culture as a constant negotiation between appropriating and contesting the idea and ideal of "Rome." The Renaissance Battle for Rome examines a rhetorical battle fought simultaneously between many parties seeking prestige or legitimacy through the legacy of ancient Rome. It traces the contours of this battle across Renaissance Europe, waged by humanist Latin poets negotiating different claims on behalf of others and themselves in their work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Brand New. 1st edition. 338 pages. Latin language. 9.25x6.25x0.75 inches. In Stock.

Condizione: New.

Condizione: New. 2009. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: New. pp. vi + 350.

Buch. Condizione: Neu. Neuware - The epigram is certainly one of the most intriguing, while at the same time most elusive, genres of Neo-Latin literature. From the end of the fifteenth century, almost every humanist writer who regarded himself a true ¿poeta¿ had composed a respectable number of epigrams. Given our sense of poetical aesthetics, be it idealistic, post-idealistic, modern or post-modern, the epigrammatic genre is difficult to understand. Because of its close ties with the historical and social context, it does not fit any of these aesthetic approaches. By presenting various epigram writers, collections and subgenres from the fifteenth to the seventeenth century, this volume offers a first step towards a better understanding of some of the features of humanist epigram literature.Contributions by: Karl A.E. Enenkel, Stephan Busch, Marc D. Lauxtermann, Jan Bloemendal, Donatella Coppini, David Rijser, Susanna De Beer, Christoph Pieper, Han Lamers, Maarten Jansen, Tobias Leuker, Juliette A. Groenland, Johannes Jansen, Moniek van Oosterhout, Ingrid D. Rowland.…

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

hardcover. Condizione: New. 1st.

Condizione: New. pp. vi + 350 Illus.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. illustrated edition. 431 pages. 9.25x6.50x1.25 inches. In Stock.

Hardcover. Condizione: Brand New. 256 pages. 9.41x6.42x1.06 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: Very Good.

Buch. Condizione: Neu. Neuware - The Renaissance Battle for Rome examines the rhetorical battle fought simultaneously between a wide variety of parties (individuals, groups, authorities) seeking prestige or legitimacy through the legacy of ancient Rome-a battle over the question of whose claims to this legacy were most legitimate. Distinguishing four domains-power, morality, cityscape and literature-in which ancient Rome represented a particularly powerful example, this book traces the contours of this rhetorical battle across Renaissance Europe, based on a broad selection of Humanist Latin Poetry. It shows how humanist poets negotiated different claims on behalf of others and themselves in their work, acting both as 'spin doctors' and 'new Romans', while also undermining competing claims to this same idealized past. By so doing this book not only offers a new understanding of several aspects of the Renaissance that are usually considered separately, but ultimately allows us to understand Renaissance culture as a constant negotiation between appropriating and contesting the idea and ideal of 'Rome.'.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Buch. Condizione: Neu. Neuware - This book represents the first reception history of the classical myth of the 'Golden Age' from Antiquity up until the present. The introduction proposes 'Golden Age thinking' as a set of connected ideas about the flexible organization of time, morality and divine interventions. The case-studies reveal the different ways this has been and still is being used to promote a particular vision of the future by connecting it to an idealized vision of a lost past. Together they offer a toolkit for understanding this motif's enduring power, and reconstruct the trajectory during which Greco-Roman antiquity, from being the origin of the Golden Age myth, was transformed into a kind of Golden Age itself.…

Buch. Condizione: Neu. Neuware - This study examines the system and poetics of literary patronage in the Renaissance by presenting a comprehensive analysis of the poetry of Giannantonio Campano. In this way, it addresses two themes largely overlooked by modern scholarship. Most studies of literary patronage focus on antiquity, the Middle Ages, or on England during the seventeenth and eighteenth centuries. If Renaissance patronage is considered at all, the focus is almost exclusively on social and political networks or on the visual arts. In spite of this, literary patronage in fact forms a crucial context for our understanding of the work and careers of Renaissance writers like Campano. By analysing Campano's poetry in relation to his various patronage relationships, this study also offers the first comprehensive introduction to his poetic oeuvre. His poems not only shed light on his own patronage relationships with important Renaissance princes such as Pope Pius II and Federico da Montefeltro, but also revive and appropriate the ancient literary patronage discourse found in the poetry of Horace, Ovid, Martial, and other classical writers. This study not only focuses on the social function of Campano's poetry, therefore, but also explores its distinct literary character.…

Condizione: New. Brand New.

Hardback, 431 p., 156 x 234 mm, Illustrations:45 b/w, 16 col., English, Latin. *NEW ISBN 9782503542386. This study examines the system and poetics of literary patronage in the Renaissance by presenting a comprehensive analysis of the poetry of Giannantonio Campano. In this way, it addresses two themes largely overlooked by modern scholarship. Most studies of literary patronage focus on antiquity, the Middle Ages, or on England during the seventeenth and eighteenth centuries. If Renaissance patronage is considered at all, the focus is almost exclusively on social and political networks or on the visual arts. In spite of this, literary patronage in fact forms a crucial context for our understanding of the work and careers of Renaissance writers like Campano. By analysing Campano?s poetry in relation to his various patronage relationships, this study also offers the first comprehensive introduction to his poetic oeuvre. His poems not only shed light on his own patronage relationships with important Renaissance princes such as Pope Pius II and Federico da Montefeltro, but also revive and appropriate the ancient literary patronage discourse found in the poetry of Horace, Ovid, Martial, and other classical writers. This study not only focuses on the social function of Campano?s poetry, therefore, but also explores its distinct literary character. TABLE OF CONTENTS Introduction Chapter 1. Poetry as Common Ground: Pope Pius II Piccolomini Chapter 2. Friends Will be Friends: Cardinal Giacomo degli Ammannati Chapter 3. The Mutual Benefit of Patronage: Cardinal Pietro Riario Chapter 4. Unsuccessful Attempts: King Ferrante I of Aragon Chapter 5. A Constant Supporter: Federico da Montefeltro of Urbino Epilogue Appendix I. The Textual Transmission of Campano?s Poetry Appendix II. Campano?s Poetic oeuvre Appendix III. Critical Edition Bibliography Index 0 g.…