Thomas milton p (19 risultati)

Softcover. 341 - 506 pp. Volume L, Number 3 (October 1993). Softcover. Good condition; some pen underlining; on covers: touches of wear and light color rubbing.

Hardcover. Condizione: UsedGood. Hardcover; proceedings of a symposium held August 23-25, 1961, in Evanston, Illinois; surplus library copy with the usual stampings; reference number taped to spine; fading and edge wear to exterior; in good condition with cl ean text, firm binding. No dust jacket.

Hardcover. Condizione: Very Good. Physics, Science, 1124020292. . . . . 8vo, hardcover, blue cloth. Vg+ condition in vg dj. Previous owner's name on inside front cover; covers and contents clean, unworn, no marking or writing. Binding square and tight. 393 pp.

Paperback. Condizione: G/NO DUSTJACKET. OFFPRINT. Rochester, NY: Rochester Academy of Science. G/NO DUSTJACKET. 1932. OFFPRINT. Paperback. 8vo., 39-58pp, cover yellowed and worn some, . Photographs (B&W) (illustratore).

pp. 39-58. 8vo, original printed wrappers. Light use to wrappers. Offprint. Proceedings of the Rochester Academy of Science, Vol. 7, No. 2.

Hardcover. Condizione: Very Good. None. First Edition. Out of print. Design by P.J. Conkwright. Binding is cloth boards.

Wraps. Condizione: G/No Dustjacket. OFFPRINT. Rochester, NY: Rochester Academy of Science. G/No Dustjacket. 1932. OFFPRINT. Wraps. 8vo., 39-58pp, rubbed, bumped, soiled, owner's stamp . Photographs (B&W) (illustratore).

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condizione: Brand New. 114 pages. 10.00x7.00x0.29 inches. In Stock.

In-8° gr. pp. X-393 con alcune fig. n.t. Leg. in tela edit. Ottimo stato.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Soft cover. Condizione: Very Good. No Jacket.

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: BUONO USATO. Da revisionare INGLESE Legatura editoriale in cartoncino rigido telato, con titolo in argento al dorso e copertina leggermente lisa. Buonissimo lo stato di conservazione, pagine perfettamente tenute, velate da tonalità seppia, come i tagli, ricche di figure, calcoli, grafici e tabelle esplicative, nel testo. Numero pagine 393.…

144 pp.; 24.3 x 17.3 cm.; sewn bound; other special feature[s]; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Special Issue of the Journal of Aesthetics and Art Criticism published in 1944. Edited by Dagobert D. Runes. Contents include: "Editorial;" "The Visual Arts and Post-War Society," by Robert L. Lepper; "Contemporary Painting," by Lester D. Longman which incorporates a four-fold horizontal pull-out topographic map of "Post-Impressionism, 1885 - 1905"; "Theatre Today, Symptoms and Surmises," by George Beiswanger; "The Role of Architecture in Future Civilization," by Paul Zucker; "The Art of the Movies in American Life," by Milton S. Fox; "Music and Social Crisis," by Ernst Krenek; "Poetry Today and Tomorrow," by Robert P. Tristram Coffin; "Problems and Prospects of Civic Planning," by Theron I. Cain; "The Arts and Social Reconstruction," by Alfred Neumeyer; "Art, Aesthetics, and Liberal Education," by Thomas Munro; "Art Ahead," by Van Meter Ames; "The Social Message of Art," by Max Schoen; "Of Democracy and the Arts," by H.M. Kallen and "Contributors." Good. 2.2 cm. loss of covers along bottom of spine with 1.2 cm. tear. 2.5 cm. tear to recto at spine edge. 4 mm. loss and 8 mm. tear to top edge of spine. 1 cm. loss to bottom right corner of recto and 2.8 cm. dog-ear to bottom right corner of recto. 4.6 cm. dog-ear to top right corner of recto. Additional rubbing and staining of covers. 19.3 cm. of crease to bottom left corner of verso. Glue has loosened so that spine edge of cover and verso are not attached to text block but are held in place by their attachment to the recto. Light yellow spotting 9-11 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.…

Condizione: Good. Imperial octavo. With 24 mezzotint plates by John Martin. 26.5x17.6 cm (10½x7"), bound by P. Low , Boston in full morocco, decoratively ruled in gilt, raised bands, spine tooled in gilt; all edges gilt, gilt dentelles. Binding restored.OCLC Number 973596732; Balston, Appendix 9, no. 4 (for first edition); Wees, III. …

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1898. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 132, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 132 132.…

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1824. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume 3, Pages:- 466, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 3 466 466.…