Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
paperback. Condizione: New.
Lingua: Tedesco
ISBN 10: 3955751457 ISBN 13: 9783955751456
Da: medimops, Berlin, Germania
EUR 7,69
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Aggiungi al carrelloPaperback. Condizione: New. What political power do videos on social media have? In what ways do they exert influence, shape publics and change political life? And how can committed civil society actors in this field assert themselves against hegemonic discourses, commercial interests, anti-democratic agitation, and authoritarian propaganda? These questions are being debated intensely as social media increasingly dominate global information flows, and videos increasingly dominate social media.Understanding video activism seems particularly relevant at a time when the internet is undergoing fundamental disruptions. The forms, practices, and opportunities of activism depend on its media environment, which now is changing rapidly and profoundly in terms of its technological basis, ownership, legal regulations, and governmental control.
Condizione: As New. Unread book in perfect condition.
Paperback. Condizione: New. What political power do videos on social media have? In what ways do they exert influence, shape publics and change political life? And how can committed civil society actors in this field assert themselves against hegemonic discourses, commercial interests, anti-democratic agitation, and authoritarian propaganda? These questions are being debated intensely as social media increasingly dominate global information flows, and videos increasingly dominate social media.Understanding video activism seems particularly relevant at a time when the internet is undergoing fundamental disruptions. The forms, practices, and opportunities of activism depend on its media environment, which now is changing rapidly and profoundly in terms of its technological basis, ownership, legal regulations, and governmental control.
EUR 10,49
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neu -»Klassische Filmtheorie« widmet sich jener Phase der Filmgeschichte zwischen 1914 und 1960, von der zentrale und bis heute prägende Denkimpulse für das Kino ausgingen. Das Buch gibt einen Überblick über die wesentlichen Ansätze der Filmtheorie, stellt Autorinnen und Autoren wie Emilie Altenloh, Rudolf Arnheim, Sergei Eisenstein, André Bazin und Hortense Powdermaker vor, ordnet ihre Überlegungen in den historischen Kontext ein und verknüpft sie mit aktuellen Fragen der Medienforschung. In sieben Beiträgen erforscht das Buch zentrale Probleme der Filmtheorie und diskutiert u. a. die umstrittene Anerkennung des Kinos als Kunst, die Entstehung des engagierten Dokumentarfilms, den filmischen Realitätsbezug sowie die Einflüsse von Soziologie, Anthropologie und Psychologie. Imitiert der Film das menschliche Wahrnehmungsvermögen oder erweitert er es auf neue Weise Bilden Filme die soziale Realität ab oder konstruieren sie eine eigene Wirklichkeit Prägt die Gesellschaft die Produktion und Inhalte von Filmen oder beeinflussen umgekehrt Filme die Gesellschaft »Klassische Filmtheorie« ergänzt den Band »Moderne Film Theorie« (2002) und richtet sich an Studierende der Film-, Medien- und anderer Geisteswissenschaften sowie an alle, die Lust am Nachdenken über Filme haben. An jeden Beitrag schließt sich eine exemplarische Analyse eines »klassischen« Films an. So lädt das Buch dazu ein, Filme von Buster Keaton, Fritz Lang, Naruse Mikio und anderen mit neuen Augen wiederzuentdecken. 256 pp. Deutsch.
EUR 39,27
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Aggiungi al carrelloCondizione: New. In.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 250 pages. 9.60x6.69x9.61 inches. In Stock.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 250 pages. 9.60x6.69x9.61 inches. In Stock.
Paperback. Condizione: New. What political power do videos on social media have? In what ways do they exert influence, shape publics and change political life? And how can committed civil society actors in this field assert themselves against hegemonic discourses, commercial interests, anti-democratic agitation, and authoritarian propaganda? These questions are being debated intensely as social media increasingly dominate global information flows, and videos increasingly dominate social media.Understanding video activism seems particularly relevant at a time when the internet is undergoing fundamental disruptions. The forms, practices, and opportunities of activism depend on its media environment, which now is changing rapidly and profoundly in terms of its technological basis, ownership, legal regulations, and governmental control.
EUR 4,99
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Aggiungi al carrelloKt - (OVK: 15,00). Condizione: Neu. 256 S. UNBENUTZTE NEUWARE - Restexemplar des Verlags. Sofort versandfertig! Sprache: Deutsch Gewicht in Gramm: 347.
Da: A43 Kulturgut, Münster, Germania
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Aggiungi al carrelloKt - (OVK: 10,00). Condizione: Sehr gut. 128 S. MÄNGELEXEMPLAR: UNGELESEN und VOLLSTÄNDIG, aber mit leichten äußeren LAGER-/TRANSPORTSPUREN. Mit einem STEMPEL im BUCHSCHNITT als Mängelexemplar gekennzeichnet. Sofort versandfertig! Sprache: Deutsch Gewicht in Gramm: 106.
EUR 39,29
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Aggiungi al carrelloPaperback. Condizione: New. What political power do videos on social media have? In what ways do they exert influence, shape publics and change political life? And how can committed civil society actors in this field assert themselves against hegemonic discourses, commercial interests, anti-democratic agitation, and authoritarian propaganda? These questions are being debated intensely as social media increasingly dominate global information flows, and videos increasingly dominate social media.Understanding video activism seems particularly relevant at a time when the internet is undergoing fundamental disruptions. The forms, practices, and opportunities of activism depend on its media environment, which now is changing rapidly and profoundly in terms of its technological basis, ownership, legal regulations, and governmental control.
EUR 114,34
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EUR 124,05
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: Antiquariat Rohde, Hamburg, Germania
Prima edizione
EUR 7,90
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Aggiungi al carrelloBroschur. Condizione: Sehr gut. 1. Auflage. 247 S.; Ill.; 21 cm sehr guter Zustand, ungelesen, minimal Lagerspuren am Einband Sprache: Deutsch Gewicht in Gramm: 370.
EUR 121,60
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Aggiungi al carrelloHardcover. Condizione: Brand New. 250 pages. 9.60x6.69x9.61 inches. In Stock.
EUR 125,48
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EUR 124,13
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 160,86
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Aggiungi al carrelloHardback. Condizione: New. What political power do videos on social media have? In what ways do they exert influence, shape publics and change political life? And how can committed civil society actors in this field assert themselves against hegemonic discourses, commercial interests, anti-democratic agitation, and authoritarian propaganda? These questions are being debated intensely as social media increasingly dominate global information flows, and videos increasingly dominate social media.Understanding video activism seems particularly relevant at a time when the internet is undergoing fundamental disruptions. The forms, practices, and opportunities of activism depend on its media environment, which now is changing rapidly and profoundly in terms of its technological basis, ownership, legal regulations, and governmental control.
Lingua: Tedesco
Editore: Mainz a Rhein : Ventil Verlag, 2021
ISBN 10: 3955751457 ISBN 13: 9783955751456
Da: nika-books, Nordwestuckermark-Fürstenwerder, NWUM, Germania
EUR 8,50
Quantità: 2 disponibili
Aggiungi al carrello8°, Broschur, 256 Seiten, Einband etwas berieben; Schnitt hat leichte Lagerungsspuren; sonst gut erhalten. 9783955751456 Sprache: Deutsch Gewicht in Gramm: 347.
EUR 151,03
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Aggiungi al carrelloHardback. Condizione: New. What political power do videos on social media have? In what ways do they exert influence, shape publics and change political life? And how can committed civil society actors in this field assert themselves against hegemonic discourses, commercial interests, anti-democratic agitation, and authoritarian propaganda? These questions are being debated intensely as social media increasingly dominate global information flows, and videos increasingly dominate social media.Understanding video activism seems particularly relevant at a time when the internet is undergoing fundamental disruptions. The forms, practices, and opportunities of activism depend on its media environment, which now is changing rapidly and profoundly in terms of its technological basis, ownership, legal regulations, and governmental control.
EUR 12,40
Quantità: 1 disponibili
Aggiungi al carrellopaperback. Condizione: Gut. Gebraucht - Gut GU -cover knick- Beschädigungen, Verschmutzungen, ungelesenes Mängelexemplar, gestempelt - »Klassische Filmtheorie« widmet sich jener Phase der Filmgeschichte zwischen 1914 und 1960, von der zentrale und bis heute prägende Denkimpulse für das Kino ausgingen. Das Buch gibt einen Überblick über die wesentlichen Ansätze der Filmtheorie, stellt Autor\*innen wie Emilie Altenloh, Rudolf Arnheim, Sergei Eisenstein, André Bazin und Hortense Powdermaker vor, ordnet ihre Überlegungen in den historischen Kontext ein und verknüpft sie mit aktuellen Fragen der Medienforschung. In sieben Beiträgen erforscht das Buch zentrale Probleme der Filmtheorie und diskutiert u. a. die umstrittene Anerkennung des Kinos als Kunst, die Entstehung des engagierten Dokumentarfilms, den filmischen Realitätsbezug sowie die Einflüsse von Soziologie, Anthropologie und Psychologie. Imitiert der Film das menschliche Wahrnehmungsvermögen oder erweitert er es auf neue Weise Bilden Filme die soziale Realität ab oder konstruieren sie eine eigene Wirklichkeit Prägt die Gesellschaft die Produktion und Inhalte von Filmen oder beeinflussen umgekehrt Filme die Gesellschaft »Klassische Filmtheorie« ergänzt den Band »Moderne Film Theorie« (2002) und richtet sich an Studierende der Film-, Medien- und anderer Geisteswissenschaften sowie an alle, die Lust am Nachdenken über Filme haben. An jeden Beitrag schließt sich eine exemplarische Analyse eines »klassischen« Films an. So lädt das Buch dazu ein, Filme von Buster Keaton, Fritz Lang, Naruse Mikio und anderen mit neuen Augen wiederzuentdecken.