Tess knighton editor (35 risultati)
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 48 pages. 11.50x7.90x0.40 inches. In Stock.
Early Music August 2004 / "Music at Corpus Christi in colonial" Geoffrey Baker / "Music in the monastery of La Merced, Santiago de Chile, in the colonial period" Alejandro Vera Aguilera / " politics of empire: the loa in 18th-century Manila" David Irving / "Missionaries, keyboards and musical exchange in the Ming and Qing court" Joyce Lindorff / "Madame Ravissa de Turin: a forgotten woman composer of the 18th century" Claudia Schweitzer
Tess Knighton (Editor) / "Music at Corpus Christi in colonial" Geoffrey Baker / "Music in the monastery of La Merced, Santiago de Chile, in the colonial period" Alejandro Vera Aguilera / " politics of empire: the loa in 18th-century Manila" David Irving / "Missionaries, keyboards and musical exchange in the Ming and Qing court" Joyce Lindorff / "Madame Ravissa de Turin: a forgotten woman composer of the 18th century" Claudia Schweitzer
Lingua: Inglese
Editore: Oxford University Press,, Oxford, 2004
- Brossura
- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 140 pages. Illustrated. "Music at Corpus Christi in colonial" Geoffrey Baker / "Music in the monastery of La Merced, Santiago de Chile, in the colonial period" Alejandro Vera Aguilera / " politics of empire: the loa in 18th-century Manila" David Irving / "Missionaries, keyboards and musical exc…hange in the Ming and Qing court" Joyce Lindorff / "Madame Ravissa de Turin: a forgotten woman composer of the 18th century" Claudia Schweitzer.
Early Music May 2004 / "The Spanish plucked viola in Renaissance Italy, 1480-1530" Hiroyuki Minamino / "The court of don Fernando de Aragón, Duke of Calabria in Valencia, c.1526-c.1550: music, letters and the meeting of cultures" Bernadette Nelson / Morales's Officium, chant traditions, and performing 16th-century music" Grayson Wagstaff / New polyphonic fragments from 15th-century Spain: a preliminary report" Ángel Manuel Olmos / Annibale Stabile and performance practice at two Roman institutions" Ruth Lightbourne
Tess Knighton (Editor) / "The Spanish plucked viola in Renaissance Italy, 1480-1530" Hiroyuki Minamino / "The court of don Fernando de Aragón, Duke of Calabria in Valencia, c.1526-c.1550: music, letters and the meeting of cultures" Bernadette Nelson / Morales's Officium, chant traditions, and performing 16th-century music" Grayson Wagstaff / New polyphonic fragments from 15th-century Spain: a preliminary report" Ángel Manuel Olmos / Annibale Stabile and performance practice at two Roman institutions" Ruth Lightbourne
Lingua: Inglese
Editore: Oxford University Press, Oxford, 2004
- Brossura
- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 180 pages. Illustrated. "The Spanish plucked viola in Renaissance Italy, 1480-1530" Hiroyuki Minamino / "The court of don Fernando de Aragón, Duke of Calabria in Valencia, c.1526-c.1550: music, letters and the meeting of cultures" Bernadette Nelson / Morales's Officium, chant traditions, and pe…rforming 16th-century music" Grayson Wagstaff / New polyphonic fragments from 15th-century Spain: a preliminary report" Ángel Manuel Olmos / Annibale Stabile and performance practice at two Roman institutions" Ruth Lightbourne.
- Rilegato
Da: Karen Wickliff - Books, Columbus, OH, U.S.A.Karen Wickliff - Books
Contatta il venditoreVenditore con 3 stelleCondizione: Usato - Molto buono
EUR 30,93
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Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 428pp. Gray hardback with DJ, VG, two tiny ink dots on upper page edge, index, glossary, chronology, tables, b&w photos, survey of music and culture in Europe from the beginning of the Christian era to 1600.
Early Music February 2003 / Kenneth Kreitner "The cathedral band of Leon in 1548, and when it played" / Katelijne Schilz "Church and chamber: the influence of acoustics on musical composition and performance" / Peter Holman "A new source of bass viol music from 18th-century England" / Fabrice Fitch "Reflections on the Reflexe label"
Tess Knighton (Editor) / Kenneth Kreitner "The cathedral band of Leon in 1548, and when it played" / Katelijne Schilz "Church and chamber: the influence of acoustics on musical composition and performance" / Peter Holman "A new source of bass viol music from 18th-century England" / Fabrice Fitch "Reflections on the Reflexe label"
Editore: Oxford University Press, 2003
- Brossura
- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 160 pages. Kenneth Kreitner "The cathedral band of Leon in 1548, and when it played" / Katelijne Schilz "Church and chamber: the influence of acoustics on musical composition and performance" / Peter Holman "A new source of bass viol music from 18th-century England" / Fabrice Fitch "Reflections… on the Reflexe label".
Early Music August 2000 / Christopher Page "Around the performance of a 13th-century motet" / Magnus Williamson "Pictura et scriptura - the Eton Choirbook" / Klaus Pietschmann "A Renaissance composer writes to his patrons - Cristobal de Morales to Cosimo I de' Medici and Cardinal Alessandro Farnese" / Noel O'Regan "Tomas Luis de Victoria's Roman churches revisited" / Edmund A Bowles "Music in court festivals of State: festival books as sources for performance practices" / Edward Corp "Francois Couperin and the Stuart court at St-Germain-en-Laye, 1691-1712: a new interpretation" / Bernard D Sherman "Bach's notation of tempo and early music performance: some reconsiderations" / Eva Badura-Skoda "The Anton Walter fortepiano - Mozart's beloved
Tess Knighton (Editor) / Christopher Page "Around the performance of a 13th-century motet" / Magnus Williamson "Pictura et scriptura - the Eton Choirbook" / Klaus Pietschmann "A Renaissance composer writes to his patrons - Cristobal de Morales to Cosimo I de' Medici and Cardinal Alessandro Farnese" / Noel O'Regan "Tomas Luis de Victoria's Roman churches revisited" / Edmund A Bowles "Music in court festivals of State: festival books as sources for performance practices" / Edward Corp "Francois Couperin and the Stuart court at St-Germain-en-Laye, 1691-1712: a new interpretation" / Bernard D Sherman "Bach's notation of tempo and early music performance: some reconsiderations" / Eva Badura-Skoda "The Anton Walter fortepiano - Mozart's beloved c
Editore: Oxford University Press, 2000
- Brossura
- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 180 pages. Illustrated. Christopher Page "Around the performance of a 13th-century motet" / Magnus Williamson "Pictura et scriptura - the Eton Choirbook" / Klaus Pietschmann "A Renaissance composer writes to his patrons - Cristobal de Morales to Cosimo I de' Medici and Cardinal Alessandro Farne…se" / Noel O'Regan "Tomas Luis de Victoria's Roman churches revisited" / Edmund A Bowles "Music in court festivals of State: festival books as sources for performance practices" / Edward Corp "Francois Couperin and the Stuart court at St-Germain-en-Laye, 1691-1712: a new interpretation" / Bernard D Sherman "Bach's notation of tempo and early music performance: some reconsiderations" / Eva Badura-Skoda "The Anton Walter fortepiano - Mozart's beloved concert instrument".
Early Music November 2007 / Jeremy Montagu "Musical instrumentals in Hans Memling's paintings" / Peter Walls "Reconstructing the archangel: Corelli 'ad vivum pinxit'" / Rebecca Cypess "Chambonnieres, Jollain and the first engraving of harpsichord music in France" / Lionel Sawkins "Exotic nectar transformed: the grands motets of Lalande's maturity" / John Koster "Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord making" / Carl Sloane "A fresh look at Domenico Scarlatti's Essercizi per gravicembalo, and the 'tremulo di sopra'" / John Byrt "Elements of Rhythmic inequality in the arias of Alessandro Scarlatti and Handel"
Tess Knighton (Editor) / Jeremy Montagu "Musical instrumentals in Hans Memling's paintings" / Peter Walls "Reconstructing the archangel: Corelli 'ad vivum pinxit'" / Rebecca Cypess "Chambonnieres, Jollain and the first engraving of harpsichord music in France" / Lionel Sawkins "Exotic nectar transformed: the grands motets of Lalande's maturity" / John Koster "Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord making" / Carl Sloane "A fresh look at Domenico Scarlatti's Essercizi per gravicembalo, and the 'tremulo di sopra'" / John Byrt "Elements of Rhythmic inequality in the arias of Alessandro Scarlatti and Handel"
Editore: Oxford University Press, 2007
- Brossura
- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 210 pages. Illustrated. Jeremy Montagu "Musical instrumentals in Hans Memling's paintings" / Peter Walls "Reconstructing the archangel: Corelli 'ad vivum pinxit'" / Rebecca Cypess "Chambonnieres, Jollain and the first engraving of harpsichord music in France" / Lionel Sawkins "Exotic nectar tra…nsformed: the grands motets of Lalande's maturity" / John Koster "Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord making" / Carl Sloane "A fresh look at Domenico Scarlatti's Essercizi per gravicembalo, and the 'tremulo di sopra'" / John Byrt "Elements of Rhythmic inequality in the arias of Alessandro Scarlatti and Handel".
Early Music November 2006 / "Edmund A Bowles "The impact of Turkish military bands on European court festivals in the 17rh and 18th centuries" / Michael Noone "Toledo Cathedral's lost 'magnifique livre de messes' recovered, and 'new' works by Boluda, Palomares and Navarro" / Lorenzo Candelaria "Tropes for the Ordinary ina 16th-century chantbook from Toledo, Spain" / Mark Lindley and Ibo Ortgies "Bach-style keyboard tunung" / John O'Donnell "Bach's temperament, Occam's razor, and the Neidhardt factor" / Denzil Wraight "Recent approaches in understanding Cristofori's fortepiano" / Paulo Estudante "A new 17th-century Iberian source of instrumental music" / Julian Grimshaw "Morley's rule for first-species canon"
Tess Knighton (Editor) / "Edmund A Bowles "The impact of Turkish military bands on European court festivals in the 17rh and 18th centuries" / Michael Noone "Toledo Cathedral's lost 'magnifique livre de messes' recovered, and 'new' works by Boluda, Palomares and Navarro" / Lorenzo Candelaria "Tropes for the Ordinary ina 16th-century chantbook from Toledo, Spain" / Mark Lindley and Ibo Ortgies "Bach-style keyboard tunung" / John O'Donnell "Bach's temperament, Occam's razor, and the Neidhardt factor" / Denzil Wraight "Recent approaches in understanding Cristofori's fortepiano" / Paulo Estudante "A new 17th-century Iberian source of instrumental music" / Julian Grimshaw "Morley's rule for first-species canon"
Editore: Oxford University Press, 2006
- Brossura
- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 12,02
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 210 pages. Illustrated. "Edmund A Bowles "The impact of Turkish military bands on European court festivals in the 17rh and 18th centuries" / Michael Noone "Toledo Cathedral's lost 'magnifique livre de messes' recovered, and 'new' works by Boluda, Palomares and Navarro" / Lorenzo Candelaria "Tro…pes for the Ordinary ina 16th-century chantbook from Toledo, Spain" / Mark Lindley and Ibo Ortgies "Bach-style keyboard tunung" / John O'Donnell "Bach's temperament, Occam's razor, and the Neidhardt factor" / Denzil Wraight "Recent approaches in understanding Cristofori's fortepiano" / Paulo Estudante "A new 17th-century Iberian source of instrumental music" / Julian Grimshaw "Morley's rule for first-species canon".
Early Music November 2005 / Anthony Rowland-Jones "Iconography in the history of the recorder up to c.1430 - Part 1" / Graham Cummings "Handel and the confus'd shepherdess: a case study of stylistic eclecticism" / Robert Rawson "Gottfried Finger's Christmas pastorellas" / Allan W Atlas "A 41-cent emendation: a textual problem in Wheatstone's publication of Giulio Regondi's Serenade for English concertina and piano" / Juan Ruiz Jimenez "Infunde amorem cordibus: an early 16th-century polyphonic hymn cycle from Seville" / Joshua F Drake "The partbooks of a Florentine ex-patriate: new light on Florence, Biblioteca Nazionale Centrale Ms. Magl. XIX 164-7" / Stephen Rice "Reconstructing Tallis's Latin Magnificat and Nune dimittis" / Roger Bowers "
Tess Knighton (Editor) / Anthony Rowland-Jones "Iconography in the history of the recorder up to c.1430 - Part 1" / Graham Cummings "Handel and the confus'd shepherdess: a case study of stylistic eclecticism" / Robert Rawson "Gottfried Finger's Christmas pastorellas" / Allan W Atlas "A 41-cent emendation: a textual problem in Wheatstone's publication of Giulio Regondi's Serenade for English concertina and piano" / Juan Ruiz Jimenez "Infunde amorem cordibus: an early 16th-century polyphonic hymn cycle from Seville" / Joshua F Drake "The partbooks of a Florentine ex-patriate: new light on Florence, Biblioteca Nazionale Centrale Ms. Magl. XIX 164-7" / Stephen Rice "Reconstructing Tallis's Latin Magnificat and Nune dimittis" / Roger Bowers "Mor
Editore: Oxford University Press, 2005
- Brossura
- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 12,02
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 220 pages. Illustated. Anthony Rowland-Jones "Iconography in the history of the recorder up to c.1430 - Part 1" / Graham Cummings "Handel and the confus'd shepherdess: a case study of stylistic eclecticism" / Robert Rawson "Gottfried Finger's Christmas pastorellas" / Allan W Atlas "A 41-cent em…endation: a textual problem in Wheatstone's publication of Giulio Regondi's Serenade for English concertina and piano" / Juan Ruiz Jimenez "Infunde amorem cordibus: an early 16th-century polyphonic hymn cycle from Seville" / Joshua F Drake "The partbooks of a Florentine ex-patriate: new light on Florence, Biblioteca Nazionale Centrale Ms. Magl. XIX 164-7" / Stephen Rice "Reconstructing Tallis's Latin Magnificat and Nune dimittis" / Roger Bowers "More on the Lambeth Choirbook" / Frans and Julie Miller "Completing the picture: the importance of reconstructing early opera" / Timothy Day "Tallis in performance".
Early Music November 2004 / Shirley Thompson "Marc-Antoine Charpentier and the viol" / C. Jane Gosine and Erik Oland "Docere, delectare, movere: Marc-Antoine Charpentier and Jesuit spirituality" / Graham Sadler "A philosophy lesson with Francois Couperin?" / Mary Cyr "Representing Jacquet se La Guerre on disc: scoring and basse continue practices, and a new painting of the composer" / Kerry McCarthy "Byrd, Augustine, and Tribue, Domine" / Malcolm Rose "The history and significance of the Lodewijk Theewes claviorgan" / Howard Schott "The clavichord revival, 1800-1960"
Tess Knighton (Editor) / Shirley Thompson "Marc-Antoine Charpentier and the viol" / C. Jane Gosine and Erik Oland "Docere, delectare, movere: Marc-Antoine Charpentier and Jesuit spirituality" / Graham Sadler "A philosophy lesson with Francois Couperin?" / Mary Cyr "Representing Jacquet se La Guerre on disc: scoring and basse continue practices, and a new painting of the composer" / Kerry McCarthy "Byrd, Augustine, and Tribue, Domine" / Malcolm Rose "The history and significance of the Lodewijk Theewes claviorgan" / Howard Schott "The clavichord revival, 1800-1960"
Editore: Oxford University Press, 2004
- Brossura
- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 12,02
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 160 pages. Illustrated. Shirley Thompson "Marc-Antoine Charpentier and the viol" / C. Jane Gosine and Erik Oland "Docere, delectare, movere: Marc-Antoine Charpentier and Jesuit spirituality" / Graham Sadler "A philosophy lesson with Francois Couperin?" / Mary Cyr "Representing Jacquet se La Gue…rre on disc: scoring and basse continue practices, and a new painting of the composer" / Kerry McCarthy "Byrd, Augustine, and Tribue, Domine" / Malcolm Rose "The history and significance of the Lodewijk Theewes claviorgan" / Howard Schott "The clavichord revival, 1800-1960".
Early Music Vol XXII No 3 August 1994 / 'Unscarr'd by Turning Times'? The Dating of Purcell's Dido and Aeneas (pp. 372-390) Bruce Wood and Andrew Pinnock The Earliest Notice of Purcell's Dido and Aeneas (pp. 392-394+397-398+400) Mark Goldie Musicians in 18th-Century Venice (pp. 402-408) Denis Stevens New Documents on the Bassano Family (pp. 409-413) Giulio M. Ongaro The Bassanelli Reconstructed: A Radical Solution to an Enigma (pp. 417-422+424-425) Charles Foster An 18th-Century Singer's Commission of 'Baggage' Arias (pp. 427-433) Daniel E. Freeman Tenorlied, Discantlied, Polyphonic Lied: Voices and Instruments in German Secular Polyphony of the Renaissance (pp. 434-442+444-445) Stephen Keyl
Tess Knighton (Editor) / 'Unscarr'd by Turning Times'? The Dating of Purcell's Dido and Aeneas (pp. 372-390) Bruce Wood and Andrew Pinnock The Earliest Notice of Purcell's Dido and Aeneas (pp. 392-394+397-398+400) Mark Goldie Musicians in 18th-Century Venice (pp. 402-408) Denis Stevens New Documents on the Bassano Family (pp. 409-413) Giulio M. Ongaro The Bassanelli Reconstructed: A Radical Solution to an Enigma (pp. 417-422+424-425) Charles Foster An 18th-Century Singer's Commission of 'Baggage' Arias (pp. 427-433) Daniel E. Freeman Tenorlied, Discantlied, Polyphonic Lied: Voices and Instruments in German Secular Polyphony of the Renaissance (pp. 434-442+444-445) Stephen Keyl
Editore: Oxford University Press, 1994
- Brossura
- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 12,02
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 176 pages. Illustrated. 'Unscarr'd by Turning Times'? The Dating of Purcell's Dido and Aeneas (pp. 372-390) Bruce Wood and Andrew Pinnock The Earliest Notice of Purcell's Dido and Aeneas (pp. 392-394+397-398+400) Mark Goldie Musicians in 18th-Century Venice (pp. 402-408) Denis Stevens New Docum…ents on the Bassano Family (pp. 409-413) Giulio M. Ongaro The Bassanelli Reconstructed: A Radical Solution to an Enigma (pp. 417-422+424-425) Charles Foster An 18th-Century Singer's Commission of 'Baggage' Arias (pp. 427-433) Daniel E. Freeman Tenorlied, Discantlied, Polyphonic Lied: Voices and Instruments in German Secular Polyphony of the Renaissance (pp. 434-442+444-445) Stephen Keyl.
Early Music A"Lully Anniversary Issue" August 1987 / Lully's First Opera: A Rediscovered Poster for "Les fêtes de l'Amour et de Bacchus" (pp. 308-314) Jérôme de La Gorce For and against the Order of Nature: Who Sang the Soprano? (pp. 315-324) Lionel Sawkins Performing a Choral Dialogue by Lully (pp. 325-335) Lois Rosow More Faces than Proteus: Lully's "Ballet des muses" (pp. 336-344) James R. Anthony A Sweet Servitude: A Musician's Life at the Court of Mlle de Guise (pp. 346-360) Patricia Ranum Grimarest's "Traité du Récitatif": Glimpses of Performance Practice in Lully's Operas (pp. 361-364) David Tunley Reinterpreting the Capital of the Fourth Tone at St Lazare, Autun (pp. 365-374+376) Hélène Setlak-Garrison Folding Harpsichords (pp. 3
Tess Knighton (Editor) / Lully's First Opera: A Rediscovered Poster for "Les fêtes de l'Amour et de Bacchus" (pp. 308-314) Jérôme de La Gorce For and against the Order of Nature: Who Sang the Soprano? (pp. 315-324) Lionel Sawkins Performing a Choral Dialogue by Lully (pp. 325-335) Lois Rosow More Faces than Proteus: Lully's "Ballet des muses" (pp. 336-344) James R. Anthony A Sweet Servitude: A Musician's Life at the Court of Mlle de Guise (pp. 346-360) Patricia Ranum Grimarest's "Traité du Récitatif": Glimpses of Performance Practice in Lully's Operas (pp. 361-364) David Tunley Reinterpreting the Capital of the Fourth Tone at St Lazare, Autun (pp. 365-374+376) Hélène Setlak-Garrison Folding Harpsichords (pp. 378-383) La
Editore: Oxford University Press,, 1987
- Brossura
- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 12,02
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 180 pages. Illustrated. Lully's First Opera: A Rediscovered Poster for "Les fêtes de l'Amour et de Bacchus" (pp. 308-314) Jérôme de La Gorce For and against the Order of Nature: Who Sang the Soprano? (pp. 315-324) Lionel Sawkins Performing a Choral Dialogue by Lully (pp. 325-335) Lois Rosow Mor…e Faces than Proteus: Lully's "Ballet des muses" (pp. 336-344) James R. Anthony A Sweet Servitude: A Musician's Life at the Court of Mlle de Guise (pp. 346-360) Patricia Ranum Grimarest's "Traité du Récitatif": Glimpses of Performance Practice in Lully's Operas (pp. 361-364) David Tunley Reinterpreting the Capital of the Fourth Tone at St Lazare, Autun (pp. 365-374+376) Hélène Setlak-Garrison Folding Harpsichords (pp. 378-383) Laurence Libin More on Triplets and Inequality (pp. 384-385) David Fuller Monteverdi's Vespers of 1610: 'Della Beata Vergine'? (pp. 386-389) Graham Dixon.
Altre immaginiEarly Music February 2007 / Rogerio Budasz "Black guitar-players and early African-Iberian music in Portugal and Brazil" /Helen Deeming "The sources and origin of the 'Agincourt Carol'" / Harold Love "That satyrical tune of 'Amarillis'" / Greg Dean Petersen "Bridge location on the early Italian violin" / Alexandra Williams "'Bonnie Sweet Recorder': some issues arising from Arnold Dolmetsch's early English recorder performances" / Matthew Haakenson "Two Spanish brothers revisited: recent research surrounding the life and instrumental music of Juan Bautista Pla and Jose Pla" / John Potter "The tenor-castrato connection, 1760-1860"
Tess Knighton (Editor) / Rogerio Budasz "Black guitar-players and early African-Iberian music in Portugal and Brazil" /Helen Deeming "The sources and origin of the 'Agincourt Carol'" / Harold Love "That satyrical tune of 'Amarillis'" / Greg Dean Petersen "Bridge location on the early Italian violin" / Alexandra Williams "'Bonnie Sweet Recorder': some issues arising from Arnold Dolmetsch's early English recorder performances" / Matthew Haakenson "Two Spanish brothers revisited: recent research surrounding the life and instrumental music of Juan Bautista Pla and Jose Pla" / John Potter "The tenor-castrato connection, 1760-1860"
Editore: Oxford University Press, 2007
- Brossura
- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 12,02
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 170 pages. Illustrated. Rogerio Budasz "Black guitar-players and early African-Iberian music in Portugal and Brazil" /Helen Deeming "The sources and origin of the 'Agincourt Carol'" / Harold Love "That satyrical tune of 'Amarillis'" / Greg Dean Petersen "Bridge location on the early Italian vio…lin" / Alexandra Williams "'Bonnie Sweet Recorder': some issues arising from Arnold Dolmetsch's early English recorder performances" / Matthew Haakenson "Two Spanish brothers revisited: recent research surrounding the life and instrumental music of Juan Bautista Pla and Jose Pla" / John Potter "The tenor-castrato connection, 1760-1860".
Early Music August 1993 / David Charlton "'A maitre d'orchestre.conducts': new and old evidence on French practice" / Rebecca Harris-Warrick "From score into sound: questions of scoring in Lully's ballets" / Lionel Sawkins "Doucement and legerement: tempo in french Baroque music" / Tula Giannini "Jacques Hotteterre le Romain and his father, Martin" / Greer Garden "A link between opera and cantata in France: tonal design in the music of Andre Campra" / Graham Sadler "Vincent d'Indy and the Rameau Oeuvres completes: a case of forgery?" / David Fuller "A new French harpsichord source of the mid-18th century with an Eckard connection" / Frederick Neumann "Dots and strokes in Mozart" / William Malloch "The minuets of Haydn and Mozart: goblins
Tess Knighton (Editor) / David Charlton "'A maitre d'orchestre.conducts': new and old evidence on French practice" / Rebecca Harris-Warrick "From score into sound: questions of scoring in Lully's ballets" / Lionel Sawkins "Doucement and legerement: tempo in french Baroque music" / Tula Giannini "Jacques Hotteterre le Romain and his father, Martin" / Greer Garden "A link between opera and cantata in France: tonal design in the music of Andre Campra" / Graham Sadler "Vincent d'Indy and the Rameau Oeuvres completes: a case of forgery?" / David Fuller "A new French harpsichord source of the mid-18th century with an Eckard connection" / Frederick Neumann "Dots and strokes in Mozart" / William Malloch "The minuets of Haydn and Mozart: goblins
Editore: Oxford University Press, 1993
- Brossura
- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 172 pages. Illustrated. David Charlton "'A maitre d'orchestre.conducts': new and old evidence on French practice" / Rebecca Harris-Warrick "From score into sound: questions of scoring in Lully's ballets" / Lionel Sawkins "Doucement and legerement: tempo in french Baroque music" / Tula Giannini…"Jacques Hotteterre le Romain and his father, Martin" / Greer Garden "A link between opera and cantata in France: tonal design in the music of Andre Campra" / Graham Sadler "Vincent d'Indy and the Rameau Oeuvres completes: a case of forgery?" / David Fuller "A new French harpsichord source of the mid-18th century with an Eckard connection" / Frederick Neumann "Dots and strokes in Mozart" / William Malloch "The minuets of Haydn and Mozart: goblins or elephants?" / John Milsom "Byrd on record: an anniversary survey" / Christopher Page "The English a cappella renaissance".
Early Music February 1993 / John A Rice "The Tuscan piano in the 1780s Some builders, composers and performers" / Michael Latcham "The check in some early pianos and the developmenr of piano technique aroind the turn of the 18th century" / Bruce Wood and Andrew Pinnock "The Fairy Queen: a fresh look at the issues" / Janet K Page "'To soften the sound of the hoboy' The muted oboe in the 18th and early 19th centuries" / George B Stauffer "Boyvin, Grigny, D'Anglebert, and Bach's assimilation of French Classical organ music" / Michael Cole "A Handel harpsichord"
Tess Knighton (Editor) / John A Rice "The Tuscan piano in the 1780s Some builders, composers and performers" / Michael Latcham "The check in some early pianos and the developmenr of piano technique aroind the turn of the 18th century" / Bruce Wood and Andrew Pinnock "The Fairy Queen: a fresh look at the issues" / Janet K Page "'To soften the sound of the hoboy' The muted oboe in the 18th and early 19th centuries" / George B Stauffer "Boyvin, Grigny, D'Anglebert, and Bach's assimilation of French Classical organ music" / Michael Cole "A Handel harpsichord"
Editore: Oxford University Press, 1993
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- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 176 pages. Illustrated. John A Rice "The Tuscan piano in the 1780s Some builders, composers and performers" / Michael Latcham "The check in some early pianos and the developmenr of piano technique aroind the turn of the 18th century" / Bruce Wood and Andrew Pinnock "The Fairy Queen: a fresh loo…k at the issues" / Janet K Page "'To soften the sound of the hoboy' The muted oboe in the 18th and early 19th centuries" / George B Stauffer "Boyvin, Grigny, D'Anglebert, and Bach's assimilation of French Classical organ music" / Michael Cole "A Handel harpsichord".
Early Music November 1998 / Reinhard Strohm "Dramatic dualities: Metastasio and the tradition of the opera pair" / Wendy Heller "Reforming Achilles: gender, opera seris and the rhetoric of the enlightened hero" / Roger Savage "Staging an opera: letters from the Cesarian poet" / Don Neville "Opera or oratorio? Metastasio's sacred opere serie" / Michael Burden "'Twittering and trilling': Swedish reaction to Metastasio" / Jose-Maximo Leza "Metastasio on the Spanish stage - Madrid 1730s" / Roger Savage "A dynastic marriage celebrated" / Andrew Parrott "Bach's chorus: beyond reasonable doubt"
Tess Knighton (Editor) / Reinhard Strohm "Dramatic dualities: Metastasio and the tradition of the opera pair" / Wendy Heller "Reforming Achilles: gender, opera seris and the rhetoric of the enlightened hero" / Roger Savage "Staging an opera: letters from the Cesarian poet" / Don Neville "Opera or oratorio? Metastasio's sacred opere serie" / Michael Burden "'Twittering and trilling': Swedish reaction to Metastasio" / Jose-Maximo Leza "Metastasio on the Spanish stage - Madrid 1730s" / Roger Savage "A dynastic marriage celebrated" / Andrew Parrott "Bach's chorus: beyond reasonable doubt"
Editore: Oxford University Press, 1998
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- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 160 pages. Illustrated. Reinhard Strohm "Dramatic dualities: Metastasio and the tradition of the opera pair" / Wendy Heller "Reforming Achilles: gender, opera seris and the rhetoric of the enlightened hero" / Roger Savage "Staging an opera: letters from the Cesarian poet" / Don Neville "Opera o…r oratorio? Metastasio's sacred opere serie" / Michael Burden "'Twittering and trilling': Swedish reaction to Metastasio" / Jose-Maximo Leza "Metastasio on the Spanish stage - Madrid 1730s" / Roger Savage "A dynastic marriage celebrated" / Andrew Parrott "Bach's chorus: beyond reasonable doubt".
Early Music May 2007 / Ruth Smith "Early music's dramatic significance in Handel's Saul" / Naomi J Barker "Un-discarded images: illustrations of antique musical instruments in 17th and 18th-century books, their sources and transmission" / Christopher Macklin "Approaches to the use of iconography in historical reconstruction, and the curious case of Renaissance Welsh harp technique" / Jane A Bernstein "Publish or perish? Palestrina and print culture in 16th-century Italy" / DonFader "Philippe II of d'Orleans's 'chanteurs italiens', the Italian cantata and the gouts-reunis under Louis XIV" / Alexandro Vera "Santiago de Murcia's Cifras Selectas de Guitarra (1722): a new source for the Baroque guitar" / Graham Pont "French overtures at the keyb
Tess Knighton (Editor) / Ruth Smith "Early music's dramatic significance in Handel's Saul" / Naomi J Barker "Un-discarded images: illustrations of antique musical instruments in 17th and 18th-century books, their sources and transmission" / Christopher Macklin "Approaches to the use of iconography in historical reconstruction, and the curious case of Renaissance Welsh harp technique" / Jane A Bernstein "Publish or perish? Palestrina and print culture in 16th-century Italy" / DonFader "Philippe II of d'Orleans's 'chanteurs italiens', the Italian cantata and the gouts-reunis under Louis XIV" / Alexandro Vera "Santiago de Murcia's Cifras Selectas de Guitarra (1722): a new source for the Baroque guitar" / Graham Pont "French overtures at the ke
Editore: Oxford University Press, 2007
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 168 pages. Illustrated. Ruth Smith "Early music's dramatic significance in Handel's Saul" / Naomi J Barker "Un-discarded images: illustrations of antique musical instruments in 17th and 18th-century books, their sources and transmission" / Christopher Macklin "Approaches to the use of iconograp…hy in historical reconstruction, and the curious case of Renaissance Welsh harp technique" / Jane A Bernstein "Publish or perish? Palestrina and print culture in 16th-century Italy" / DonFader "Philippe II of d'Orleans's 'chanteurs italiens', the Italian cantata and the gouts-reunis under Louis XIV" / Alexandro Vera "Santiago de Murcia's Cifras Selectas de Guitarra (1722): a new source for the Baroque guitar" / Graham Pont "French overtures at the keyboard: the Handel tradition".
Early Music May 2006 / Jeremy Montagu "Musical instruments in the Macclesfield Psalter" / Boaz Berney "The Renaissance flute in mixed ensembles: surviving instruments, pitches and performance practice" / David M Guion "The missing link: the trombone in Italy in the 17th and 18th centuries" / Eitan Ornoy "Between theory and practice: a comparative study of early music performances" / Jesse Rodin "A Josquin substitution" / Lucy Robinson "Forqueray Pieces de Viole (Paris, 1747): an enigma of authorship between father and son" / Andrew V Jones "Staging a Handel opera"
Tess Knighton (Editor) / Jeremy Montagu "Musical instruments in the Macclesfield Psalter" / Boaz Berney "The Renaissance flute in mixed ensembles: surviving instruments, pitches and performance practice" / David M Guion "The missing link: the trombone in Italy in the 17th and 18th centuries" / Eitan Ornoy "Between theory and practice: a comparative study of early music performances" / Jesse Rodin "A Josquin substitution" / Lucy Robinson "Forqueray Pieces de Viole (Paris, 1747): an enigma of authorship between father and son" / Andrew V Jones "Staging a Handel opera"
Editore: Oxford University Press, 2006
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- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 176 pages. Illustrated. Jeremy Montagu "Musical instruments in the Macclesfield Psalter" / Boaz Berney "The Renaissance flute in mixed ensembles: surviving instruments, pitches and performance practice" / David M Guion "The missing link: the trombone in Italy in the 17th and 18th centuries" / E…itan Ornoy "Between theory and practice: a comparative study of early music performances" / Jesse Rodin "A Josquin substitution" / Lucy Robinson "Forqueray Pieces de Viole (Paris, 1747): an enigma of authorship between father and son" / Andrew V Jones "Staging a Handel opera".
Early Music August 2005 / David Dolata "Visual and poetic allegory in Bellerofonte Castaldi's extraordinary Capricci a due stromenti" / Timothy R McKinney "Point/counterpoint: Vicentino's musical rebuttal to Lusitano" / Jonathan Drennan "Attributions to Giovanni Rovetta" / Rob C Wegman "Musical offerings in the Renaissance" / Michael J Levin and Steven Zohn "Don Juan de Austria and the Venetian music trade" / Erik Albertyn "The Hanover orchestral repertory, 1762-1714: significant source discoveries" / Dieter Gutknecht "Performance practice of recitativo secco in the first half of the 18th century" / Peter Phillips "Treble or soprano? Performing Tallis"
Tess Knighton (Editor) / David Dolata "Visual and poetic allegory in Bellerofonte Castaldi's extraordinary Capricci a due stromenti" / Timothy R McKinney "Point/counterpoint: Vicentino's musical rebuttal to Lusitano" / Jonathan Drennan "Attributions to Giovanni Rovetta" / Rob C Wegman "Musical offerings in the Renaissance" / Michael J Levin and Steven Zohn "Don Juan de Austria and the Venetian music trade" / Erik Albertyn "The Hanover orchestral repertory, 1762-1714: significant source discoveries" / Dieter Gutknecht "Performance practice of recitativo secco in the first half of the 18th century" / Peter Phillips "Treble or soprano? Performing Tallis"
Editore: Oxford University Press, 2005
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Da: Shore Books, London, Regno UnitoShore Books
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 184 pages. Illustrated. David Dolata "Visual and poetic allegory in Bellerofonte Castaldi's extraordinary Capricci a due stromenti" / Timothy R McKinney "Point/counterpoint: Vicentino's musical rebuttal to Lusitano" / Jonathan Drennan "Attributions to Giovanni Rovetta" / Rob C Wegman "Musical o…fferings in the Renaissance" / Michael J Levin and Steven Zohn "Don Juan de Austria and the Venetian music trade" / Erik Albertyn "The Hanover orchestral repertory, 1762-1714: significant source discoveries" / Dieter Gutknecht "Performance practice of recitativo secco in the first half of the 18th century" / Peter Phillips "Treble or soprano? Performing Tallis".
Early Music "Plucked String Issue" May 1987 / The Double Harp in Spain from the 16th to the 18th Centuries (pp. 148-163) Cristina Bordas Patronage, Style and Structure in the Music Attributed to Turlough Carolan (pp. 164-174) Joan Rimmer The Dalway or Fitzgerald Harp (1621) (pp. 175-184+186-187) Michael Billinge and Bonnie Shaljean The Harp in Stuart England: New Light on William Lawes's Harp Consorts (pp. 188-203) Peter Holman 'This Easy and Agreable Instrument': A History of the English Guittar (pp. 204-218) Philip Coggin Edward Paston and the Textless Lute-Song (pp. 221-223+225-227) Stewart McCoy St Gertrude's Chapel, Hamburg, and the Performance of Polychoral Music (pp. 229-241) Frederick Gable
Tess Knighton (Editor) / The Double Harp in Spain from the 16th to the 18th Centuries (pp. 148-163) Cristina Bordas Patronage, Style and Structure in the Music Attributed to Turlough Carolan (pp. 164-174) Joan Rimmer The Dalway or Fitzgerald Harp (1621) (pp. 175-184+186-187) Michael Billinge and Bonnie Shaljean The Harp in Stuart England: New Light on William Lawes's Harp Consorts (pp. 188-203) Peter Holman 'This Easy and Agreable Instrument': A History of the English Guittar (pp. 204-218) Philip Coggin Edward Paston and the Textless Lute-Song (pp. 221-223+225-227) Stewart McCoy St Gertrude's Chapel, Hamburg, and the Performance of Polychoral Music (pp. 229-241) Frederick Gable
Editore: Oxford University Press, 1987
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- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 180 pages. Illustrated. The Double Harp in Spain from the 16th to the 18th Centuries (pp. 148-163) Cristina Bordas Patronage, Style and Structure in the Music Attributed to Turlough Carolan (pp. 164-174) Joan Rimmer The Dalway or Fitzgerald Harp (1621) (pp. 175-184+186-187) Michael Billinge and… Bonnie Shaljean The Harp in Stuart England: New Light on William Lawes's Harp Consorts (pp. 188-203) Peter Holman 'This Easy and Agreable Instrument': A History of the English Guittar (pp. 204-218) Philip Coggin Edward Paston and the Textless Lute-Song (pp. 221-223+225-227) Stewart McCoy St Gertrude's Chapel, Hamburg, and the Performance of Polychoral Music (pp. 229-241) Frederick Gable.
Early Music November 2008 / "The Early Irish Harp" Simon Chadwick / "Dancing at a Wedding: Some Thoughts on Performance Issues in Monteverdi's 'Lasciate i monti' ("Orfeo," 1607)" Virginia Christy Lamothe / "A Monteverdi Vespers in 1611" Licia Mari and Jeffrey Kurtzman / "edagogy and Politics: Music and the Arts in the Valencian Academy (1690-1705)" Andrea Bombi / "The Musical Inventory of Mexico Cathedral, 1589: A Lost Document Rediscovered" Javier Marín López and Tess Knighton / "Santiago de Murcia (1673-1739): New Contributions on His Life and Work" Alejandro Vera / "Harmonia Mundi at 50" Nicholas Anderson
Tess Knighton (Editor) / "The Early Irish Harp" Simon Chadwick / "Dancing at a Wedding: Some Thoughts on Performance Issues in Monteverdi's 'Lasciate i monti' ("Orfeo," 1607)" Virginia Christy Lamothe / "A Monteverdi Vespers in 1611" Licia Mari and Jeffrey Kurtzman / "edagogy and Politics: Music and the Arts in the Valencian Academy (1690-1705)" Andrea Bombi / "The Musical Inventory of Mexico Cathedral, 1589: A Lost Document Rediscovered" Javier Marín López and Tess Knighton / "Santiago de Murcia (1673-1739): New Contributions on His Life and Work" Alejandro Vera / "Harmonia Mundi at 50" Nicholas Anderson
Editore: Oxford University Press, 2008
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Da: Shore Books, London, Regno UnitoShore Books
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 180 pages. Illustrated. "The Early Irish Harp" Simon Chadwick / "Dancing at a Wedding: Some Thoughts on Performance Issues in Monteverdi's 'Lasciate i monti' ("Orfeo," 1607)" Virginia Christy Lamothe / "A Monteverdi Vespers in 1611" Licia Mari and Jeffrey Kurtzman / "edagogy and Politics: Music… and the Arts in the Valencian Academy (1690-1705)" Andrea Bombi / "The Musical Inventory of Mexico Cathedral, 1589: A Lost Document Rediscovered" Javier Marín López and Tess Knighton / "Santiago de Murcia (1673-1739): New Contributions on His Life and Work" Alejandro Vera / "Harmonia Mundi at 50" Nicholas Anderson.
Early Music August 2008 / "Pianos and Harpsichords for Their Majesties" Michael Latcham / "The 1685 Coronation Anthem "I was Glad"" Matthias Range / "On the Trail of Purcell's Spinet" Peter Mole / "On a Roman Polychoral Performance in August 1665" Florian Bassani Grampp / "Marbriano de Orto (c.1455-1529): Personal Thoughts and Some Surprises" Nigel Davison / "Latin American Baroque: Performance as a Post-Colonial Act?" Geoff Baker
Tess Knighton (Editor) / "Pianos and Harpsichords for Their Majesties" Michael Latcham / "The 1685 Coronation Anthem "I was Glad"" Matthias Range / "On the Trail of Purcell's Spinet" Peter Mole / "On a Roman Polychoral Performance in August 1665" Florian Bassani Grampp / "Marbriano de Orto (c.1455-1529): Personal Thoughts and Some Surprises" Nigel Davison / "Latin American Baroque: Performance as a Post-Colonial Act?" Geoff Baker
Editore: Oxford University Press, 2008
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Da: Shore Books, London, Regno UnitoShore Books
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 162 pages. Illustrated. "Pianos and Harpsichords for Their Majesties" Michael Latcham / "The 1685 Coronation Anthem "I was Glad"" Matthias Range / "On the Trail of Purcell's Spinet" Peter Mole / "On a Roman Polychoral Performance in August 1665" Florian Bassani Grampp / "Marbriano de Orto (c.14…55-1529): Personal Thoughts and Some Surprises" Nigel Davison / "Latin American Baroque: Performance as a Post-Colonial Act?" Geoff Baker.
Early Music February 2008 / "'Verie Sweete and Artificiall': Lorenzo Costa and the Earliest Viols" John Bryan / Hearing John Browne's Motets: Registral Space in the Music of the Eton Choirbook" Fabrice Fitch" / "George Kirbye's Clemens Parody" David Humphreys / "'Clefless' Notation, Counterpoint and the fa-Degree" Stefano Mengozzi / "Readings of Poetry: Readings of Music: Intertextuality in Josquin's "Je me complains de mon amy" Vassiliki Koutsobina / "Would Caccini Approve? A Closer Look at Egerton 2971 and Florid Monody" John Bass / "How Composers Viewed Performers' Additions" Beverly Jerold
Tess Knighton (Editor) / "'Verie Sweete and Artificiall': Lorenzo Costa and the Earliest Viols" John Bryan / Hearing John Browne's Motets: Registral Space in the Music of the Eton Choirbook" Fabrice Fitch" / "George Kirbye's Clemens Parody" David Humphreys / "'Clefless' Notation, Counterpoint and the fa-Degree" Stefano Mengozzi / "Readings of Poetry: Readings of Music: Intertextuality in Josquin's "Je me complains de mon amy" Vassiliki Koutsobina / "Would Caccini Approve? A Closer Look at Egerton 2971 and Florid Monody" John Bass / "How Composers Viewed Performers' Additions" Beverly Jerold
Editore: Oxford University Press, 2008
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Da: Shore Books, London, Regno UnitoShore Books
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 178 pages. Illustrated. "'Verie Sweete and Artificiall': Lorenzo Costa and the Earliest Viols" John Bryan / Hearing John Browne's Motets: Registral Space in the Music of the Eton Choirbook" Fabrice Fitch" / "George Kirbye's Clemens Parody" David Humphreys / "'Clefless' Notation, Counterpoint an…d the fa-Degree" Stefano Mengozzi / "Readings of Poetry: Readings of Music: Intertextuality in Josquin's "Je me complains de mon amy" Vassiliki Koutsobina / "Would Caccini Approve? A Closer Look at Egerton 2971 and Florid Monody" John Bass / "How Composers Viewed Performers' Additions" Beverly Jerold.
Early Music May 2008 / "'How to Be an Emperor': Acting Alexander the Great in "opera seria" 'How to Be an Emperor': Acting Alexander the Great in "opera seria"" Richard G. King / "Ockeghem, Brumel, Josquin: New Documents in Troyes" Rob C. Wegman / "A Musical Fragment from Anglo-Saxon England" John Haines / "Pleyel's 'London' Symphonies" Arthur Searle / "A Newly Discovered Source of Vocal Chamber Music by Elisabeth-Claude Jacquet de la Guerre and René Drouard de Bousset" Adrian Rose / "A Mangled Chime: The Accidental Death of the opera libretto in Civil War England" Andrew Pinnock and Bruce Wood / "The Uses of lute Song: Texts, Contexts and Pretexts for 'Historically Informed' Performance" Elizabeth Kenny
Tess Knighton (Editor) / "'How to Be an Emperor': Acting Alexander the Great in "opera seria" 'How to Be an Emperor': Acting Alexander the Great in "opera seria"" Richard G. King / "Ockeghem, Brumel, Josquin: New Documents in Troyes" Rob C. Wegman / "A Musical Fragment from Anglo-Saxon England" John Haines / "Pleyel's 'London' Symphonies" Arthur Searle / "A Newly Discovered Source of Vocal Chamber Music by Elisabeth-Claude Jacquet de la Guerre and René Drouard de Bousset" Adrian Rose / "A Mangled Chime: The Accidental Death of the opera libretto in Civil War England" Andrew Pinnock and Bruce Wood / "The Uses of lute Song: Texts, Contexts and Pretexts for 'Historically Informed' Performance" Elizabeth Kenny
Editore: Oxford University Press, 2008
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Da: Shore Books, London, Regno UnitoShore Books
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 178 pages. Illustrated. "'How to Be an Emperor': Acting Alexander the Great in "opera seria" 'How to Be an Emperor': Acting Alexander the Great in "opera seria"" Richard G. King / "Ockeghem, Brumel, Josquin: New Documents in Troyes" Rob C. Wegman / "A Musical Fragment from Anglo-Saxon England"…John Haines / "Pleyel's 'London' Symphonies" Arthur Searle / "A Newly Discovered Source of Vocal Chamber Music by Elisabeth-Claude Jacquet de la Guerre and René Drouard de Bousset" Adrian Rose / "A Mangled Chime: The Accidental Death of the opera libretto in Civil War England" Andrew Pinnock and Bruce Wood / "The Uses of lute Song: Texts, Contexts and Pretexts for 'Historically Informed' Performance" Elizabeth Kenny.
Early Music "Palestrina quatercentenary" November 1994 / Palestrina, a Musician and Composer in the Market-Place (pp. 551-558+560+562-566+568-570+572) Noel O'Regan Reconsidering Palestrina (pp. 574-576+579-585) Peter Phillips On a Continuo Organ Part Attributed to Palestrina (pp. 587-605) Patrizio Barbieri Competence and Incompetence in the Papal Choir in the Age of Palestrina (pp. 606-618+620-624+626-629) Richard Sherr 'The Praise of It Endureth for Ever': The Posthumous Publication of Palestrina's Music 'The Praise of It Endureth for Ever': The Posthumous Publication of Palestrina's Music (pp. 631-639) Jerome Roche Tones, Modes, Clefs and Pitch in Roman Cyclic Magnificats of the 16th Century (pp. 641-644+646-648+650-658+660-664) Jeffrey G
Tess Knighton (Editor) / Palestrina, a Musician and Composer in the Market-Place (pp. 551-558+560+562-566+568-570+572) Noel O'Regan Reconsidering Palestrina (pp. 574-576+579-585) Peter Phillips On a Continuo Organ Part Attributed to Palestrina (pp. 587-605) Patrizio Barbieri Competence and Incompetence in the Papal Choir in the Age of Palestrina (pp. 606-618+620-624+626-629) Richard Sherr 'The Praise of It Endureth for Ever': The Posthumous Publication of Palestrina's Music 'The Praise of It Endureth for Ever': The Posthumous Publication of Palestrina's Music (pp. 631-639) Jerome Roche Tones, Modes, Clefs and Pitch in Roman Cyclic Magnificats of the 16th Century (pp. 641-644+646-648+650-658+660-664) Jeffrey G. Kurtzman The
Editore: Oxford University Press, 1994
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- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 176 pages. Illustrated. Palestrina, a Musician and Composer in the Market-Place (pp. 551-558+560+562-566+568-570+572) Noel O'Regan Reconsidering Palestrina (pp. 574-576+579-585) Peter Phillips On a Continuo Organ Part Attributed to Palestrina (pp. 587-605) Patrizio Barbieri Competence and Incom…petence in the Papal Choir in the Age of Palestrina (pp. 606-618+620-624+626-629) Richard Sherr 'The Praise of It Endureth for Ever': The Posthumous Publication of Palestrina's Music 'The Praise of It Endureth for Ever': The Posthumous Publication of Palestrina's Music (pp. 631-639) Jerome Roche Tones, Modes, Clefs and Pitch in Roman Cyclic Magnificats of the 16th Century (pp. 641-644+646-648+650-658+660-664) Jeffrey G. Kurtzman The Performance of Palestrina: Some Questions, but Fewer Answers (pp. 666-675) Graham Dixon Towards Europe: The Achievement of the 15th Century (pp. 677-679) The Rise of European Music 1380-1500 by Reinhard Strohm Review by: Alejandro Enrique Planchart The Medieval Sequence: A Foretaste of Heavenly Song (pp. 679-680+682) Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris by Margot Fassler Review by: Christopher Page The Venetian 'ospedali' (pp. 682-683) Woman Musicians of Venice: Musical Foundations, 1525-1855 by Jane L. Baldauf Berdes Review by: Laura Macy From Jacobean to Restoration (pp. 685+687) The Blackwell History of Music in Britain, III: The Seventeenth Century by Ian Spink Review by: John Morehen.
Altre immaginiEarly Music May 1995 / New Light on Robert Cambert in London, and His "Ballet et Musique" (pp. 198-202+205-206+208-210+212-214+217-220) John Buttrey Music and Musicians of Early Tudor Westminster (pp. 223-228+231-240) Fiona Kisby Domenico Scarlatti and the Florentine Piano (pp. 243-246+249-256) David Sutherland The Earliest Paintings of the Clarinet (pp. 258-266) Eric Hoeprich 'Gallimaufry' at Covent Garden: Purcell's "The Fairy-Queen" in 1946 (pp. 268-284) Michael Burden Mozart's Pedal Piano (pp. 287-296) Richard Maunder and David Rowland Sense and Sensibility in Late-Medieval Music: Thoughts on Aesthetics and 'Authenticity' (pp. 298-304+306-308+310-312) Rob C. Wegman
Tess Knighton (Editor) / New Light on Robert Cambert in London, and His "Ballet et Musique" (pp. 198-202+205-206+208-210+212-214+217-220) John Buttrey Music and Musicians of Early Tudor Westminster (pp. 223-228+231-240) Fiona Kisby Domenico Scarlatti and the Florentine Piano (pp. 243-246+249-256) David Sutherland The Earliest Paintings of the Clarinet (pp. 258-266) Eric Hoeprich 'Gallimaufry' at Covent Garden: Purcell's "The Fairy-Queen" in 1946 (pp. 268-284) Michael Burden Mozart's Pedal Piano (pp. 287-296) Richard Maunder and David Rowland Sense and Sensibility in Late-Medieval Music: Thoughts on Aesthetics and 'Authenticity' (pp. 298-304+306-308+310-312) Rob C. Wegman
Editore: Oxford University Press, 1995
- Brossura
- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 24,04
EUR 12,83 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. 180 pages. Illustrated. New Light on Robert Cambert in London, and His "Ballet et Musique" (pp. 198-202+205-206+208-210+212-214+217-220) John Buttrey Music and Musicians of Early Tudor Westminster (pp. 223-228+231-240) Fiona Kisby Domenico Scarlatti and the Florentine Piano (pp. 243-246+249-256…) David Sutherland The Earliest Paintings of the Clarinet (pp. 258-266) Eric Hoeprich 'Gallimaufry' at Covent Garden: Purcell's "The Fairy-Queen" in 1946 (pp. 268-284) Michael Burden Mozart's Pedal Piano (pp. 287-296) Richard Maunder and David Rowland Sense and Sensibility in Late-Medieval Music: Thoughts on Aesthetics and 'Authenticity' (pp. 298-304+306-308+310-312) Rob C. Wegman.
Altre immaginiEarly Music "Music and spectacle" February 1999 / Marchetto da Padova and Giotto's Scrovegni Chapel Frescoes (pp. 7-23) Eleonora M. Beck Giaches de Wert at Novellara (pp. 25-33+35-36+38+40+3) Iain Fenlon "The Beggar's Opera" and "opéra-comique en vaudevilles" (pp. 42-43+45-47+49-53) Daniel Heartz A Sweet Bird of Youth: Caffarelli in Pistoia (pp. 55-63) Jean Grundy Fanelli Heidegger and the Management of the Haymarket Opera, 1713-17 (pp. 65-71+73-84) Judith Milhous and Robert D. Hume Guadagni in the Dock: A Crisis in the Career of a Castrato (pp. 87-95) Patricia Howard Music and the Royal Procession in Maria Theresia's Vienna (pp. 96-118) Janet K. Page
Tess Knighton (Editor) / Marchetto da Padova and Giotto's Scrovegni Chapel Frescoes (pp. 7-23) Eleonora M. Beck Giaches de Wert at Novellara (pp. 25-33+35-36+38+40+3) Iain Fenlon "The Beggar's Opera" and "opéra-comique en vaudevilles" (pp. 42-43+45-47+49-53) Daniel Heartz A Sweet Bird of Youth: Caffarelli in Pistoia (pp. 55-63) Jean Grundy Fanelli Heidegger and the Management of the Haymarket Opera, 1713-17 (pp. 65-71+73-84) Judith Milhous and Robert D. Hume Guadagni in the Dock: A Crisis in the Career of a Castrato (pp. 87-95) Patricia Howard Music and the Royal Procession in Maria Theresia's Vienna (pp. 96-118) Janet K. Page
Editore: Oxford University Press, 1999
- Brossura
- Rivista/periodico
Da: Shore Books, London, Regno UnitoShore Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 24,04
EUR 12,83 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. 176 pages. Illustrated. Marchetto da Padova and Giotto's Scrovegni Chapel Frescoes (pp. 7-23) Eleonora M. Beck Giaches de Wert at Novellara (pp. 25-33+35-36+38+40+3) Iain Fenlon "The Beggar's Opera" and "opéra-comique en vaudevilles" (pp. 42-43+45-47+49-53) Daniel Heartz A Sweet Bird of Youth:…Caffarelli in Pistoia (pp. 55-63) Jean Grundy Fanelli Heidegger and the Management of the Haymarket Opera, 1713-17 (pp. 65-71+73-84) Judith Milhous and Robert D. Hume Guadagni in the Dock: A Crisis in the Career of a Castrato (pp. 87-95) Patricia Howard Music and the Royal Procession in Maria Theresia's Vienna (pp. 96-118) Janet K. Page.
- Brossura
Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 66,86
EUR 14,58 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Paperback. Condizione: Brand New. 480 pages. 9.21x6.14x1.10 inches. In Stock.
- Rilegato
Da: BennettBooksLtd, Los Angeles, CA, U.S.A.BennettBooksLtd
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 81,04
EUR 5,96 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.
- Brossura
Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 116,50
EUR 14,58 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Brand New. 448 pages. 9.13x6.14x1.10 inches. In Stock.
