Condizione: New.
Condizione: New.
Condizione: As New. Unread book in perfect condition.
Editore: Dixon Gallery and Gardens / Giles, an imprint of D Giles Limited, Memphis, TN; Lewes, UK, 2024
ISBN 10: 1913875601 ISBN 13: 9781913875602
Lingua: Inglese
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condizione: As new. Quarto. Hardcover. Illustrated boards. No jacket, presumably as issued. 168 pages : illustrations (chiefly color), color maps ; 29 cm. "Produced in conjunction with the exhibition All aboard: the railroad in American art, 1840 1955, on view at Shelburne Museum, Vermont, from June 21, 2024, to October 20, 2024; Dixon Gallery and Gardens, Memphis, from November 2, 2024, to January 24, 2025; and Joslyn Art Museum, Omaha, from February 15, 2025, to May 4, 2025"--Colophon./ Includes bibliographical references (pages 146-151) and index (pages 162-167).
EUR 42,45
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Aggiungi al carrelloCondizione: New.
EUR 54,12
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Aggiungi al carrelloHardback. Condizione: New. All Aboard is a ground-breaking book. Presented thematically the authors cover the environmental impact of the railroad both on the flora and fauna, and on the social landscape; the role of the railroad on the western expansion of the USA, and the lasting and hugely detrimental impact of this on Native American populations. A wide array of comparative images includes archival and historic views, other related artworks and ephemera, as well as a railroad map.In the early years of the nineteenth century artists including Thomas Cole and George Inness, of the Hudson River School, feared the impact of the railroad on the natural landscape; later artists were inspired by the newly opened-up landscapes of the West, including Albert Bierstadt and Theodore Kaufmann; others like Edward Hopper, Jacob Lawrence, Reginald Marsh, George Bellows, and John Sloan, were fascinated by movement of freight and people across the railroad network. Ben Shahn, Tomas Hart Benton, and Joe Jones's portrayals of railroad workers become emblems of the very backbone of America on which the country's social and industrial expansion was built.Such industrial expansion is captured in the dramatic views of Pittsburgh and mid-west industry in paintings by Otto Kuhler, George Luks, and Charles Sheeler. And finally, there are a raft of artists for whom the railroad was both at the heart of a great new machine age, celebrated in paintings by Georgia O'Keeffe, John Marin, Joseph Stella, and Charles Goeller, but also the creator of a more lonely and alienated urban industrial world, most strongly captured in Edward Hopper's railroad landscapes.
EUR 36,68
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Aggiungi al carrelloHardcover. Condizione: Brand New. 168 pages. 11.00x9.50x11.20 inches. In Stock.
Condizione: New.
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 50,68
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Aggiungi al carrelloCondizione: New.
EUR 53,89
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 168 pages. 11.00x9.50x11.20 inches. In Stock.
EUR 48,14
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. All Aboard is a ground-breaking book. Presented thematically the authors cover the environmental impact of the railroad both on the flora and fauna, and on the social landscape; the role of the railroad on the western expansion of the USA, and the lasting and hugely detrimental impact of this on Native American populations. A wide array of comparative images includes archival and historic views, other related artworks and ephemera, as well as a railroad map.In the early years of the nineteenth century artists including Thomas Cole and George Inness, of the Hudson River School, feared the impact of the railroad on the natural landscape; later artists were inspired by the newly opened-up landscapes of the West, including Albert Bierstadt and Theodore Kaufmann; others like Edward Hopper, Jacob Lawrence, Reginald Marsh, George Bellows, and John Sloan, were fascinated by movement of freight and people across the railroad network. Ben Shahn, Tomas Hart Benton, and Joe Jones's portrayals of railroad workers become emblems of the very backbone of America on which the country's social and industrial expansion was built.Such industrial expansion is captured in the dramatic views of Pittsburgh and mid-west industry in paintings by Otto Kuhler, George Luks, and Charles Sheeler. And finally, there are a raft of artists for whom the railroad was both at the heart of a great new machine age, celebrated in paintings by Georgia O'Keeffe, John Marin, Joseph Stella, and Charles Goeller, but also the creator of a more lonely and alienated urban industrial world, most strongly captured in Edward Hopper's railroad landscapes.