Tennyson andrew (40 risultati)

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Jacket as Issued. 1st Edition. Lovely green decorative c w/brown & gilt decorations & titles; lite wearw/small nick at to edge, brown end papers, unpaginated, clean and unmarked; includes: The Bugle Song by Tennyson, Song of the Spirits Over the Waters by Goethe, A Canadian Boat Song by Moore, Song of the Silent Land by Longfellow, Song of the Imprisoned Huntsman by Scott. George T. Andrew (illustratore).…

Hardcover. Condizione: Very Good. No Jacket. 227 clean, unmarked pages; dark green c w/gilt titles; ownr's name/plate; rubbed edges/tips.

Hardcover. Condizione: Good. 1888 oversize hardcover with all edges gilt early printing (not a first). Staining on cover and fraying on edges, corners bumped, owner's label on front pastedown, surface tear on ffep, four pages are a little loose, half inch tear on frontispiece, else text clean, binding tight. Oversize book extra shipping charges will apply, especially for international and priority orders as this will not fit into a flat rate envelope. Language: eng. …

Hardcover. Condizione: Very Good. 1888. Nice Firm Clean copy ! Light general wear. The Bugle Song by Tennyson, Song of the Spirits Over the Waters by Goethe, A Canadian Boat Song by Moore, Song of the Silent Land by Longfellow, Song of the Imprisoned Huntsman by Scott. 6632.

Condizione: New.

Hardcover. Condizione: Good. No Jacket. Dark brown titles and decoration on light brown cloth, 217 pages including notes and bibliographical references plus 20 pages of introductory material. Previous owner's name on front free end-paper and an internal hinge crack before the frontispiece.

Cloth. Condizione: Very Good -. No Jacket. 1893, not paginated, illus., slight rubbing & shelfwear to cover, no dj, couple pgs w/ light smudges, otherwise contetns clean. George T. Andrew, Edmund H. Garrett & Chas. Copeland (illustratore).

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Wrapper is price clipped, and lightly rubbed with a closed tear to head of spine. Boards are clean and sharp. light foxing to edges, Clean throughout. Very good. Book.

Gebunden. Condizione: New.

Routledge & Kegan Paul, London 1980. 4to. 160 pages. Illustrated in b/w. Orig. boards in dust wrappers. Wrappers price cut. Near fine/ very good.

Paperback. Condizione: Brand New. 198 pages. 10.00x8.00x0.45 inches. In Stock.

Paperback. Condizione: Brand New. 286 pages. 10.00x8.00x0.65 inches. In Stock.

Hardcover (Original Cloth). Condizione: Good. No Dust Jacket. First Edition. Gilt stamped decorative green cloth with sixteen coloured illustrations from drawings by Norman Little. Slightly worn covers. Size: Quarto. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Fiction; Britain/UK; 1900-1920; Inventory No: 44163. For further information on this title, click on the "Ask Bookseller a Question" button directly underneath this listing. We will try to reply within two working days. Buyers from OUTSIDE of the UK are strongly recommended to make contact, to ask for an accurate shipping cost, BEFORE buying. …

Paperback. Condizione: Brand New. 313 pages. 10.00x8.00x0.71 inches. In Stock.

Paperback. Condizione: Brand New. 240 pages. 10.00x8.00x0.55 inches. In Stock.

Paperback. Condizione: Brand New. 334 pages. 10.00x8.00x0.76 inches. In Stock.

Hardcover. Condizione: Very Good. VG original decorative gilt-stamped red cloth, moderate shelf wear, corners bumped, spine lightly sunned & frayed, front hinge a little slack, illustrated end papers, gift inscriptions, otherwise very clean throughout, illustrated with 16 colour plates.

Hardcover. Condizione: Near Fine. 1st Edition, Limited Edition. [TAYLOR, WILLIAM; NEWMAN, JOHN; BARNES, WILLIAM; TENNYSON, ALFRED; BROWNING, ROBERT; ARNOLD, MATTHEW; ROSSETTI, CHRISTINA; LYTTON, LORD; MORRIS, WILLIAM; SWINBURN, ALGERNON; LANG, ANDREW; et al]. Living English Poets MDCCCLXXXII. London: Kegan Paul, Trench, & Co., MDCCCLXXXIII. [1883]. FIRST LIMITED EDITION, LARGE PAPER COPY, number 27 of 50 copies, hand-numbered and signed on the limitation page by Wm. Clowes & Sons. Leather-bound; hardcover; tall octavo (25.5 x 17 x 3 cm); pp. [2], xix, 325, [1]. English text. Stunning bound by Zaehnsdorf in full russet brown morocco in a Grolieresque strapwork design, with the covers tooled in an interlaced framework of double gilt lines, woven together into a tall, symmetrical lattice and anchored within a filleted border, the interlace surrounding and defining a large central reserve while small fleur-de-lis and arabesque flourishes punctuate the field as accents. Five bands to spine with title and date to second and third compartments, small gilt fleurons and arabesques to remaining compartments. Gilt rolled turn-ins, brown metallic endpapers, top edge gilt, limitation page, half-title, tipped-in frontispiece by Walter Crane, title-page printed in red and black, rear index. Printed in Great Britain by William Clowes. Condition: NEAR FINE. Binding tight and secure, the hinges and joints perfectly intact. Covers with a trivial trace of mottling, the points faintly rubbed. Interior remaining fresh and clean, with a bookplate verso front endpaper. A most attractive copy. Notes: First edition, large paper copy. "The large paper edition of this book consisting of fifty copies, all of which are numbered and signed, was printed in February, 1883. This is No. 27." Signed by "Wm. Clowes & Sons." on limitation page. The attractive tipped-in frontispiece is by artist Walter Crane, in the style of Dürer. This edition containing fine examples from contemporary poets, including Alfred Lord Tennyson, Algernon Swinburne, Christina Rossetti, Robert Browning and William Morris, among several others. Beautifully bound by Zaehnsdorf in full russet brown morocco with an intricate Grolieresque strapwork design, gilt-stamped signed on the front turn-in. Walter Crane (illustratore). …

Hardcover. Octavo, 103 pages. In Fair plus condition. Spine is blue with gold print. Boards in blue cloth, stamped design, gold print, mitred edges; wear to spine caps and corners, slight mottled fading. Text block has gilt edges, printed only on recto of each leaf; cracked hinges. Illustrated: b&w frontispiece, text illustrations, and plates (drawings). NOTE: Shelved in Netdesk Column K (ND-K). 1416482. FP New Rockville Stock.…

Complete Edition. Fine period binding of polished full tree calf. Gilt-blocked leather label to spine, with raised bands and spine compartments uniformly tooled in gilt. Some light wear evident to spine bands and panel edges. Gilt-tooled borders to panels. Inner gilt dentils. All edges gilt. Marbled endpapers. Some scattered marginal foxing around prelims. Remain particularly well-preserved overall, tight, bright, clean and strong. Provenance: From the library of Herbert Octavius Moore with his bookplate to front pastedown. ; 8vo 8" - 9" tall; 646 pages; Physical description: viii, 646, [2] p. ; 22cm. Subjects: English literature -- 19th century -- Alfred Lord Tennyson. Notes: This Complete Edition first published in 1894. 1 Kg.…

Condizione: New. Print on Demand pp. 108.

Complete Edition. Fine period binding of polished full tree calf. Gilt-blocked leather label to spine, with raised bands and spine compartments uniformly tooled in gilt. Some light wear evident to spine bands and panel edges. Gilt-tooled borders to panels. Inner gilt dentils. All edges gilt. Marbled endpapers. Some scattered marginal foxing around prelims. Remain particularly well-preserved overall, tight, bright, clean and strong. Provenance: From the library of Herbert Octavius Moore with his bookplate to front pastedown. ; 8vo 8" - 9" tall; 646 pages; Physical description: viii, 646, [2] p. ; 22cm. Subjects: English literature -- 19th century -- Alfred Lord Tennyson. Notes: This Complete Edition first published in 1894. 1 Kg.…

Condizione: Very Good. THIS COLLECTION WEIGHS HALF A TON (UK). PLEASE TALK TO US TO DISCUSS IT & TRANSPORT BEFORE PLACING AN ORDER. See the "Contact Seller" link below. IT IS OFFERED AS A WHOLE AT THE REQUEST OF MAX REINHARDT, ITS COLLECTOR, BECAUSE OF THE ACHIEVEMENT OF SO COMPLETE A COLLECTION WITH HIS SPECIAL PROVENANCE OF BEING ITS LAST PUBLISHER. ALSO AS IT CONTAINS THE DOCUMENTED HISTORY OF FRANCIS MEYNELL'S AND HIS DETERMINATION TO PRODUCE BOOKS AT A FINE LEVEL OF THE BOOKMAKER'S ART, AT LOWER COST, YET HIGHER QUALITY OF MATERIALS, TYPOGRAPHY & LEGIBILITY FOR READERS HOLDING THE BOOKS IN THE HAND. A DELIGHT OF 20TH CENTURY BOOKMAKING. PROCEEDS FROM THIS SALE WILL BENEFIT MAXLITERACY, WHICH INSPIRES CREATIVE WRITING IN YOUNG PEOPLE, SET UP IN MEMORY OF MAX AND HIS AUTHORS. NB. Large collections of Nonesuch are too scarce to expect a search. So we have used the Author and Title fields in cryptic form as they have character limits. By cutting duplicated words in names and titles more searches for single books will find this collection, assisting awareness. Eg. instead of "William Beckford, William Blake, William Harvey," we enter "William Beckford Blake Harvey". A complete list of authors and titles is in the photos. The condition of the books is very good (many fine, only a few poor). NONESUCH PRESS COLLECTION. In 1923 Nonesuch was founded by Francis Meynell - its 1st publisher/designer. In 1952 he invited Max Reinhardt to be managing director and publisher. After Meynell's death in 1975, Max continued that role till 1986 when he bought the Press, publishing till 1990 - its last owner/publisher. Already owner of The Bodley Head that he revolutionised, he was an able successor of Meynell's desire to produce fine, readable, books at more affordable prices than most private presses. So, this is the personal collection of Max Reinhardt, begun many years before he joined the Press. By his own death in 2002, it held all titles published for sale in the UK from 1923-1990, the most complete assembled, I believe. Using the catalogue in John Dreyfus's History of the Nonesuch Press, I count 182 books and 26 Prospectuses. Some of the small number of privately published and US titles are present but not complete. We can supply a list identifying items present. The scarcest is the 1953 Coronation Shakespeare (no 119, Dreyfus). A remarkable edition of Shakespeare both for best scholarship and production. Its primary issue was only 1/4 copies bound in limp vellum - one presented to the Queen; one for Francis, whereabouts unknown; two for Max, one of which is here; and one elsewhere. Only Meynell's copy of this tiny issue could have previously appeared for sale. The unlimited trade edition is present here too. The most magisterial is the controversial 1937 Nonesuch Dickens (no 108, Dreyfus), nonetheless considered the finest of Dickens Works produced. With the books are 50 linear cms of at times spirited letters between Reinhardt, Meynell & trade members from 1952-1975 and with Alix, Francis's wife, to 1990 discussing all matters to do with their craft, promotion, production, distribution, sales & legal. The body language of aesthetic choice. Given the international reputation of the Press, it forms an unusually extended and detailed picture of quality book production and publishing in the 2nd half of the 20thC - for this press particularly, as all its earlier records were destroyed at the start of WW2. There are near 700 signed items from Meynell, many more from Reinhardt in copy, many from Brooke Crutchley of Cambridge UP; Vivian Ridler from OUP; some to and from Geoffrey Keynes; Stephen Potter, etc. And with Alix Meynell. There is biographical material on Francis & his publishing life including Pelican Press which he ran with Stanley Morrison; several of his own books and articles, and FM's annotated typescript of his autobiography, My Lives, addressed to Max, who published it.…

Hardback. Condizione: Very Good. First edition. This scarce first edition, first impression of an illustrated, miscellaneous collection of items relating the Rubáiyát of Omar Khayyám, in the original publisher's pictorial paper wraps. The first edition, first impression of the work.In the original publisher's quarter cloth binding with the original pictorial paper wraps and illustrated end papers.Includes a monochrome plate frontispiece and four tipped in monochrome illustrations, including a menu card designed by S. J. Solomon, R. A., a portrait of Edmund Fitzgerald, and an invitation to the Omar Khayyam club at Burford Bridge, July 1895. Collated complete.With paper wraps and end papers designed by the artist Blanche McManus.Scarce.In 1859, the English poet and writer Edward Fitzgerald published a translated selection of Persian verse attributed to Omar Khayyám. Though initially slow to gain popularity, the work was cherished by the pre-Raphaelites and ultimately became immensely popular in the English-speaking world, resulting in the formation of several "Omar Khayyam clubs" and a so-called "fin de siècle cult of the Rubaiyat". This work is a testament to the excitement around the Rubáiyát of Omar Khayyám, even featuring a poem by Alfred Tennyson titled 'To E. Fitzgerald', expressing his appreciation. In the original publisher's quarter cloth binding with the original pictorial paper wraps. Externally, generally smart with some minor handling marks, a touch of discolouration to the top edge, and some minor nicks to the wraps. Slight rubbing to the cloth's spine as well as bumping to its head and tail and to the extremities. Spine's label has age toning some minor chips. Hinges are a touch strained. Endpapers have some light toning and spotting. Internally, firmly bound with generally bright and clean pages, barring light toning and some spotting towards the rear of the work. With significant worming to final 22 leaves (beginning pp. 77r) including rear free endpaper, although not impacting the text or grape design. Very Good. Paper wraps and end papers by Blanche McManus; Multiple including S. J. Solomon, R. A. (illustratore). book.…

Hardcover. Condizione: Good. A nice-looking lot of different editions of the Sufi poet's best-loved, classic epic poem. The individual volumes are illustrated beautifully by a range of different artists and in multiple formats. The poet, Omar Khayyam (or Khayyami) was born, likely at Nishapur, in the Persian northeast, somewhere between about 1025 and 1050 A.D. His surname "Khayyam" means "tent-maker" in Persian, which might, like St. Paul/Saul, have denoted his father's vocation and major income-source. The lot is comprised of the following: 1) Ruba'iyat of Omar Khayyam, New York and London: T.N. Foulis, 1920, a stated reprint of the Second Edition of Macmillan & Co. fro 1859, and illustrated with 15 colored plates by the incomparable artist Frank Brangwyn, tipped-in, onto stiff card stock, quite fine, including at frontis. Bound in a quarto hardcover format, brown cloth over boards, sharp and distinct gilt-stamped lettering to spine, brown-stamped designs to front cover. Light scuffing to edges, tips, but protected further by stiff Mylar jacket. Unpaginated, but roughly 80 pp. 2) Rubaiyat of Omar Khayyam, London and Glasgow: Collins, 1952. Illustrated by the incomparable artist Robert Stewart Sherriffs in full, bright color plates including at frontis. Flexible Hardcover format, bound in black pebbly cloth, edges and tips scuffed, but gilt edges all round and silk linen ribbon bookmark still affixed firmly. Cracking to front pastedown, erased name inside rear flap, and quite an involved edition. Long introduction by Lawrence Housman, biography of the translator, Edward FitzGerald by G.F. Maine, FitzGerald's biography of Omar Khayyam, then followed by First, Second and Fifth Editions of the Rubaiyat, followed by sections on variations between the editions, comparable table of quatrains, notes to the second edition, glossary and an index to the first lines of the quatrains. 224 pp.; 3) Rubaiyat of Omar Khayyam, rendered into English Verse by Edward Sullivan, New York: Three Sirens Press, a reprint of an Illustrated Editions edition, based on the First and fifth editions, and with a list at book's end of other editions on which this is based. Blue cloth over boards, pebbly black cloth-backed. Really lovely black-and-white drawings by Edmund J. Sullivan including at frontis. 193 [1] pp. 4) Rubaiyat of Omar Khayyam, the metrical translations of Edward FitzGerald and E.H. Whinfield and the prose version of Justin H. McCarthy, Boston: Little, Brown and Company, 1900. Bound in blue cloth over boards, sharp and distinct gilt lettering and designs to spine, front cover. Scuffing to spine head and foot, edges, tips, faint remains of a gift inscription at first free endpaper, else a little, attractive tank. Introduction by Jessie B. Rittenhouse, followed by plentiful essays including by Mathilde Blind, Andrew Lang and others. 244 pp. including notes and bibliography; 5) The Rubaiyat of a Golfer, by J.A. Hammerton, published in London by Country Life in a First Edition edition, a skinny, short, 12mo hardcover, bound in gray cloth over boards, red lettering to front cover. Previous owner's ink-stamp along top edge, light rubbing to, sunning of front cover, fanciful, cartoonish illustrtions by D.L. Ghilchik. Unpaginated, but roughly 30 pp.; 6) Rubaiyat of Omar Khayyam, Philadelphia: The John C. Winston Company, 1898. Based on the texts of the Fourth Edition followed by that of the First Edition, with notes. Biographical Preface by Talcott Williams. Blue cloth over boards, gilt lettering and design to front cover and spine. Top edge gilt. Extensive penned gift inscription at first free endpaper. Short, skinny, mass market paperback-sized, Fine illustration at frontis, tissue-guarded, but tissue torn. 75 pp. including notes by the editor.; 7) The Rubaiyat of Omar Khayyam, New York: Barse & Hopkins, 1898, with introductory essays by Andrew Lang and Edward S. Holden. Bound in red cloth over boards, gilt lettering to front cover and spine, rubbed, black-stamped design to f.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. Columbia University Press, New York. 1931. 246 pages. First edition, first printing. Book is tight. Binding and hinges are strong and sound. Brown cloth panels are bright and clean; stamped in black on backstrip. Pages and endpaers are clean. Trace of faint toning near gutter of pastedowns. Super-rare DJ is present; and attractive. DJ has a tiny chip on rear bottom edge. orange hue is sunned on spine. Minor faint soling to rear of DJ. Crum assembles an exhaustive exhibition of the specific prose and verse of giants in the field of poetry, when their specific verses touch on science, and the relationship of said poet, and the field of science. A dense index loaded with many poets and their works, not listed in this listing. Uncommon first edition; rare in DJ. Near Fine/VG+. …

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1880 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 125 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 125 Language: English.…