Thomas stanton libby alexandra (10 risultati)

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Unread. No markings in book. Binding is fine. DJ is fine. 170pp.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. This book is in very good condition; no remainder marks. Dustjacket does have some shelfwear scratching and edge wear. Inside pages are clean. ; 224 pages.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Fine, unmarked book in Fine DJ that is protected by mylar cover.

Hardcover. Condizione: USED Good.

Hardcover. Condizione: New. This book invites readers to experienceeighteenth-century Venice through the eyes of Canaletto, the city s most renowned landscape painter, his contemporaries, and the decorative arts of the period.Canaletto's genius was documenting in his paintings the immediately recognizable views of Venice in a naturalistic way. At the same time, his contemporaries such as Tiepolo, Guardi and Ricci were painting and sculpting religious, mythological, and historical dramas in the grand baroque tradition. The dynamic tension between these contrasting artistic styles is the focal point of this fascinating examination of Venice in Canaletto's era. The book also examines the cultural context of the artist's development as a vedute, or view painter. This catalogue for an exhibition opens with an extensive biography of Canaletto, illustrated by numerous reproductions of his work. The book also offers examples of the works of Canaletto's contemporaries, such as the genre pictures, frescoes, and religious paintings that were typical of the era. A section on the decorative arts of eighteenth-century Venice compares the remarkable spirit of these objects to Canaletto's landscapes. The result is a unique and multi-faceted portrait of a city on the brink of change and a critical moment in the history of art.…