sweeney j gray (114 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Very Good. 1st. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: very_good. Item may have minor cosmetic defects marks, wears, cuts, bends, crushes on the cover, spine, pages or dust cover. Shrink wrap, dust covers, or boxed set case may be missing. Item may contain remainder marks on outside edges, which should be noted in Product Details. Item may be missing bundled media.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condizione: Good. The dust jacket is in rough shape, shows significant wear. Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations, First Aid and Fire Stations!

Condizione: Good. 0th Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. 0th Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. 0th Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Near Fine. 1st Edition. Book is Near Fine with faint wear. Jacket is Strong Very Good with light corner and edge shelf wear. Some very light storage marks and a small 2 inch tear near left front corner. Interior is unmarked with clean white pages.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. Boston: Beacon Hill Fine Art, 1997. Essay with 14 color text illustrations; 22 color catalogue plates. Jervis McEntee and his "Company", his artist friends and companions: Sanford Gifford, Worthington Whittredge, John Kensett, Aaron Draper Shattuck, Samuel Colman, others. Clean; a ripple along the top edge. Printed Wrapper (softcover). Very Good. 11.5" x 10.5".

Paperback. Condizione: Very Good. Very good- paperback. Stated First Printing. Spine is uncreased, binding tight and sturdy; text also very good. Shelfwear is very minor. Spine lightly sunned. Due to the size/weight of this book it is not available for expedited delivery; extra charges may apply for international shipping. Ships from Dinkytown in Minneapolis, Minnesota.

paperback. Condizione: Very Good. New York, 1999; illustrated paper covers; mils corner wear; 4to - over 9 3/4" to 12" tall; Interior is clean and unmarked; 174 pages. Additional shipping charges may be required due to the size and weight of book.

Soft cover. Condizione: Very Good. Softcover in pristine condition with some very light shelf wear to cover. Inside clean and binding tight.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Oversized hardcover edition with dust jacket, published by Mallard Press, 1991. 10-1/2" X 12", 239 pages with Notes, Bibliography, Index. An overview of American Western art, with in-depth analysis of the significant contributors to the history of the genre such as; Remington, Russell, Bierstadt, Moran, O'Keefe, and Bingham. Also included are many of the lesser known artists, such as Grace Carpenter Hudson, William Hahn, Henry Farney, and John Mix Stanley. Illustrated throughout with color photos. Orange cloth covered boards with the title and author imprinted on the spine in gold. Boards are flat, and the corners are not bumped or creased. Some fading to the bottom edges of the boards, small spots of edge wear to the head and heel of the spine. The dust jacket is intact and is not price clipped. There is a diagonal cut to the top right corner of the title page - about 1/2" diagonal cut at the corner. No former ownership marks, no writing on the text pages. This is not a remainder, not a library discard. The attached photo is of the copy we have in our inventory.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Unread. No markings in book. Binding is fine. Light bump to cover corner tips and DJ. 168pp.

Wrappers. Condizione: Acceptable. Thought processThought processTweed Museum of Art, University of Minnesota, Duluth, Published 1977. Wraps, 44 pp.; 28 cm; side-stapled; illustrated with black-and-white reproductions throughout. In Acceptable condition. Cream-colored illustrated paper covers featuring Thomas Moran's "A Summer Squall" (1889) on the front and Jean-Baptiste Camille Corot's "Misty Morning" on the back. Light bumping and creasing to cover edges and corners; mild to moderate shelf wear overall; some toning along the edges. Sticker residue in the top right corner of the front cover. Printed wrapper, originally glued around the spine of the side-stapled text block, has separated and is now laid in, though the side-stapled block itself remains tight and complete. Previous owner's ink signature at the top of the title page. Pages mildly toned throughout but otherwise unmarked. Exhibition catalog for the dedicatory show held October 16 through November 20, 1977 at the Tweed Museum of Art, University of Minnesota Duluth, commemorating the opening of the museum's second major addition (financed by the Alice Tweed Tuohy Foundation). The exhibition juxtaposed nineteenth-century American and French treatments of the rural landscape, with loans from the Minneapolis Institute of Arts, the Paine Art Center and Arboretum, the Walker Art Center, the Hibbing Public Library, and private collections. American painters represented include Thomas Moran (whose "A Summer Squall" appears on the front cover), Albert Bierstadt, Winslow Homer, George Inness, James and William Hart, David Johnson, Alexander Wyant, William Haseltine, and Patrick Vincent Berry; French artists include Corot (whose "Misty Morning" appears on the back cover), Charles Francois Daubigny, Charles-Emile Jacque, Pierre Etienne Theodore Rousseau, Constant Troyon, Henri-Joseph Harpignies, and Felix Ziem. The essay by J. Gray Sweeney, Ph.D. traces the iconographic and stylistic relationships between Barbizon-tradition rural painting in France and the American agricultural landscape genre of the same period, situating both in the nineteenth century's broader move from wilderness sublimity toward an Edenic agrarian ideal. Contents: An Addition to the Tweed Museum of Art (William G. Boyce); Acknowledgments; The Agrarian Landscape In American and French Painting (essay by J. Gray Sweeney); Additional American Paintings In the Exhibition; Selected Bibliography (Bermingham, Cikovski, Corn, Huntington, McCoubrey, Novak, Sloane, Stein); Exhibition List.