Tamar w carroll (47 risultati)

Hardcover. Condizione: Acceptable. Condizione sovraccoperta: Includes dust jacket. Bumped top edges, slight crumpling and tears.

Hardcover. Condizione: As New. Like new hardback with dust jacket. Light shelf wear, pages are unmarked.

Soft cover. Condizione: New. None Issued. 1st Edition. This is a New and Unread copy of the first edition (1st printing). Inrtoduction by Tamar Carroll. Essay by Victoria W. Wolcott. A photographic history (in small part) of the Gay movement in NYC in the 1970s and 80s.

Condizione: New. Brand New.

Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Hardcover. Condizione: New.

paperback. Condizione: Very Good. Cover and edges may have some wear.

Paperback. Condizione: Fair. Book in Fair condition.

Condizione: New.

Paperback. Condizione: new. Paperback. "Whose Streets? Our Streets!" New York City 1980-2000 showcases the work of 37 independent photojournalists who documented ordinary New Yorkers as they rallied, marched and demonstrated in response to social issues including race relations, police brutality, housing and gentrification, labor, education, the environment, war, LGBTQ rights, HIV/AIDS, feminism, reproductive rights, and art and censorship. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Good. Book in Good condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. A look at how Hillary Clinton, Donald Trump, and American voters invoked ideas of gender and race in the fiercely contested 2016 US presidential electionGender and racial politics were at the center of the 2016 US presidential contest between Hillary Clinton and Donald Trump. The election was historic because Clinton was the first woman nominated by a major political party for thepresidency. Yet it was also historic in its generation of sustained reflection on the past. Clinton's campaign linked her with suffragist struggles--represented perhaps most poignantly by the parade of visitors to Susan B. Anthony's grave on Election Day--while Trump harnessed nostalgia through his promise to Make America Great Again. This collection of essays looks at the often vitriolic rhetoric that characterized the election: "nasty women" vs. "deplorables"; "bad hombres" and "Crooked Hillary"; analyzing the struggle and its result through the lenses of gender, race, and their intersections, and with particular attention to the roles of memory, performance, narrative, and social media. Contributors examine the ways that gender and racial hierarchies intersected and reinforced one another throughout the campaign season. Trump's association of Mexican immigrants with crime, and specifically with rape, for example, drew upon a long history of fearmongering that stereotypes Mexican men--and men of other immigrant and minority groups--as sexual aggressors against white women. At the same time, in response to both Trump'smisogynistic rhetoric and the iconic power of Clinton's candidacy, feminist consciousness grew steadily across the nation. Analyzing these phenomena, the volume's authors--both journalists and academics--engage with prominent debates in their diverse fields, while an epilogue by the editors considers recent ongoing developments like the #metoo movement. CHRISTINE A. KRAY is Associate Professor of Anthropology, TAMAR W. CARROLL is Associate Professor of History, and HINDA MANDELL is Associate Professor in the School of Communication, all at Rochester Institute of Technology.…

Hardback. Condizione: New. A look at how Hillary Clinton, Donald Trump, and American voters invoked ideas of gender and race in the fiercely contested 2016 US presidential electionGender and racial politics were at the center of the 2016 US presidential contest between Hillary Clinton and Donald Trump. The election was historic because Clinton was the first woman nominated by a major political party for thepresidency. Yet it was also historic in its generation of sustained reflection on the past. Clinton's campaign linked her with suffragist struggles--represented perhaps most poignantly by the parade of visitors to Susan B. Anthony's grave on Election Day--while Trump harnessed nostalgia through his promise to Make America Great Again. This collection of essays looks at the often vitriolic rhetoric that characterized the election: "nasty women" vs. "deplorables"; "bad hombres" and "Crooked Hillary"; analyzing the struggle and its result through the lenses of gender, race, and their intersections, and with particular attention to the roles of memory, performance, narrative, and social media. Contributors examine the ways that gender and racial hierarchies intersected and reinforced one another throughout the campaign season. Trump's association of Mexican immigrants with crime, and specifically with rape, for example, drew upon a long history of fearmongering that stereotypes Mexican men--and men of other immigrant and minority groups--as sexual aggressors against white women. At the same time, in response to both Trump'smisogynistic rhetoric and the iconic power of Clinton's candidacy, feminist consciousness grew steadily across the nation. Analyzing these phenomena, the volume's authors--both journalists and academics--engage with prominent debates in their diverse fields, while an epilogue by the editors considers recent ongoing developments like the #metoo movement. CHRISTINE A. KRAY is Associate Professor of Anthropology, TAMAR W. CARROLL is Associate Professor of History, and HINDA MANDELL is Associate Professor in the School of Communication, all at Rochester Institute of Technology.…

Soft cover. Condizione: Fine. 1st Edition. 518 pp., x. '10' in number line. Profusely illustrated with black and white illustrations. Following the Preface and "Introduction: The Expanding Discourse", Contents divided into 29 successive Essays: (1) Margaret R. Miles, "The Virgin's One Bare Breast: Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture"; (2) Patricia Simons, "Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture"; (3) Mary D. Garrard, "Leonardo da Vinci: Female Portraits, Female Nature"; (4) Patricia L. Reilly, The Taming of the Blue: Writing Out Color in Renaissance Theory"; (5) Lilian Zirpolo, "Botticelli's Primavera: A Lesson for the Bride"; (6) Rona Goffen, "Titian's Sacred and Profane Love and Marriage"; (7) Yael Even, "The Loggia dei Lanzi: A Showcase of Female Subjugation"; (8) Margaret D. Carroll, "The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence"; (9) Natalie Boymel Kampen, "The Muted Other: Gender and Morality in Augustan Rome and Eighteenth-Century Europe"; (10) Anne Higonnet, "Secluded Visiion: Images of Feminine Experience in Nineteenth-Century Europe"; (11) James M. Saslow, " ' Disagreeably Hidden ' : Construction and Constriction of the Lesbian Body in Rosa Bonheur's Horse Fair"; (12) Tamar Garb, " ' L'Art Feminin ' : The Formation of a Critical Category in Late Nineteenth-Century France"; (13) Linda Nochlin, "Morisot's Wet Nurse: The Construction of Work and Leisure in Impressionist Painting"; (14) Griselda Pollock, "Modernity and the Spaces of Femininity"; (15) Norma Broude, "Edgar Degas and French Feminism, ca. 1880: ' The Young Spartans ', The Brothel Monotypes, and the Bathers Revisited"; (16) Tamar Garb, "Renoir and the Natural Woman"; (17) Abigail Solomon-Godeau, "Going Native: Paul Gauguin and the Invention of Primitivist Modernism"; (18) Peter Brooks,"Gauguin's Tahitian Body"; (19) Carol Duncan, "The MoMA's Hot Mamas"; (20) Marilyn Lincoln Board, "Constructing Myths and Ideologies in Matisse's Odalisques"; (21) Mary Ann Caws, "Ladies Shot and Painted: Female Embodiment in Surrealist Art"; (22) "Janice Helland, "Culture, Politics, and Identity in the Paintings of Frida Kahlo"; (23) Helen Langa, "Egalitarian Vision, Gendered Experience: Women Printmakers and the WPA/FAP Project"; (24) Anne M. Wagner, "Lee Krasner as L.K."; (25) Barbara Buhler Lynes, "Georgia O'Keeffe and Feminism: A Problem of Position"; (26) Josephine Withers, "Judy Chicago's Dinner Party: A Personal Vision of Women's History"; (27) Lowery S. Sims, "Race Riots, Cocktail Parties, Black Panthers, Moon Shots, and Feminists: Faith Ringgold's Observations on the 1960s in America"; (28) Freida High W. Tesfagiorgis, "Afrofemcentrism and Its Fruition in the Art of Elizabeth Catlett and Faith Ringgold"; (29) Craig Owens, "The Discourse of Others: Feminists and Postmodernism"; Notes on the Contributors, pp. 503-505; Index, pp. 506-518. Glossy decorative green wrappers with Title and Editor names in White letters across top third and bottom front cover, respectively. Subtitle in yellow, just above a large, middle-lower middle, front cover, color illustration of Edgar Degas' "Spartan Girls Challenging Boys". Tiny nick to lower left spine corner and similar tiny nick to left edge spine near midpoint; small, soft crease, diminishingly, at top corners, pp. 11-40, First three pages of #8 Essay (Carroll) have small amount of yellow highlighting and first five pages of Essay #14 (Pollock), similarly,(i.e., 8 pp of 518 pp) : describes worse than it is, but there you have it. Virtually As New: Tight binding (NO cracks); square corners; NO remainder marks; NO previous owner names. Essentially, Clean text. Solid copy. …

Condizione: new.

hardcover. Condizione: Very Good. In stock ready to dispatch from the UK.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. A look at how Hillary Clinton, Donald Trump, and American voters invoked ideas of gender and race in the fiercely contested 2016 US presidential electionGender and racial politics were at the center of the 2016 US presidential contest between Hillary Clinton and Donald Trump. The election was historic because Clinton was the first woman nominated by a major political party for thepresidency. Yet it was also historic in its generation of sustained reflection on the past. Clinton's campaign linked her with suffragist struggles--represented perhaps most poignantly by the parade of visitors to Susan B. Anthony's grave on Election Day--while Trump harnessed nostalgia through his promise to Make America Great Again. This collection of essays looks at the often vitriolic rhetoric that characterized the election: "nasty women" vs. "deplorables"; "bad hombres" and "Crooked Hillary"; analyzing the struggle and its result through the lenses of gender, race, and their intersections, and with particular attention to the roles of memory, performance, narrative, and social media.Contributors examine the ways that gender and racial hierarchies intersected and reinforced one another throughout the campaign season. Trump's association of Mexican immigrants with crime, and specifically with rape, for example, drew upon a long history of fearmongering that stereotypes Mexican men--and men of other immigrant and minority groups--as sexual aggressors against white women. At the same time, in response to both Trump'smisogynistic rhetoric and the iconic power of Clinton's candidacy, feminist consciousness grew steadily across the nation. Analyzing these phenomena, the volume's authors--both journalists and academics--engage with prominent debates in their diverse fields, while an epilogue by the editors considers recent ongoing developments like the #metoo movement.CHRISTINE A. KRAY is Associate Professor of Anthropology, TAMAR W. CARROLL is Associate Professor of History, and HINDA MANDELL is Associate Professor in the School of Communication, all at Rochester Institute of Technology. A look at how Hillary Clinton, Donald Trump, and American voters invoked ideas of gender and race in the fiercely contested 2016 US presidential election Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. 2018. Hardcover. . . . . .

Paperback. Condizione: Brand New. 96 pages. 8.00x0.50x11.00 inches. In Stock.

Hardcover. Condizione: Brand New. 336 pages. 9.00x6.25x1.25 inches. In Stock.

Condizione: New. In English.

Condizione: New.

Condizione: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: New. Examining three interconnected case studies, Tamar Carroll powerfully demonstrates the ability of grassroots community activism to bridge racial and cultural differences and effect social change. Drawing on a rich array of oral histories, archival records, newspapers, films, and photographs from post-World War II New York City, Carroll shows how poor people transformed the antipoverty organization Mobilization for Youth and shaped the subsequent War on Poverty. Highlighting the little-known National Congress of Neighborhood Women, she reveals the significant participation of working-class white ethnic women and women of color in New York City's feminist activism. Finally, Carroll traces the partnership between the AIDS Coalition to Unleash Power (ACT UP) and Women's Health Action Mobilization (WHAM!), showing how gay men and feminists collaborated to create a supportive community for those affected by the AIDS epidemic, to improve health care, and to oppose homophobia and misogyny during the culture wars of the 1980s and 1990s. Carroll contends that social policies that encourage the political mobilization of marginalized groups and foster coalitions across identity differences are the most effective means of solving social problems and realizing democracy. …