Theil harald (35 risultati)

Soft cover. Condizione: Fine. No Jacket. 1st Edition. 128pp.Fully illustrated.

Hardcover. Condizione: Good.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. 1°. Picasso never considered ceramics a minor art form and was thus able to explore, through this medium, artistic practices that had preoccupied him since his Cubist years. Ceramics also allowed him to reconnect with ancient and popular traditions, as well as with the iconography and myths of the Mediterranean.After some experimentation at the beginning of the century, Picasso only devoted himself to ceramics from 1947 onward, in the Madoura studio in Vallauris. The artist then authorised Suzanne and Georges Ramié to create limited-edition reproductions of some of his ceramics, covering his entire production between 1947 and 1971. These editions, which represent a continuation of his output, helped popularise his work.This catalogue provides some keys to better understanding Picasso's creative process, his motivations, as well as the creative processes behind his ceramic edition series.Text in French with an English section at the back.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. This book explores the great interest that Pablo Picasso had in ceramics, which he certainly didn't consider a minor art, but a means of artistic expression in its own right, like sculpture, painting and graphics. In Vallauris, at the Madoura ceramic laboratories, Picasso dedicated himself to working clay for a period of 25 years, from 1946 to 1971, producing thousands of unique pieces.This volume retraces this exceptional chapter of the Picasso's art, through 50 ceramics from the Picasso of the Musée National Picasso in Paris - a core of inestimable value, which represents almost half of the museum's large collection - placed in a fertile and unprecedented dialogue with the direct sources of his inspiration: classic ceramics with red and black figures, the Etruscan buccheri, Spanish and Italian popular ceramics, 15th century Italian graffiti, and examples of the Mediterranean area with iconographies of fish, fantastic animals, owls and birds, as well as terracottas from Mesoamerican cultures. A chapter is dedicated to the relationship between Picasso and Faenza through unpublished documents from the historical archive of the MIC, and to the historical video by Luciano Emmer of 1954 (Picasso a Vallauris).Text in English and Italian.…

Paperback. Condizione: new. Paperback. This book explores the greatinterest that Pablo Picasso had in ceramics, which he certainly didn'tconsider a minor art, but a means of artistic expression in its ownright, like sculpture, painting and graphics. In Vallauris, at theMadoura ceramic laboratories, Picasso dedicated himself to working clayfor a period of 25 years, from 1946 to 1971, producing thousands ofunique pieces.This volume retraces this exceptional chapter ofthe Picasso's art, through 50 ceramics from the Picasso of the MuseeNational Picasso in Paris - a core of inestimable value, whichrepresents almost half of the museum's large collection - placed in afertile and unprecedented dialogue with the direct sources of hisinspiration: classic ceramics with red and black figures, the Etruscan buccheri,Spanish and Italian popular ceramics, 15th century Italian graffiti,and examples of the Mediterranean area with iconographies of fish,fantastic animals, owls and birds, as well as terracottas fromMesoamerican cultures. A chapter is dedicated to the relationshipbetween Picasso and Faenza through unpublished documents from thehistorical archive of the MIC, and to the historical video by LucianoEmmer of 1954 (Picasso a Vallauris).Text in English and Italian. This book presents 50 unique pieces from the collections of the Musee Picasso in Paris to tell the creative thought of the Spanish artist Picasso towards clay.Text in English and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condizione: New. 1°. Picasso never considered ceramics a minor art form and was thus able to explore, through this medium, artistic practices that had preoccupied him since his Cubist years. Ceramics also allowed him to reconnect with ancient and popular traditions, as well as with the iconography and myths of the Mediterranean.After some experimentation at the beginning of the century, Picasso only devoted himself to ceramics from 1947 onward, in the Madoura studio in Vallauris. The artist then authorised Suzanne and Georges Ramié to create limited-edition reproductions of some of his ceramics, covering his entire production between 1947 and 1971. These editions, which represent a continuation of his output, helped popularise his work.This catalogue provides some keys to better understanding Picasso's creative process, his motivations, as well as the creative processes behind his ceramic edition series.Text in French with an English section at the back.…

Wrappers. Condizione: Very Good. 159 pages. Paperback. Texts in Italian and English. Withdrawn from an institutional library whose name is stamped on the title page. There are none of the other traditional ex-library defects, though. The binding is tight, the spine uncreased, the edges only minimally worn, and interior (save for the aforementioned) is clean and free of other markings. Bound in stiff illustrated paper French fold covers and published on the occasion of the exhibition held from November 1, 2019-April 12, 2020. Well illustrated.…

Paperback. Condizione: New. This book explores the great interest that Pablo Picasso had in ceramics, which he certainly didn't consider a minor art, but a means of artistic expression in its own right, like sculpture, painting and graphics. In Vallauris, at the Madoura ceramic laboratories, Picasso dedicated himself to working clay for a period of 25 years, from 1946 to 1971, producing thousands of unique pieces.This volume retraces this exceptional chapter of the Picasso's art, through 50 ceramics from the Picasso of the Musée National Picasso in Paris - a core of inestimable value, which represents almost half of the museum's large collection - placed in a fertile and unprecedented dialogue with the direct sources of his inspiration: classic ceramics with red and black figures, the Etruscan buccheri, Spanish and Italian popular ceramics, 15th century Italian graffiti, and examples of the Mediterranean area with iconographies of fish, fantastic animals, owls and birds, as well as terracottas from Mesoamerican cultures. A chapter is dedicated to the relationship between Picasso and Faenza through unpublished documents from the historical archive of the MIC, and to the historical video by Luciano Emmer of 1954 (Picasso a Vallauris).Text in English and Italian.…

Condizione: New.

Condizione: New. 2019. 01st Edition. Paperback. . . . . .

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: New. 2019. 01st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: Brand New. bilingual edition. 159 pages. Italian language. 11.25x9.25x0.25 inches. In Stock.

Softcover, 174 pages, in Spanish; very good condition except 3-inch long residue from removed sticker on front cover; moderate rubbing to white covers; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: As New. No Jacket. 1st Edition. A clean unmarked copy in excellent condition. 145 pages.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: NEW.

Paperback. Condizione: New. 1°. Picasso never considered ceramics a minor art form and was thus able to explore, through this medium, artistic practices that had preoccupied him since his Cubist years. Ceramics also allowed him to reconnect with ancient and popular traditions, as well as with the iconography and myths of the Mediterranean.After some experimentation at the beginning of the century, Picasso only devoted himself to ceramics from 1947 onward, in the Madoura studio in Vallauris. The artist then authorised Suzanne and Georges Ramié to create limited-edition reproductions of some of his ceramics, covering his entire production between 1947 and 1971. These editions, which represent a continuation of his output, helped popularise his work.This catalogue provides some keys to better understanding Picasso's creative process, his motivations, as well as the creative processes behind his ceramic edition series.Text in French with an English section at the back.…

Condizione: New. This book presents 50 unique pieces from the collections of the Musee Picasso in Paris to tell the creative thought of the Spanish artist Picasso towards clay.Text in English and Italian.KlappentextThis book presents 50 unique pieces.

Paperback. Condizione: New. This book explores the great interest that Pablo Picasso had in ceramics, which he certainly didn't consider a minor art, but a means of artistic expression in its own right, like sculpture, painting and graphics. In Vallauris, at the Madoura ceramic laboratories, Picasso dedicated himself to working clay for a period of 25 years, from 1946 to 1971, producing thousands of unique pieces.This volume retraces this exceptional chapter of the Picasso's art, through 50 ceramics from the Picasso of the Musée National Picasso in Paris - a core of inestimable value, which represents almost half of the museum's large collection - placed in a fertile and unprecedented dialogue with the direct sources of his inspiration: classic ceramics with red and black figures, the Etruscan buccheri, Spanish and Italian popular ceramics, 15th century Italian graffiti, and examples of the Mediterranean area with iconographies of fish, fantastic animals, owls and birds, as well as terracottas from Mesoamerican cultures. A chapter is dedicated to the relationship between Picasso and Faenza through unpublished documents from the historical archive of the MIC, and to the historical video by Luciano Emmer of 1954 (Picasso a Vallauris).Text in English and Italian.…

Condizione: good. Envoi avec suivi, rapide et soigné. Vendeur Pro specialiste livre depuis plus de 10 ans, produit en stock, expédié en 24 heures depuis la France, emballage soigné sous bulles (pour les envois de plus de 6 euros).

Taschenbuch. Condizione: Neu. Neuware - Key ceramic works by Picasso alongside the ancient pottery that inspired himOver a 25-year span, from 1946 to 1971, Pablo Picasso (1881-1973) produced a ceramic oeuvre that has slowly become an immensely popular dimension of his vast output. Working at the Madoura pottery in Vallauris, he created thousands of unique works that reflect the abiding importance of this medium for him. This book selects 50 ceramic pieces from the Musée national Picasso-Paris, which represents almost the half of the celebrated ceramic collection of the museum, along with a selection of pieces from the Museo Internazionale delle Ceramiche in Faenza, Italy, which provided direct sources of inspiration for the artist. These include pieces in the classical black-figure and red-figure ceramic style; bucchero vases from Etruria; Spanish and Italian popular pottery; incised pottery from the Italian Quattrocento; specimens of Mediterranean ceramics painted with animals; and Mesoamerican ceramic vessels.…

Paperback. Condizione: new. Paperback. This book explores the greatinterest that Pablo Picasso had in ceramics, which he certainly didn'tconsider a minor art, but a means of artistic expression in its ownright, like sculpture, painting and graphics. In Vallauris, at theMadoura ceramic laboratories, Picasso dedicated himself to working clayfor a period of 25 years, from 1946 to 1971, producing thousands ofunique pieces.This volume retraces this exceptional chapter ofthe Picasso's art, through 50 ceramics from the Picasso of the MuseeNational Picasso in Paris - a core of inestimable value, whichrepresents almost half of the museum's large collection - placed in afertile and unprecedented dialogue with the direct sources of hisinspiration: classic ceramics with red and black figures, the Etruscan buccheri,Spanish and Italian popular ceramics, 15th century Italian graffiti,and examples of the Mediterranean area with iconographies of fish,fantastic animals, owls and birds, as well as terracottas fromMesoamerican cultures. A chapter is dedicated to the relationshipbetween Picasso and Faenza through unpublished documents from thehistorical archive of the MIC, and to the historical video by LucianoEmmer of 1954 (Picasso a Vallauris).Text in English and Italian. This book presents 50 unique pieces from the collections of the Musee Picasso in Paris to tell the creative thought of the Spanish artist Picasso towards clay.Text in English and Italian. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Paperback. Condizione: New. 1°. Picasso never considered ceramics a minor art form and was thus able to explore, through this medium, artistic practices that had preoccupied him since his Cubist years. Ceramics also allowed him to reconnect with ancient and popular traditions, as well as with the iconography and myths of the Mediterranean.After some experimentation at the beginning of the century, Picasso only devoted himself to ceramics from 1947 onward, in the Madoura studio in Vallauris. The artist then authorised Suzanne and Georges Ramié to create limited-edition reproductions of some of his ceramics, covering his entire production between 1947 and 1971. These editions, which represent a continuation of his output, helped popularise his work.This catalogue provides some keys to better understanding Picasso's creative process, his motivations, as well as the creative processes behind his ceramic edition series.Text in French with an English section at the back.…