Taubert johannes (41 risultati)

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

hardcover. Condizione: Very Good. In very good, unmarked condition. Cover is very good. No dust jacket. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

Condizione: New. Brand New.

OBrosch. mit Vordertitel und OUmschlag, Seiten 43-101 mit SW-Abb. + 32 SW-Tafeln, 4° (16 x 25 cm), Rücken und Umschlag eingerissen, Umschlag leicht beschmutzt, sonst innen guter Zustand. Book Language/s: German.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

208 S. mit vielen Abb. Umschl. min. berieb. Sehr gutes Exemplar. Sprache: Deutsch 4°, Orig.-Karton mit ill. Orig.-Schutzumschlag.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Six essays, three in English, two in German, one in French: a general introduction, underdrawings, 16th century frames, Jan van Scorel's workshop underdrawings, Lucas van Leyden diptych, Pierre Breugel. Hardcover, full moss cloth, gilt titling. Light wear, corners bumped; jacket shows some rubbing, light spine fade, head of spine wrinkled. Text clean; x, 268 pages; notes, b/w figures. 7¾" by 10¼". …

Condizione: New. Polychrome sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. The author played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function. Num Pages: 216 pages, 240 colour illustrations. BIC Classification: AB. Category: (P) Professional & Vocational. Dimension: 250 x 150 x 15. Weight in Grams: 666. . 2016. 1st Edition. Hardcover. . . . .…

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. 216.

3. Aufl. 27 cm 208 S. Oln. OU 4°. 263 Ill. (z.T. farb.) u. graph. Darst.

Condizione: new.

Paperback. Condizione: New. This book features a masterwork in the field of conservation published in English for the first time. In the decades since its initial publication in German in 1978, Polychrome Sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. An early proponent of interdisciplinary research, Johannes Taubert played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function, an approach that has led to the development of technical art history as practiced today. Many of the essays in this volume apply such scientific techniques as microscopic analysis to an art-historical understanding of Romanesque and late Gothic wood sculpture, revealing that, far from serving a merely decorative function, the painted surface of these works was intricately connected to their meaning. The paint layers on the sculptures, for example, which the author spent years documenting through close examination and analysis, were intended to impart a heightened sense of reality to the life-sized sculptures, thereby enhancing the viewer's experience of worship.Taubert believed it was crucial for conservators to understand this context before undertaking any treatments.No other book offers such a focused, subtle, and interdisciplinary examination of the subject as Polychrome Sculpture. This influential work is now available in English for the first time, in a meticulous translation enhanced and updated by new color illustrations, annotations to the original text, and a new introduction.…

Condizione: As New. Unread book in perfect condition.

Condizione: New. Polychrome sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. The author played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function. Num Pages: 216 pages, 240 colour illustrations. BIC Classification: AB. Category: (P) Professional & Vocational. Dimension: 250 x 150 x 15. Weight in Grams: 666. . 2016. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.…

Condizione: New. In English.

Condizione: New.

Paperback. Condizione: new. Paperback. In the decades since its initial publication in German in 1978, Polychrome Sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. An early proponent of interdisciplinary research, Johannes Taubert played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function, an approach that has led to the development of technical art history as practiced today. Many of the essays in this volume apply such scientific techniques as microscopic analysis to an art-historical understanding of Romanesque and late Gothic wood sculpture, revealing that, far from serving a merely decorative function, the painted surface of these works was intricately connected to their meaning. The paint layers on the sculptures, for example, which the author spent years documenting through close examination and analysis, were intended to impart a heightened sense of reality to the life-sized sculptures, thereby enhancing the viewers experience of worship. Taubert believed it was crucial for conservators to understand this context before undertaking any treatments. No other book offers such a focused, subtle, and interdisciplinary examination of the subject as Polychrome Sculpture. This influential work is now available in English for the first time, in a meticulous translation enhanced and updated by new color illustrations, annotations to the original text, and a new introduction. Polychrome sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. The author played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Brand New. 1st edition. 216 pages. 10.50x8.50x1.00 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 216.

4°, hardcover. 216 pp New book. Originally sealed. Sprache: Englisch Gewicht in Gramm: 0.

4°, hardcover. 216 pp New book. Originally sealed. Sprache: Englisch Gewicht in Gramm: 0.

Condizione: Very Good. Sehr Gut, Leinenband mit Schutzumschlag, 208 S., 21x26x2 cm, mit Illustrationen in Schwarz-Weiß & Farbe, mit Bibliographie, Anmerkungen und Register Wenige Gebrauchsspuren Schutzumschlag (F/VG), wird als Briefkastenpaket verschickt.

Buch. Condizione: New. Polychrome sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. The author played a pioneering role in combining the rigorous scientific analysis of materials with a .

4°, OPpBd, SU. 207 S. Wie neu. Sprache: Deutsch Gewicht in Gramm: 0.

Buch. Condizione: Neu. Neuware - A masterwork in the filed of conservation published in English for the first timeIn the decades since its initial publication in German in 1978, Polychrome Sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. An early proponent of interdisciplinary research, Johannes Taubert played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function, an approach that has led to the development of technical art history as practiced today. Many of the essays in this volume apply such scientific techniques as microscopic analysis to an art-historical understanding of Romanesque and late Gothic wood sculpture, revealing that, far from serving a merely decorative function, the painted surface of these works was intricately connected to their meaning. The paint layers on the sculptures, for example, which the author spent years documenting through close examination and analysis, were intended to impart a heightened sense of reality to the life-sized sculptures, thereby enhancing the viewer's experience of worship. Taubert believed it was crucial for conservators to understand this context before undertaking any treatments. No other book offers such a focused, subtle, and interdisciplinary examination of the subject as Polychrome Sculpture. This influential work is now available in English for the first time, in a meticulous translation enhanced and updated by new color illustrations, annotations to the original text, and a new introduction.…