thomassin simon (194 risultati)

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In.

Tapa blanda. Condizione: Buen estado. Condizione sovraccoperta: Buena. Piranesi, Giovanni Battista; Vasi, Giuseppe; Thomassin, Simon (illustratore). 1. Los lugares imprescindibles de la ciudad eterna vistos por los genios de la literatura. Llibres.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Kupferstich-Portrait von ca. 1720 -- Bild-Maße: ca. 34 x 23 cm. -- im Rand mit Wurmspuren, leicht fleckig, sonst gut erhalten. || copper engraved portrait from c. 1720. -- slightly stained, with wormholes on the margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.

Schönes original Kupferstich-Portrait aus dem 18. Jh. -- Blattformat: ca.25x18 cm. Platte: ca. 15 x 11 cm. -- gut erhalten. || Original copper engraved portrait from the 18th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Schönes original Kupferstich-Portrait aus dem 18. Jh. -- Blattformat: ca.25x18 cm. Platte: ca. 15 x 11 cm. -- gut erhalten. || Original copper engraved portrait from the 18th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Original Kupferstich-Portrait mit schöner Barock-Umrahmung. -- Bild-Maße: ca. 18,5 x 13,5 cm. -- gut erhalten. || Original engraved portrait with beautiful baroque framing. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Schönes original Kupferstich-Portrait von ca. 1750. -- Blattformat: ca.25x18 cm. Platte: ca. 12 x 8,5 cm. -- gut erhalten. || Original copper engraved portrait from c. 1750. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

schönes Original Kupferstich-Portrait aus dem 18. Jahrhundert - Blatt-Format: ca. 15,5 x 25 cm | This is an original engraving from circa 1750. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

'MARS CARESSE PAR L'AMOUR. ANTIQ.'Plate 242: The Roman god Mars (Greek: Ares), seated, partially nude with a draped cloth. At his feet is Cupid (l'Amour) embracing him, softening the otherwise martial figure. A round shield leans against Mars, hinting at his warlike nature, now subdued by love.Made by after an anonymous artist.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).MARS, ARES, CUPID, ROMAN GOD OF WAR, LOVE CONQUERS WAR, ANTIQUE SCULPTURE, CLASSICAL MYTHOLOGY, THOMASSIN | PCO-C52-79BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

'MARS CARESSE PAR L'AMOUR. ANTIQ.'Plate 242: The Roman god Mars (Greek: Ares), seated, partially nude with a draped cloth. At his feet is Cupid (l'Amour) embracing him, softening the otherwise martial figure. A round shield leans against Mars, hinting at his warlike nature, now subdued by love.Made by after an anonymous artist.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).MARS, ARES, CUPID, ROMAN GOD OF WAR, LOVE CONQUERS WAR, ANTIQUE SCULPTURE, CLASSICAL MYTHOLOGY, THOMASSIN | PCO-C52-79BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. Wormhole at bottom left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Plena piel. Condizione: Bien. Es la obra más importante de Simon Thomassin (1653-1732), grabador del rey Luis XIV. La obra fue encargada por el propio rey en 1689. En Francés, Latin, Italiano y Holandés. Las 4 partes encuadenadas en un mismo tomo. 6 portadas a doble tinta, frontis, 59 páginas, 1 plano desplegable de Versailles, con restauración en su parte posterior, 218 grabados diseñados por Simon Thomassin. Tomo I: Las estatuas antiguas y modernas de Versalles, fig. 1-53 - Tomo 2. Los grupos de Versalles, fig. 54-85 - Tomo 3. Las fuentes y otros ornamentos de Versalles, fig. 86-172 - Tomo 4. Los baños y jarrones de Versalles, fig. 173-218. Encuadernación en plena piel con algunas pequeños fallos de la piel. Buen estado general de la obra. Ex-libris.

Hardcover. Condizione: Very Good. THOMASSIN Simon. CORNU. LESPINGOLA. GOUET. PUGET. GIRARDON. GROS. BISTEL. etc (illustratore). 4th Edition. Illustrations of the garden sculpture at Versailles. VG+, 1724, in quarter green calf over green cloth, corners rubbed. Spine, raised bands, gilt tooling & titles . Internally, frontis, title page in red & black inks, [2], (3-59) pp, [1], 1 map (B&W, large folding), 216 pls (of 218, 5 of which are double page), lacking pls 201 & 204, marbled endpapers, text block edges sprinkled red, a little rubbed along joints but very clean inside. First printed in Paris in 1694, text in French, Latin, Italian & Dutch. (Folio, 184*248 mm). (Morgand p508).

Jacques Houzeau (illustratore). 'LE CHIEN ET LE CERF'Plate 141: A dramatic sculpture of a dog over a fallen stag, captured mid-action. The dog straddles the body of the deer, mouth open in aggression, with water spouting from its mouth in a graceful arc. This fountain group, rich in tension, likely symbolizes the hunt and triumph, themes popular in French royal gardens.Made by Simon Thomassin after Jacques Houzeau.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 13.2 x 8.3 cm. (5.2 x 3.27 inch).DOG, STAG, HUNT, FOUNTAIN SCULPTURE, VERSAILLES, ANIMAL COMBAT, ALLEGORY | PCO-C52-47BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a sculpture by Jacques Houzeau (1624-1691). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Nicolas Poussin (illustratore). 'POMONE'Plate 182: Classical statue of Pomona, Roman goddess of fruit and orchards, holding a cornucopia with fruits.Made by Simon Thomassin after Nicolas Poussin.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).POMONA, POMONE, GODDESS, FRUIT, FERTILITY, ORCHARDS, ROMAN MYTHOLOGY, CLASSICAL SCULPTURE, ENGRAVING, VERSAILLES | PCO-C52-61BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Nicolas Poussin (1594-1665), a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

'PAN ET PHBUS'Plate 225: A classical representation of the mythological figures Pan and Phoebus (Apollo), seated together in a relaxed posture. Pan is seen gesturing while Phoebus holds a pan flute (syrinx), referencing the musical contest between them from mythology.Made by after an anonymous artist.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).PAN, PHOEBUS, APOLLO, GREEK MYTHOLOGY, MUSIC CONTEST, PAN FLUTE, SYRINX, ANTIQUITY, CLASSICAL GODS, THOMASSIN | PCO-C52-73BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Laurent Magnier (illustratore). 'CIRCE'Plate 202: Engraving of Circe, the mythological sorceress from Homer's Odyssey, depicted as a classical statue holding a wand or staff.Made by Simon Thomassin after Laurent Magnier.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).CIRCE, SORCERESS, MYTHOLOGY, GREEK MYTHOLOGY, MAGIC, ODYSSEY | PCO-C52-69BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Laurent Magnier (1618-1700). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Corneille Van Cleve (illustratore). 'LE LION ET LE SANGLIER'Plate 140: A dynamic sculpture of a lion overpowering a wild boar (sanglier), captured in mid-combat. The lion rears on top of the boar with its mouth open in a roar, while water spouts from the boar's mouth in a dramatic arc. A powerful allegory of dominance and triumph, often interpreted as symbolic of royal might.Made by Simon Thomassin after Corneille Van Cleve.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 13.2 x 8.3 cm. (5.2 x 3.27 inch).LION, BOAR, ANIMAL COMBAT, SCULPTURE, ALLEGORY, VERSAILLES, POWER, FOUNTAIN | PCO-C52-47BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a sculpture by Corneille Van Cleve (1644?-1735?). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Corneille Van Cleve (illustratore). 'LE LION ET LE SANGLIER'Plate 140: A dynamic sculpture of a lion overpowering a wild boar (sanglier), captured in mid-combat. The lion rears on top of the boar with its mouth open in a roar, while water spouts from the boar's mouth in a dramatic arc. A powerful allegory of dominance and triumph, often interpreted as symbolic of royal might.Made by Simon Thomassin after Corneille Van Cleve.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 13.2 x 8.3 cm. (5.2 x 3.27 inch).LION, BOAR, ANIMAL COMBAT, SCULPTURE, ALLEGORY, VERSAILLES, POWER, FOUNTAIN | PCO-C52-47BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a sculpture by Corneille Van Cleve (1644?-1735?). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Nicolas Poussin (illustratore). 'BACCHUS'Plate 191: Engraving of Bacchus, the Roman god of wine, revelry, and fertility. He is depicted with a wreath of vines on his head, holding a drinking cup and a wine jug with a serpent entwined, symbols of intoxication and divine ecstasy.Made by Simon Thomassin after Nicolas Poussin.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).BACCHUS, DIONYSUS, ROMAN GOD, WINE, CLASSICAL MYTHOLOGY, CELEBRATION, GRAPEVINE, VINE WREATH, SATYR | PCO-C52-65BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Nicolas Poussin (1594-1665), a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Corneille Van Cleve (illustratore). 'LE LION ET LE SANGLIER'Plate 140: A dynamic sculpture of a lion overpowering a wild boar (sanglier), captured in mid-combat. The lion rears on top of the boar with its mouth open in a roar, while water spouts from the boar's mouth in a dramatic arc. A powerful allegory of dominance and triumph, often interpreted as symbolic of royal might.Made by Simon Thomassin after Corneille Van Cleve.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 13.2 x 8.2 cm. (5.2 x 3.23 inch).LION, BOAR, ANIMAL COMBAT, SCULPTURE, ALLEGORY, VERSAILLES, POWER, FOUNTAIN | PCO-C52-47BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a sculpture by Corneille Van Cleve (1644?-1735?). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Benoit Massou (illustratore). 'LA GARONNE'Plate 158: Allegorical figure of the river Garonne, depicted as a powerful bearded river god reclining with muscular physique. He rests one arm on an urn spilling water, symbolizing the river's flow. A winged putto beside him holds flowers and gazes forward.Made by Simon Thomassin after Benoit Massou .Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 14 x 9 cm. (5.51 x 3.54 inch).GARONNE, RIVER GOD, ALLEGORY, BAROQUE, MYTHOLOGY, PUTTO, VERSAILLES SCULPTURE | PCO-C52-53BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Benoit Massou (1630-1719). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Mathieu Lespagnandelle (illustratore). 'SOCRATES'Plate 177: Statue of the philosopher Socrates, depicted in long drapery, standing on a high plinth. He holds a cuplikely referencing the cup of hemlock from his trial and deathindicating his stoic acceptance of fate.Made by Simon Thomassin after Mathieu Lespagnandelle.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).SOCRATES, ANCIENT PHILOSOPHY, GREEK THINKER, HEMLOCK, CLASSICAL STATUE, DEATH OF SOCRATES, BAROQUE ENGRAVING | PCO-C52-59BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a sculpture by Mathieu Lespagnandelle (ca. 1616-1695). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Benoit Massou (illustratore). Plate 148: Three putti stand back-to-back, their raised arms supporting a large ornamental basin from which water spouts upward. This sculptural group forms the base of a fountain, displaying themes of innocence and strength. The classical style and formality suggest placement in a Versailles garden context.Made by Simon Thomassin after Benoit Massou.Medium: Engraving on hand laid (verge) paper. Watermark: not on all sheets.Image size: 8.3 x 13.2 cm. (3.27 x 5.2 inch).PUTTI, FOUNTAIN, VERSAILLES, BAROQUE SCULPTURE, ORNAMENT, CLASSICAL DESIGN, CHERUBS, GARDEN SCULPTURE | PCO-C52-49BACKGROUND INFORMATIONFrom: "Recueil des Figures, Groupes, Thermes, Fontaines, Vases, Statues, et Autres Ornemens de Versailles" by Simon Thomassin. The book was published between 1694 and 1724 by Simon Thomassin in Paris (1694), Pierre Mortier in Amsterdam (1695) and Rutgert Alberts in The Hague (1724).Biography engraver: Simon Thomassin (1655-1733) was a French royal engraver known for documenting the sculpture and decoration of Versailles. His series are valued for their precision and elegance.Biography artist: Based on a statue by Benoit Massou (1627-1684). Condition: good, given age. Light foxing and soiling. Paper edges with some light staining. And irriegular per scan. Tear in top margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.