thomas charles 1928 (14 risultati)

First Edition. Very good paperback copy; wrappers slightly dulled and edge-nicked. Bright and clean internally. Remains particularly well-preserved overall. Series; Library of medieval civilization. Physical description; 144 pages : illustrations (some color), maps, plans 22 cm. Notes; Includes bibliographical references (pages 136-139) and index. Contents; The end of Roman Britain -- Invaders and colonists -- Christianity -- Home and hearth. Subjects; Invaders England. Anglo-Saxon. Antiquities. Church history. Primitive and early church. Civilization. 1 Kg.

Soft cover. Condizione: Very Good. 44 pages. Neal Ascherson in Saakashvili's Georgia / Hilary Mantel on the Hair Shirt Sisterhood / Andrew O'Hagan "Morrisey" / James Lasdun "Losing in Las Vegas" / Adam Phillips "Dylan Thomas" / Jenny Diski "Goffman's Legacy" / Nicholas Penny at the National Gallery / Frank Kermode "Winnicott" / Bernard Porter "Cannabis Britannica : Empire, Trade and Prohibition 1800-1928" / Charles Simic 2 poems.

Condizione: New.

First Edition. Very good paperback copy; wrappers slightly dulled and edge-nicked. Bright and clean internally. Remains particularly well-preserved overall. Series; Library of medieval civilization. Physical description; 144 pages : illustrations (some color), maps, plans 22 cm. Notes; Includes bibliographical references (pages 136-139) and index. Contents; The end of Roman Britain -- Invaders and colonists -- Christianity -- Home and hearth. Subjects; Invaders England. Anglo-Saxon. Antiquities. Church history. Primitive and early church. Civilization. 1 Kg.

Hardcover. 144 p.; 110 illus. (19 in color); 21.5 cm. (Library of medieval civilization) VG orig. olive cloth in illus. dj.

Hardcover. Condizione: Very Good+. First Edition. New York: Henry Harrison, 1931. First edition. 61,[1]pp. Ink ownership name of one J.A. Hutton(?) to front free endpaper. Original brown cloth, pink lettering. A very good copy.

1st edition. Previous owner's signature. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains quite well-preserved overall. Physical description: 144 pages: illustrations (some color), maps, plans 22 cm.Notes: Includes bibliographical references (pages 136-139). Contents: The end of Roman Britain -- Invaders and colonists -- Christianity -- Home and hearth. Subjects: Church history Primitive and early church, ca. 30-600. Church history Middle Ages, 600-1500. Christian antiquities Great Britain. Christian antiquities Ireland. Christian civilization Ireland. Ireland Civilization. Genre: Bibliography. Illustrated. 3 Kg.

1st edition. Previous owner's signature. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains quite well-preserved overall. Physical description: 144 pages: illustrations (some color), maps, plans 22 cm.Notes: Includes bibliographical references (pages 136-139). Contents: The end of Roman Britain -- Invaders and colonists -- Christianity -- Home and hearth. Subjects: Church history Primitive and early church, ca. 30-600. Church history Middle Ages, 600-1500. Christian antiquities Great Britain. Christian antiquities Ireland. Christian civilization Ireland. Ireland Civilization. Genre: Bibliography. Illustrated. 1 Kg.

Soft cover. Condizione: Fine. 1st Edition. 1 score (214 pages) ; 28 cm ; ISBN 9780073325026, 0073325023 ; OCLC 607092944 ; Spiral-bound collection of scores ; Contents: 1. Claude Debussy (1862-1918), "La cathédrale engloutie," no. 10 from Preludes, book I(1910)2. Claude Debussy, "Canope," no. 10 from Preludes, book II (1910-13)3. Claude Debussy, "Sarabande," from Pour le piano (1894-1901)4. Igor Stravinsky (1882-1971), Introduction to Part I, from The Rite of Spring (1913)5. Béla Bartók (1881-1945), "Song of the Harvest," no. 33 from Forty-four Violin Duets (1931)6. Béla Bartók, "Whole-tone Scale," no. 136 from Mikrokosmos, vol. 5 (1932-39)7. Béla Bartók, "Diminished Fifth," no. 101 from Mikrokosmos, vol. 4 (1932-39)8. Béla Bartók, "From the Island of Bali," no 109 from Mikrokosmos, vol 4 (1932-39)9. Anton Webern (1883-1945), Five Movements for String Quartet, op. 5, II (1909)10. Anton Webern, Five Movements For String Quartet, op. 5, III (1909)11. Arnold Schoenberg (1874-1951), "Angst und Hoffen," no. 7 from Book of The Hanging Gardens, op. 15 (1909)12. Alban Berg (1885-1935), "Schlafend trägt man mich," no. 2 from Four Songs, op. 2 (1908-1909)13. Igor Stravinsky (1882-1971), Agnus Dei, from Mass (1944-48)14. Paul Hindemith (1895-1963), Interlude in G, from Ludus tonalis (1942)15. Paul Hindemith, "Vom Tode Mariä I," from Das Marienleben (1923)16. Charles Ives (1874-1954), "The Things Our Fathers Loved," from 114 Songs (ca. 1917)17. Charles Ives, "The Cage," from 114 Songs (1906)18. Ruth Crawford Seeger (1901-1953), Diaphonic Suite no. 4, III (1930)19. Luigi Dallapiccola (1904-1975), "Contrapunctus secundus," no. 5 from Quaderno musicale di Annalibera (1952-53)20. Luigi Dallapiccola, "Quartina," no. 11 from Quaderno musicale di Annalibera (1952-53)21. Anton Webern (1883-1945), "Wie bin ich froh," no. 1 from Drei Lieder, op. 25 (1935)22. Anton Webern, Piano Variations, op. 27, II (1935-36)23. Arnold Schoenberg (1874-1951), Klavierstück, op. 33a (1929)24. Igor Stravinsky (1882-1971), "Lacrimosa," from Requiem Canticles (1966)25. Pierre Boulez (b. 1925), Structures Ia, mm. 1-39 (1952)26. Milton Babbitt (b. 1916), Composition for Twelve Instruments, mm. 1-26 (1948)27. Olivier Messiaen (1908-1992), Turangalîla Symphony, Introduction, reh. 12-22 (1946-48)28. Elliott Carter (b. 1908), String Quartet no. 2, I, mm. 35-134 (1959)29. Karlheinz Stockhausen (b. 1928), Stimmung (three pages: Formschema, one sample page of Magische Namen, and one sample page of Modelle) (1968)30. John Cage (1912-1992), Winter Music (one page) (1957)31. Witold Lutoslawski (1913-1994), Jeux vénitiens, I (1960-61)32. György Ligeti (1923-2006), Ramifications, mm. 1-44 (1968-69)33. George Rochberg (1918-2005), Music for the Magic Theater, reh. 1-17 (1965)34. Luciano Berio (1925-2003), Sinfonia, III ("In ruhig fliessender Bewegung"), mm. 1-120 (to reh. F) (1968)35. George Crumb (b. 1923), "Dream Images (Love-Death Music)," no. 11 from Makrokosmos, vol. 1 (1972-73)36. Steve Reich (b. 1936), Violin Phase (1967)37. Louis Andriessen (b. 1939), De Staat, mm. 1-161 (1972-76)38. Arvo Pärt (b. 1935), Cantus (1977)39. Augusta Read Thomas (b. 1964), Spring Song, mm. 1-41 (1995)40. Thomas Adès (b. 1971), Asyla, II, mm. 1-43 (1997)41. Kaija Saariaho (b. 1952), Ariel's Hail (2000) ; Designed for use with Understanding Post-tonal music by Miguel Roig-Francoli ; Miguel Ángel Roig-Francolí (born 1953) is a Spanish/American composer, music theorist, and pedagogue. His 1980 Cinco piezas para orquesta (Five Pieces for Orchestra), commissioned by Radio Nacional de España and written in a postmodern, neotonal style, won first prize in the National Composition Competition of the Spanish Jeunesses Musicales in 1981 and second prize at the UNESCO International Rostrum of Composers in 1982, and continues to be widely performed in Spain. ; This collection of 41 selections and excerpts represents a wide range of music from the 20th Century. Designed for use with Understanding Post-Tonal Music by Miguel Roig-Francoli; FINE. Sheet music.

Gebunden. Condizione: New.

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 324 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Duke-Edinburgh Edition. Good set in original gilt-blocked cloth with some wear and tear as with age. Remains well-preserved overall; bright and clean. Physical description; seven volumes : ports. ; 24 cm. Contents; Volume 10: 1838. Vol. 11: 1839. Vol. 12: 1840. Vol. 15: August-December 1842 ; Index vols. 13-15. Vol. 16: January-July 1843. Vol. 17: August 1834-March 1844. Vol. 18: April-December 1844 ; Index. vols. 16-18/ Summary; The Collected Letters of Thomas and Jane Welsh Carlyle offer a window onto the lives of two of the Victorian world's most accomplished, perceptive, and unusual inhabitants. Scottish writer and historian Thomas Carlyle and his wife, Jane Welsh Carlyle, attracted to them a circle of foreign exiles, radicals, feminists, revolutionaries, and major and minor writers from across Europe and the United States. The collection is regarded as one of the finest and most comprehensive literary archives of the nineteenth century. Subjects; Carlyle, Jane Welsh (1801-1866) Correspondence. Carlyle, Thomas (1795-1881) Correspondence. Authors, Scottish 19th century Correspondence. Authors' spouses Great Britain Correspondence. English literature. Literary studies: general. English. Biography & Autobiography / General. Literary Criticism / General. Literary Criticism / European / General. Genres; Biography. Illustrated. 4 Kg.

Duke-Edinburgh Edition. Good set in original gilt-blocked cloth with some wear and tear as with age. Remains well-preserved overall; bright and clean. Physical description; seven volumes : ports. ; 24 cm. Contents; Volume 10: 1838. Vol. 11: 1839. Vol. 12: 1840. Vol. 15: August-December 1842 ; Index vols. 13-15. Vol. 16: January-July 1843. Vol. 17: August 1834-March 1844. Vol. 18: April-December 1844 ; Index. vols. 16-18/ Summary; The Collected Letters of Thomas and Jane Welsh Carlyle offer a window onto the lives of two of the Victorian world's most accomplished, perceptive, and unusual inhabitants. Scottish writer and historian Thomas Carlyle and his wife, Jane Welsh Carlyle, attracted to them a circle of foreign exiles, radicals, feminists, revolutionaries, and major and minor writers from across Europe and the United States. The collection is regarded as one of the finest and most comprehensive literary archives of the nineteenth century. Subjects; Carlyle, Jane Welsh (1801-1866) Correspondence. Carlyle, Thomas (1795-1881) Correspondence. Authors, Scottish 19th century Correspondence. Authors' spouses Great Britain Correspondence. English literature. Literary studies: general. English. Biography & Autobiography / General. Literary Criticism / General. Literary Criticism / European / General. Genres; Biography. Illustrated. 3 Kg.

Silver gelatin print signed by Moran ("T Moran"), inscribed by Moran, "To Miss Helen Ryan," additionally signed in ink by the photographer, "?1922 BY/ Chas T. Lummis." Size: 11 x 7 inches, framed in an 11 1/4 x 7 1/4 inch frame, and matted within an additional 21 1/8 x 16 1/4 inch frame. An evocative photographic portrait of one of America's most celebrated painters by Lummis, a devoted preservationist who shares Moran's passion for the American West. The photograph shows the renowned painter at his work, holding his brushes and palette in one hand and turning around only slightly in his chair to look into the camera as if he might turn back to his work at any moment. His look and stance tell of the dedicated artist who continued to produce numerous works well into his senior years. Behind the lens was Charles Fletcher Lummis, a man who shared Moran's passion for the American West. Lummis was best known as a journalist, and an activist for Indigenous peoples' rights and historic preservation. A traveler in the American Southwest, he settled in Los Angeles, California, where he also became known as a historian, photographer, ethnographer, archaeologist, poet, and librarian. Lummis' career began in 1884 when he left behind his Harvard education and embarked on a remarkable 3,507-mile trek alone from Cincinnati to Los Angeles. During his long journey, Lummis shed the biases ingrained in his New England upbringing, replacing them with a profound admiration for the Southwest's natural beauty and cultural richness. As a photographer, Lummis produced photographs and created records of Arizona and New Mexico's Pueblo cultures. He was especially interested in the Tiwa people of Isleta, with whom he stayed. Lummis recorded their dances, ceremonies, songs and myths. In 1891 he returned to Los Angeles, though he periodically made further trips to photograph throughout the Southwest and Peru. Although this portrait of Moran may stand out amid Lummis' oeuvre, the photographer appears to have been a friend of Moran and his family. Upon Moran's death, Lummis wrote to Ruth Moran, Thomas' daughter, expressing his love and condolences writing, "God rest him! And God rest you, now, beloved friend!" Thompson, American Character: The Curious Life of Charles Fletcher Lummis.