tatiana string marcus bull (19 risultati)

Hardcover. Condizione: Good. No Jacket. 1st Edition. Condition : Good. Ex university library with associated markings. Hard cover, no jacket. 286pp. Some pencilled highlighting. Photo on request.

Hardcover. Condizione: As New. Dust Jacket Included. Proceedings of the British Academy, vol. 170. xv, 286 pp.; 52 illus., 5 tables. Hardcover with DJ. Unread, as new. New list price: $135.00.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition.

Condizione: new.

Condizione: New. pp. 350 Illus.

Condizione: New. pp. 350.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First edition. Illustrated. 8vo. Fine publisher's cloth, in a fine pictorial dustwrapper, an interesting scholarly work on the Tudor styles and cultural influences in the modern day . xiv, 286pp.

Hardcover. Condizione: Brand New. 350 pages. 9.40x6.50x0.90 inches. In Stock.

Hardcover. Condizione: new. Hardcover. The first in-depth and wide-ranging academic investigation of the reception of the Tudor period in the modern world, this volume includes studies by many of the leading scholars in their fields, and considers the modern appropriation of the Tudors in art, music, architecture, design, religion, public history, social history, film and television, and internet networking sites. A noteworthy scholarly trend in recent decades has been a growing interest in the ways inwhich societies utilise the past as a cultural resource, as a repertoire of quotable designs and styles, as a vantage point from which to frame political and social critiques, as a source of identities,and as a refuge from present-day anxieties. There has been a great deal of academic interest, for example, in the reception of the ancient world in modern Western culture. Likewise, a growing body of scholarship is devoted to the study of medievalism, the images and ideas that attach to the Middle Ages in the post-medieval imaginary. It is striking that, in stark contrast, very little attention has been paid to the cultural appropriation of the Tudor age, despite the pronounced and enduringpopularity of the Tudors within the popular historical consciousness, not only in Britain but also in many other countries. Indeed, the Tudors supply many of the signature icons of Britishness and theBritish monarchy around the world. This innovative volume will open up a new area of study and set the scholarly agenda for many years to come. In architecture, music and literature, in paintings, films and television series, in print and on the internet, the Tudors are a hugely popular commodity. This volume is the first to study this phenomenon in depth, assembling foremost scholars in multiple fields to examine why the Tudors still make such an impact. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. Brand New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days. 726.

Hardback. Condizione: New. The first in-depth and wide-ranging academic investigation of the reception of the Tudor period in the modern world, this volume includes studies by many of the leading scholars in their fields, and considers the modern appropriation of the Tudors in art, music, architecture, design, religion, public history, social history, film and television, and internet networking sites. A noteworthy scholarly trend in recent decades has been a growing interest in the ways in which societies utilise the past as a cultural resource, as a repertoire of quotable designs and styles, as a vantage point from which to frame political and social critiques, as a source of identities, and as a refuge from present-day anxieties. There has been a great deal of academic interest, for example, in the reception of the ancient world in modern Western culture. Likewise, a growing body of scholarship is devoted to the study of medievalism, the images and ideas that attach to the Middle Ages in the post-medieval imaginary. It is striking that, in stark contrast, very little attention has been paid to the cultural appropriation of the Tudor age, despite the pronounced and enduring popularity of the Tudors within the popular historical consciousness, not only in Britain but also in many other countries. Indeed, the Tudors supply many of the signature icons of Britishness and the British monarchy around the world. This innovative volume will open up a new area of study and set the scholarly agenda for many years to come.

Hardcover. Condizione: new. Hardcover. The first in-depth and wide-ranging academic investigation of the reception of the Tudor period in the modern world, this volume includes studies by many of the leading scholars in their fields, and considers the modern appropriation of the Tudors in art, music, architecture, design, religion, public history, social history, film and television, and internet networking sites. A noteworthy scholarly trend in recent decades has been a growing interest in the ways inwhich societies utilise the past as a cultural resource, as a repertoire of quotable designs and styles, as a vantage point from which to frame political and social critiques, as a source of identities,and as a refuge from present-day anxieties. There has been a great deal of academic interest, for example, in the reception of the ancient world in modern Western culture. Likewise, a growing body of scholarship is devoted to the study of medievalism, the images and ideas that attach to the Middle Ages in the post-medieval imaginary. It is striking that, in stark contrast, very little attention has been paid to the cultural appropriation of the Tudor age, despite the pronounced and enduringpopularity of the Tudors within the popular historical consciousness, not only in Britain but also in many other countries. Indeed, the Tudors supply many of the signature icons of Britishness and theBritish monarchy around the world. This innovative volume will open up a new area of study and set the scholarly agenda for many years to come. In architecture, music and literature, in paintings, films and television series, in print and on the internet, the Tudors are a hugely popular commodity. This volume is the first to study this phenomenon in depth, assembling foremost scholars in multiple fields to examine why the Tudors still make such an impact. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. The first in-depth and wide-ranging academic investigation of the reception of the Tudor period in the modern world, this volume includes studies by many of the leading scholars in their fields, and considers the modern appropriation of the Tudors in art, music, architecture, design, religion, public history, social history, film and television, and internet networking sites. A noteworthy scholarly trend in recent decades has been a growing interest in the ways in which societies utilise the past as a cultural resource, as a repertoire of quotable designs and styles, as a vantage point from which to frame political and social critiques, as a source of identities, and as a refuge from present-day anxieties. There has been a great deal of academic interest, for example, in the reception of the ancient world in modern Western culture. Likewise, a growing body of scholarship is devoted to the study of medievalism, the images and ideas that attach to the Middle Ages in the post-medieval imaginary. It is striking that, in stark contrast, very little attention has been paid to the cultural appropriation of the Tudor age, despite the pronounced and enduring popularity of the Tudors within the popular historical consciousness, not only in Britain but also in many other countries. Indeed, the Tudors supply many of the signature icons of Britishness and the British monarchy around the world. This innovative volume will open up a new area of study and set the scholarly agenda for many years to come.

Hardcover. Condizione: new. Hardcover. The first in-depth and wide-ranging academic investigation of the reception of the Tudor period in the modern world, this volume includes studies by many of the leading scholars in their fields, and considers the modern appropriation of the Tudors in art, music, architecture, design, religion, public history, social history, film and television, and internet networking sites. A noteworthy scholarly trend in recent decades has been a growing interest in the ways inwhich societies utilise the past as a cultural resource, as a repertoire of quotable designs and styles, as a vantage point from which to frame political and social critiques, as a source of identities,and as a refuge from present-day anxieties. There has been a great deal of academic interest, for example, in the reception of the ancient world in modern Western culture. Likewise, a growing body of scholarship is devoted to the study of medievalism, the images and ideas that attach to the Middle Ages in the post-medieval imaginary. It is striking that, in stark contrast, very little attention has been paid to the cultural appropriation of the Tudor age, despite the pronounced and enduringpopularity of the Tudors within the popular historical consciousness, not only in Britain but also in many other countries. Indeed, the Tudors supply many of the signature icons of Britishness and theBritish monarchy around the world. This innovative volume will open up a new area of study and set the scholarly agenda for many years to come. In architecture, music and literature, in paintings, films and television series, in print and on the internet, the Tudors are a hugely popular commodity. This volume is the first to study this phenomenon in depth, assembling foremost scholars in multiple fields to examine why the Tudors still make such an impact. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condizione: Brand New. 350 pages. 9.40x6.50x0.90 inches. In Stock.

Buch. Condizione: Neu. Neuware - In architecture, music and literature, in paintings, films and television series, in print and on the internet, the Tudors are a hugely popular commodity. This volume is the first to study this phenomenon in depth, assembling foremost scholars in multiple fields to examine why the Tudors still make such an impact.