Tati jacques director (20 risultati)

Soft cover. Condizione: Very Good. Innovative seventies magazine. This the 100th issue issue, includes cover by Harri Peccinotti (more fashion inside), Helmut Newton swimwear, London shopkeepers by Donald Silverstein, Jacques Tati profile, review of the first 100 issues of Nova, plus many stunning period advertisements. Slight shelf wear to cover and edges. Photographs available on request. All books dispatched same or next working day in robust packaging.…

.(not in original case).

Vintage borderless reference photograph from the set of the 1958 film, showing director Jacques Tati smoking a cigarette and watching as cameraman Paul Rodier films a scene. With two Cine-Revue stamps on the verso, along with manuscript ink and pencil layout annotations. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. Nominated for the Palme d'Or at Cannes, and winner of the Jury Special Prize, and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 9.5 x 7 inches. Near Fine.…

Vintage oversize, borderless, color photograph of director and star Jacques Tati on the set of the 1974 French film. Tati's final film, in which the beloved director plays a circus clown. Shown out of competition at Cannes, and then released in France as a television movie. 11.75 x 9.5 inches. Near Fine. BFI. Criterion Collection 731. Rosenbaum 1000.…

Vintage borderless photograph of director Jacques Tati during on a promotional tour for his 1953 film. Mimeo snipe on the verso. The film that introduced Jacques Tati's bumbling and hilarious Monsieur Hulot to the world. Nominated for an Academy Award. Shot on location on the coast of France. 5 x 7 inches. Near Fine. Criterion Collection 110. Ebert I. Rosenbaum 1000.…

Vintage borderless black and white photograph of director Jacques Tati at the premiere of his 1958 film, preparing to pour a celebratory toast of champagne into an empty paper sleeve for the vinyl single from the film's soundtrack, held by actress Mylene Demongeot. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. Nominated for the Palme d'Or at Cannes, and winner of the Jury Special Prize, and winner of an Academy Award for Best Foreign Language Film. 8 x 10 inches. Near Fine.…

Vintage borderless reference photograph from the 1949 film, showing director Jacques Tati talking with a live goat and an unidentified cast member. Annotations in manuscript ink and pencil on the verso. In his charming and beautifully plotless pre-Hulot first feature, Tati is Francois, a contented and happy postman in a small, unhurried French village. Francois is at ease with his job and leisurely performs his duties, peddling away on his rounds upon his beloved bicycle. A carnival comes to town, and one of the attractions is a film depicting the United States Postal Service's fast and efficient postal delivery system. The narrator in the film exhorts, "Rapidite, rapidite." Francois takes up the call, and attempts to Americanize his work style. 7 x 9.5 inches. Near Fine. BFI 603. Criterion Collection 730. Godard, Histoire(s) du cinema. Rosenbaum 1000.…

Three vintage reference photographs (one borderless) from the 1967 film. With manuscript annotations regarding layout to the verso, and one with the stamp of Specta Films. A masterpiece of French cinema. Using his own money, director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films, following "Monsieur Hulot's Holiday" (1953) and "Mon Oncle" (1958). The third feature finds him in the much-modernized heart of the city, with its complexities unfolding, revolving, deconstructing, and reconstructing before his eyes. Set in Paris. 7 x 5 inches. Very Good plus, with light edgewear.…

Vintage photograph of Jacques Tati as Monsieur Hulot from the 1958 film. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. Nominated for the Palme d'Or at Cannes, and winner of the Jury Special Prize, and winner of an Academy Award for Best Foreign Language Film. 7.25 x 5 inches. Near Fine, with a shallow diagonal crease to one corner. Criterion Collection 111. Ebert II. Rosenbaum 1000.…

Vintage reference photograph from the 1958 film, showing director Jacques Tati and a camera operator filming an outdoors scene. National Film Archive stamp on the verso, along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Tati's second of four films featuring the inimitable Monsieur Hulôt. In this chapter, Hulôt strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. Nominated for the Palme d'Or at Cannes, and winner of the Jury Special Prize, and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 10 x 8 inches. Near Fine. …

Vintage oversize borderless color reference photograph from the 1971 French film. The final film to feature Jacques Tati as the iconic, lovable Monsieur Hulot, following "Les Vacances de Monsieur Hulot" (1953), "Mon Oncle" (1958), and "Playtime" (1967). This feature finds Hulot as a naive but intrepid Parisian automobile designer whose plan to show off his newly created camper car at an auto show in Amsterdam is waylaid by a plethora of roadway obstacles, including Dutch customs, a car accident, and a slow-moving mechanic. Set and shot on location in Paris and the Netherlands. 11.75 x 9.5 inches. Near Fine.…

Vintage oversize borderless reference photograph from the classic 1954 film, showing Jacques Tati on the beach. Number stamp and annotations in manuscript ink on the verso. Good-natured, bumbling Mr. Hulot decides to take a summer trip to the French coast, where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world, followed by "Mon Oncle" (1958), "Play Time" (1967), and "Trafic" (1971). Shot on location on the coast of France. 9.25 x 11.25 inches. Very Good plus, with light wear at the corners and a couple of tiny bruises at the bottom right corner. Criterion Collection 110. Ebert I. Rosenbaum 1000.…

Vintage borderless reference photograph from the 1958 film, showing director Jacques Tati filming an outdoors scene. National Film Archive stamp on the verso, along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. Nominated for the Palme d'Or at Cannes, and winner of the Jury Special Prize, and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 7.75 x 10 inches. Near Fine.…

Four vintage borderless reference photographs from the 1954 film. With agency labels on the verso, along with manuscript ink and pencil annotations regarding layout. Good-natured, bumbling Mr. Hulot decides to take a summer trip to the French coast, where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world, followed by "Mon Oncle" (1958), "Play Time" (1967), and "Trafic" (1971). Shot on location on the coast of France. 7 x 5 inches. Very Good plus. Criterion Collection 110. Ebert I. Rosenbaum 1000.…

Vintage borderless reference photograph of Jacques Tati (as Monsieur Hulot) from the classic 1954 film. Good-natured, bumbling Mr. Hulot decides to take a summer trip to the French coast, where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world, followed by "Mon Oncle" (1958), "Play Time" (1967), and "Trafic" (1971). Shot on location on the coast of France. 6.75 x 9 inches. Very Good plus, with pinholes at the corners and light creasing on the bottom edge. Criterion Collection 110. Ebert I. Rosenbaum 1000.…

Vintage oversize borderless reference photograph from the classic 1954 film, showing Jacques Tati on the tennis court. Dutch blindstamp on the top right corner, and Dutch provenance label on the verso. Good-natured, bumbling Mr. Hulot decides to take a summer trip to the French coast, where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world, followed by "Mon Oncle" (1958), "Play Time" (1967), and "Trafic" (1971). Shot on location on the coast of France. 12 x 9.5 inches. Very Good plus. Criterion Collection 110. Ebert I. Rosenbaum 1000.…

Vintage oversize borderless color reference photograph from the 1967 film. A masterpiece of French cinema. Using his own money, director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films, following "Monsieur Hulot's Holiday" (1953) and "Mon Oncle" (1958). The third feature finds him in the much-modernized heart of the city, with its complexities unfolding, revolving, deconstructing, and reconstructing before his eyes. Set in Paris. Approximately 9.5 x 12 inches. Light wear at the corners, else Near Fine.…

Four vintage borderless color reference photographs from the 1967 film. A masterpiece of French cinema. Using his own money, director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films, following "Monsieur Hulot's Holiday" (1953) and "Mon Oncle" (1958). The third feature finds him in the much-modernized heart of the city, with its complexities unfolding, revolving, deconstructing, and reconstructing before his eyes. Set in Paris. Approximately 10.5 x 8.5 inches. Light wear at the corners, else Near Fine.…

Three vintage borderless photographs showing director Jacques Tati at work on the set of the 1958 film. With the stamps of the French Film Office's New York address, as well as film information, on the verso. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter, Hulot strays from his rather ordinary Paris neighborhood and into a modern, suburban one, where technological chaos reigns. Nominated for the Palme d'Or at Cannes, winner of the Jury Special Prize, and winner of an Academy Award for Best Foreign Language Film. 7.25 x 9.5 inches. Near Fine. Criterion Collection 111. Ebert II. Rosenbaum 1000.…

Vintage double weight black-and-white press photograph of director Jacques Tati, walking against traffic at the corner of 45th Street and 7th Avenue in New York City. With the stamp of photographer John Kender on the verso. Unfailingly sublime, here Tati is shown during his visit to New York for the November 1972 US premiere of his 1971 film, "Trafic." In the distance, two theaters can be seen, The Astor Theatre, and an unidentified theatre screening "The Valachi Papers" and "Lady Sings the Blues." 8 x 10 inches. Slightly irregular margins as struck. Near Fine.…