Thomas w laqueur (161 risultati)

Paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condizione: Good+. Good+ hardcover copy. No dust jacket, a few passages underlined. A nice reading/study copy. Ships from Dinkytown in Minneapolis, Minnesota.

Paperback. Condizione: As New. 49509th. Softcover. Good binding and cover. Minor shelf wear. Edge slightly sunned. Clean, unmarked pages.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. The meaning of our concern for mortal remains-from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur ex.…

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Good. A historical account of masturbation as a moral issue and cultural taboo. At a time when almost any victimless sexual practice has its public advocates and almost every sexual act is fit for the front page, the easiest, least harmful, and most universal one is embarrassing, discomforting, and genuinely radical when openly acknowledged. Masturbation may be the last taboo. But this is not a holdover from a more benighted age. The ancient world cared little about the subject; it was a backwater of Jewish and Christian teaching about sexuality. In fact, solitary sex as a serious moral issue can be dated with a precision rare in cultural history; Laqueur identifies it with the publication of the anonymous tract Onania in about 1722. Masturbation is a creation of the Enlightenment, of some of its most important figures, and of the most profound changes it unleashed. It is modern. It worried at first not conservatives, but progressives. It was the first truly democratic sexuality that could be of ethical interest for women as much as for men, for boys and girls as much as for their elders. The book's range is vast. It begins with the prehistory of solitary sex in the Bible and ends with third-wave feminism, conceptual artists, and the Web. It explains how and why this humble and once obscure means of sexual gratification became the evil twin--or the perfect instance--of the great virtues of modern humanity and commercial society: individual moral autonomy and privacy, creativity and the imagination, abundance and desire.…

Paperback. Condizione: Good. Fine, clean condition, with a large cut on the cover, clean pages *** Soft-bound ***.

Condizione: very_good.

Paperback. Condizione: Very Good. The meaning of our concern for mortal remains-from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur ex.…

Paperback. Condizione: Good. A historical account of masturbation as a moral issue and cultural taboo. At a time when almost any victimless sexual practice has its public advocates and almost every sexual act is fit for the front page, the easiest, least harmful, and most universal one is embarrassing, discomforting, and genuinely radical when openly acknowledged. Masturbation may be the last taboo. But this is not a holdover from a more benighted age. The ancient world cared little about the subject; it was a backwater of Jewish and Christian teaching about sexuality. In fact, solitary sex as a serious moral issue can be dated with a precision rare in cultural history; Laqueur identifies it with the publication of the anonymous tract Onania in about 1722. Masturbation is a creation of the Enlightenment, of some of its most important figures, and of the most profound changes it unleashed. It is modern. It worried at first not conservatives, but progressives. It was the first truly democratic sexuality that could be of ethical interest for women as much as for men, for boys and girls as much as for their elders. The book's range is vast. It begins with the prehistory of solitary sex in the Bible and ends with third-wave feminism, conceptual artists, and the Web. It explains how and why this humble and once obscure means of sexual gratification became the evil twin--or the perfect instance--of the great virtues of modern humanity and commercial society: individual moral autonomy and privacy, creativity and the imagination, abundance and desire.…

Trade Paperback. Condizione: Fine. Book is in excellent condition, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Previous owner's name or sticker in front section of the book.

Hardback. Condizione: Very Good. "It is difficult to think of many other books that are at once so brilliant, so wonderfully entertaining, and so moving . . . The Dog's Gaze is full of exuberant insights about our canine friends, about art, and about the human condition." --Stephen Greenblatt "A splendid blend of histories: natural, cultural, and artistic . . . A delight for dog-loving art connoisseurs, and vice versa." --Kirkus (starred review) From award-winning cultural historian, an enlightening and unique meditation on the presence of dogs in art, from the Paleolithic era to the present, and what our intertwined human-canine relationship reveals about human nature Long before the phrase man's best friend became common parlance, dogs were already standing beside us in art as in life. In The Dog's Gaze, the historian Thomas W. Laqueur invites us to explore why they feature more than any other animal in the ways in which we picture ourselves and our stories. Dogs have been ubiquitous in the worldmaking of visual artists as far back as the Paleolithic age. Looking across the Western tradition, from Giotto to Goya and Rubens to Rego, Laqueur shows what their presence--as hunting partners, beloved friends, and even conduits to the afterlife--reveals about our own ways of seeing and how we want to be remembered. Far from being mere motifs, dogs are an integral and intentional element of the images in which they appear: They provide narrative coherence; they look out and bear witness, often on the artist's behalf; they illuminate our understanding of morality and melancholy and some, like us, become celebrities. Indeed, as Laqueur reveals, dogs in art are our social doppelgängers, our companions in looking and being. Richly illustrated and lovingly written, The Dog's Gaze is a unique visual history that examines the remarkable social bond between two species, shedding new light on the human condition through the eyes of our canine companions.…

Soft cover. Condizione: Very Good. Covers in very good condition with no noticeable wear. Binding tight and text clean. Overall a very, very good copy of this title.

Hardcover. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Condizione: Very Good. "It is difficult to think of many other books that are at once so brilliant, so wonderfully entertaining, and so moving . . . The Dog's Gaze is full of exuberant insights about our canine friends, about art, and about the human condition." --Stephen Greenblatt "A splendid blend of histories: natural, cultural, and artistic . . . A delight for dog-loving art connoisseurs, and vice versa." --Kirkus (starred review) From award-winning cultural historian, an enlightening and unique meditation on the presence of dogs in art, from the Paleolithic era to the present, and what our intertwined human-canine relationship reveals about human nature Long before the phrase man's best friend became common parlance, dogs were already standing beside us in art as in life. In The Dog's Gaze, the historian Thomas W. Laqueur invites us to explore why they feature more than any other animal in the ways in which we picture ourselves and our stories. Dogs have been ubiquitous in the worldmaking of visual artists as far back as the Paleolithic age. Looking across the Western tradition, from Giotto to Goya and Rubens to Rego, Laqueur shows what their presence--as hunting partners, beloved friends, and even conduits to the afterlife--reveals about our own ways of seeing and how we want to be remembered. Far from being mere motifs, dogs are an integral and intentional element of the images in which they appear: They provide narrative coherence; they look out and bear witness, often on the artist's behalf; they illuminate our understanding of morality and melancholy and some, like us, become celebrities. Indeed, as Laqueur reveals, dogs in art are our social doppelgängers, our companions in looking and being. Richly illustrated and lovingly written, The Dog's Gaze is a unique visual history that examines the remarkable social bond between two species, shedding new light on the human condition through the eyes of our canine companions.…

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Paperback. Condizione: Very Good. The meaning of our concern for mortal remainsfrom antiquity through the twentieth centuryThe Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still mattersfor individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century.The book draws on a vast range of sourcesfrom mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failedand how even the ashes of the victims of the Holocaust have been preserved in culture.A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good Dust Jacket. 1st Edition. 711 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Note: Light bump at head of spine. Very good dust jacket. Jacket not price clipped. Published October 13, 2015. First Edition / First Printing. 1,3,5,7,9,10,8,6,4,2. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding. …

Hardcover. Condizione: Very Good-. Condizione sovraccoperta: Very Good. First Edition; First Printing. 5.75 X 0.75 X 9 inches; 187 pages; very minor foxing on the top exterior edge of textblock. Light fading on DJ flap edges. Very Good condition otherwise. No other noteworthy defects. No markings. Unclipped DJ; no price printed on front flap.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence. …

Hardcover. Condizione: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

501 pp., notes, index. Deep and detailed look into the literature on masturbation. Cloth in dust jacket. Light shelfwear. Very good.

Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: New. The meaning of our concern for mortal remains-from antiquity through the twentieth centuryThe Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters-for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century.The book draws on a vast range of sources-from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed-and how even the ashes of the victims of the Holocaust have been preserved in culture.A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.…

Condizione: New.

Hardcover. Condizione: new. Hardcover. "It is difficult to think of many other books that are at once so brilliant, so wonderfully entertaining, and so moving . . . The Dogs Gaze is full of exuberant insights about our canine friends, about art, and about the human condition." Stephen GreenblattA splendid blend of histories: natural, cultural, and artistic . . . A delight for dog-loving art connoisseurs, and vice versa. Kirkus (starred review)From award-winning cultural historian, an enlightening and unique meditation on the presence of dogs in art, from the Paleolithic era to the present, and what our intertwined human-canine relationship reveals about human natureLong before the phrase mans best friend became common parlance, dogs were already standing beside us in art as in life. In The Dogs Gaze, the historian Thomas W. Laqueur invites us to explore why they feature more than any other animal in the ways in which we picture ourselves and our stories.Dogs have been ubiquitous in the worldmaking of visual artists as far back as the Paleolithic age. Looking across the Western tradition, from Giotto to Goya and Rubens to Rego, Laqueur shows what their presenceas hunting partners, beloved friends, and even conduits to the afterlifereveals about our own ways of seeing and how we want to be remembered. Far from being mere motifs, dogs are an integral and intentional element of the images in which they appear: They provide narrative coherence; they look out and bear witness, often on the artists behalf; they illuminate our understanding of morality and melancholy and some, like us, become celebrities. Indeed, as Laqueur reveals, dogs in art are our social doppelgaengers, our companions in looking and being.Richly illustrated and lovingly written, The Dogs Gaze is a unique visual history that examines the remarkable social bond between two species, shedding new light on the human condition through the eyes of our canine companions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback or Cased Book. Condizione: New. The Dog's Gaze: A Visual History. Book.

Condizione: New.