Svehla gary j (554 risultati)

Paperback. Condizione: Fair. Illustrated. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Very Good.

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condizione: Good.

Paperback. Condizione: Fair. The new printing of We Belong Dead has been revised and includes a new chapter by Gary J. Svehla, The Evolution of Hammer's Baron Frankenstein. This book stands as a testament to the durability of Mary Shelley's original novel. The fact that today the name Frankenstein still elicits an immediate emotional response speaks of the universality of the Frankenstein mythos. Frankenstein's Monster, over the course of the 20th century, became all things to all people. He was the social outcast who still had redeeming qualities. He was the loner, the tortured outsider to whom most of us could relate. He was the symbol of fear and of death, the creature better off dead who still stalked the laboratories of egocentric science. He became the metaphor for science gone bad. he was the Dark Side before Star Wars. He became a symbol that life, no matter how pathetic, was always better than death. The Monster represented a creature who sometimes wanted to die but could not. The Monster became the mirror in which the movie viewer could view the cruelty of an insensitive society that both created and later abandoned its own abominations. Whether we look at Frankenstein's Monster as the bogeyman, as metaphor, as kindred spirit, or as society's mirror, the fact remains that Mary Shelley knew not what she wrought during that haunted summer of 1816, and this volume is the latest effort in a relatively short line that tries to explain, looking at both cinema past and present, the meaning of Boris Karloff's immortal words from 1935's Bride of Frankenstein--We belong dead.…

Paperback. Condizione: Good. The new printing of We Belong Dead has been revised and includes a new chapter by Gary J. Svehla, The Evolution of Hammer's Baron Frankenstein. This book stands as a testament to the durability of Mary Shelley's original novel. The fact that today the name Frankenstein still elicits an immediate emotional response speaks of the universality of the Frankenstein mythos. Frankenstein's Monster, over the course of the 20th century, became all things to all people. He was the social outcast who still had redeeming qualities. He was the loner, the tortured outsider to whom most of us could relate. He was the symbol of fear and of death, the creature better off dead who still stalked the laboratories of egocentric science. He became the metaphor for science gone bad. he was the Dark Side before Star Wars. He became a symbol that life, no matter how pathetic, was always better than death. The Monster represented a creature who sometimes wanted to die but could not. The Monster became the mirror in which the movie viewer could view the cruelty of an insensitive society that both created and later abandoned its own abominations. Whether we look at Frankenstein's Monster as the bogeyman, as metaphor, as kindred spirit, or as society's mirror, the fact remains that Mary Shelley knew not what she wrought during that haunted summer of 1816, and this volume is the latest effort in a relatively short line that tries to explain, looking at both cinema past and present, the meaning of Boris Karloff's immortal words from 1935's Bride of Frankenstein--We belong dead.…

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Fine.

Paperback or Softback. Condizione: New. Midnight Marquee #76. Book.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Very Good. First Edition. Octavo, 9" tall, 320 pages, stiff illustrated wraps. A very good, generally clean, neat, soft cover with minor shelf wear, slight soiling to the fore-edge, binding tight, paper white.

Condizione: New.

Paperback. Condizione: New. Illustrated.

Condizione: New.

Paperback. Condizione: New. Illustrated.

Condizione: New.

Condizione: New.

Paperback or Softback. Condizione: New. Mad About Movies #8. Book.

Paperback or Softback. Condizione: New. Midnight Marquee 78. Book.

Paperback or Softback. Condizione: New. Midnight Marquee 73/74. Book.

Paperback or Softback. Condizione: New. Midnight Marquee 71/72. Book.

Paperback or Softback. Condizione: New. Midnight Marquee 75. Book.

Oversize Softcover. Condizione: Very Good.

Paperback. Condizione: Fair. The new printing of We Belong Dead has been revised and includes a new chapter by Gary J. Svehla, The Evolution of Hammer's Baron Frankenstein. This book stands as a testament to the durability of Mary Shelley's original novel. The fact that today the name Frankenstein still elicits an immediate emotional response speaks of the universality of the Frankenstein mythos. Frankenstein's Monster, over the course of the 20th century, became all things to all people. He was the social outcast who still had redeeming qualities. He was the loner, the tortured outsider to whom most of us could relate. He was the symbol of fear and of death, the creature better off dead who still stalked the laboratories of egocentric science. He became the metaphor for science gone bad. he was the Dark Side before Star Wars. He became a symbol that life, no matter how pathetic, was always better than death. The Monster represented a creature who sometimes wanted to die but could not. The Monster became the mirror in which the movie viewer could view the cruelty of an insensitive society that both created and later abandoned its own abominations. Whether we look at Frankenstein's Monster as the bogeyman, as metaphor, as kindred spirit, or as society's mirror, the fact remains that Mary Shelley knew not what she wrought during that haunted summer of 1816, and this volume is the latest effort in a relatively short line that tries to explain, looking at both cinema past and present, the meaning of Boris Karloff's immortal words from 1935's Bride of Frankenstein--We belong dead.…

Paperback. Condizione: Good. The new printing of We Belong Dead has been revised and includes a new chapter by Gary J. Svehla, The Evolution of Hammer's Baron Frankenstein. This book stands as a testament to the durability of Mary Shelley's original novel. The fact that today the name Frankenstein still elicits an immediate emotional response speaks of the universality of the Frankenstein mythos. Frankenstein's Monster, over the course of the 20th century, became all things to all people. He was the social outcast who still had redeeming qualities. He was the loner, the tortured outsider to whom most of us could relate. He was the symbol of fear and of death, the creature better off dead who still stalked the laboratories of egocentric science. He became the metaphor for science gone bad. he was the Dark Side before Star Wars. He became a symbol that life, no matter how pathetic, was always better than death. The Monster represented a creature who sometimes wanted to die but could not. The Monster became the mirror in which the movie viewer could view the cruelty of an insensitive society that both created and later abandoned its own abominations. Whether we look at Frankenstein's Monster as the bogeyman, as metaphor, as kindred spirit, or as society's mirror, the fact remains that Mary Shelley knew not what she wrought during that haunted summer of 1816, and this volume is the latest effort in a relatively short line that tries to explain, looking at both cinema past and present, the meaning of Boris Karloff's immortal words from 1935's Bride of Frankenstein--We belong dead.…