EUR 12,20
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Fine. Hold up your phone to take a photo and some people won't be there. Look for them in older images and their bodies are gaps, the rest of the photo still busy around them. People have stopped appearing in photographs. First a handful, then many more. Does this new, troubling group pose a threat? From their home in Whakatane, Jodie Pascoe and her daughter Jade watch as the number of gaps grows. While protecting Jade, Jodie searches for a friend from the past, Miri, who will help her navigate the collapsing present. The Words for Her is an arresting story about how photographs bind us together and what happens when those binds fall away. 287 pages.
Lingua: Inglese
Editore: Victoria University of Wellington & Victoria University Press, Wellington, 2014
Da: Browsers Books, Hamilton, NZ, Nuova Zelanda
Prima edizione
EUR 31,14
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. First Edition. Adam Art Gallery Te Pataka Toi VUP & Institute of Modern Art Victoria University Press, Wellington 2014 First Edition illus (bw) VG- (illus hardcover sl worn, boards have sl stains and marks as surface is quite porous, head of spine sl bumped).
Editore: CIRCUIT Artist Moving Image, 2022
Da: Book Haven, Wellington, WLG, Nuova Zelanda
EUR 5,97
Quantità: 1 disponibili
Aggiungi al carrelloStapled. Condizione: Good. "What does a legacy taste, smell, sound, feel, or look like?" Published in association with the 2022 Artist Cinema Commission programme Legacies, the Legacies Reader is a publication edited by CIRCUIT's 2022 Writer in Residence, Thomasin Sleigh. The reader features contributions from five artists (Edith Amituanai, Martin Sagadin, Ukrit Sa-nguanhai, Pati Tyrell, Sriwhana Spong) plus fiction and essays from Huni Mancini, Tina Makereti and May Adadol Inganwanij. The film programme Legacies project began in late 2021 when CIRCUIT curator-at-large Dr May Adadol Ingawanij (Thai/UK) Ingawanij sent the artists a series of propositions concerning the possible implications of the term. For this reader, editor and CIRCUIT writer in residence Thomasin Sleigh has invited the artists to consider one element of May's proposition, "What does a legacy taste, smell, sound, feel, or look like?".