Tasset tony (28 risultati)

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condizione: Near Fine. 1st. 79 pages, colour illustrations; 26 cm. Catalogue of installation held at University Galleries of Illinois State University, Normal, Ill., January 14 to February 23, 2003 and at Portland Institute for Contemporary Art, Portland, Oregon, March 12 to April 19, 2003. Near fine. Firm binding, clean inside copy. Age toning. *** "Bound by an overarching sincerity and yearning for the ideal, Tony Tasset's wry work has confronted the confluence of art, contemporary culture, and the everyday since the mid-1980s. Recently, Tasset has turned his investigations inward, using his personal life as a self-effacing foil to address social stereotypes, conflicts of the ego, and how we see ourselves through media influenced perspectives." - Publisher. *** CONTENTS: Tony Tasset: the amazing technicolor conceptualist, by Martin Patrick; Interview with Tony Tasset, by Stuart Horodner; Wet/dry: the Tasset dimension, by Barry Blinderman; Only an eye but what an eye, by Michelle Grabner; Still life with blue jay: endgame in Tony Tasset's art, by Bill Conger. Size: 4to. Collectible. …

paperback. Condizione: Good. minor wear and creasing.

Softcover. Condizione: Very Good. 80 page softcover exhibition book. Solid VG/near fine. Clean, spine not broken.

Soft cover. Condizione: Fine. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Works in various media by Tony Tasset. Texts by Martin Patrick, Stuart Horodner, Barry Blinderman, Michelle Grabner and Bill Conger. Includes a biography and an exhibition history. 80 pp., with numerous four-color illustrations. 10 x 9 inches. Published on the occasion of an exhibition at Illinois State University, which traveled to the Portland Institute of Contemporary Art, Oregon. Fine.…

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

First Edition. First edition. Softcover. 126 pages. Published in an edition of 1000. Features an essay by Kathryn Hixson. Includes numerous color illustrations. A very near fine copy in wrappers.

paperback. Condizione: New. First Paperback Edition. Publisher: Independent Curators International, 2005. FINE softcover in pictorial wraps, as issued. First Softcover Edition, First Printing. New. Pristine.

Soft cover. Condizione: Fine. 1st Edition. Fine paperback. Overall a bright and attractive copy, as new. From a limited edition of 1000. Illustrated throughout.

Softcover, unpaginated, as new condition, clean and crisp; no internal marks.

Softcover exhibition catalog, 128 pages, as new condition, clean and crisp; no internal marks.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

68 pp.; 25.4 x 20.3 cm; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Daniel Weinberg Gallery, Los Angeles, March 5 - April 2, 1988. Traveled to Leo Castelli Gallery, New York, May 21 - June 18, 1988. Foreword by Daniel Weinberg. Includes essay "A Common Thread," by Klaus Kertess. Artists include Richard Artschwager, Saint Clair Cemin, Chuck Close, Nancy Dwyer, Robert Gober, Joe Goode, Neil Jenney, Jeff Koons, Annette Lemieux, Sherrie Levine, Allan McCollum, Malcolm Morley, Haim Steinbach, Tony Tasset, John Torreano, Meyer Vaisman, Wallace & Donohue, and Joe Zucker. Includes exhibition checklist. Very Good / Fine. Light rubbing of covers at corners and edges. Contents are clean and unmarked and binding is tight to the spine.…

Softcover exhibition catalog, 24 pages, very good condition, no internal marks, clean and crisp, with color reproductions.

Trade Paperback. Condizione: Very Good. Limited printing of 1,000 copies.

First Edition. First edition. Softcover. 16 pages. Exhibition catalog for a show that ran February 1992. Text in English and Portuguese. Features a contribution by Bernardo Pinto De Almeida. Includes 8 small color illustrations and a list of previous exhibitions. A clean near fine copy in stapled wrappers with some very minor wear. Internally a clean copy.Uncommon and printed in an edition of only 500 copies.…

First Edition. First edition. Softcover. 24 pages. Exhibition catalog for Tasset's first European one person show that ran September through October 1987. Features an essay by Lynne Cooke. Includes color and black and white illustrations, list of previous exhibitions, and a selected bibliography. A near fine copy in wrappers with some very minor wear. Uncommon.…

Exhibition invite that unfolds 5 x 7 inches; very good condition; an unmailed copy.

paperback. Condizione: New.

First Edition. First edition. Softcover. [12 pages.] Exhibition catalog for a show that ran September 6 through October 3, 1986. Includes black and white illustrations of works by Michael Banicki, Jeanne Dunning, Hirsch Perlman, Tony Tasset, and Jonathan Waterbury. A fine copy in stapled wrappers. Uncommon with only 4 copies listed in OCLC. …

Softcover, staple-bound, 24 pages, very good condition, date of show in pen on title page; no other internal marks, clean and crisp. Foreign shipping may be extra.

First Edition. First edition. Softcover. 23 pages. Exhibition catalog for a show that ran October 7 through December 3, 1995. Foreword by Kevin E. Consey. Essay on Smithson by Lucinda Barnes. Artist essay by Smithson. Features the text of a conversation between Tony Tasset and Barnes. Includes several black and white illustrations. A close to near fine copy in stapled wrappers with some sunning to and along the spine.…

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Teils farbige Abbildungen. Ecken minimal bestossen, sonst tadelloser Zustand. Softcover / Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: Brand New. 240 pages. 12.00x9.50x1.02 inches. In Stock.

Soft cover. Condizione: As New. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. 2003-2018. Complete set of Esopus magazine premium subscriber issues to date (25 Volumes), sharing the following format: Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. 11-1/2 x 9 inches. This listing also includes the following additional Esopus limited edition artworks reserved for premium subscribers: Golden Years: Photographs by Ed Rosenbaum. Hardcover; no dust jacket as issued. 10-1/4 x 15 inches. Marilyn Minter: Untitled photograph reproduced on translucent film. 11-3/8 x 9 inches. Mark Hogancamp: Women of Marwencol: Recent Photographs. Soft cover; with paper slipcase, containing unbound folded posters. 9 x 9 inches. Charles Bissell and Beth Campbell: Three Types of Reading Ambiguity. Hardcover, with printed inserts and audio cassette tape enclosed in a cardboard folio. 11-1/2 x 9 inches. Robert Gober: Hope Hill Road (2012). Lithograph on acid-free paper, mounted to archival board. 20-1/8 x 20-1/4 inches (flattened), 13-1/2 x 9-1/4 inches (folded). Steve Keene: Original Painting from series "Esopus Paintings" (2017). Acrylic paint on wooden board. 11-1/2 x 9 inches. Anish Kapoor: Untitled photograph reproduced on paper (2018). 8 x 10 inches. As New. An extremely scarce, complete set of Esopus premium subscriber issues and limited edition artworks. …