Thomson julie j (35 risultati)

paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Paperback. Condizione: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges Paperback.

Paperback. Condizione: New. "I did one of my most bizarre lectures up at the Rhode Island School of Design. It consisted of my trying to move a piano across a stage, and people kept coming up to ask if they could help, and I said, 'Certainly not! I mean the point is that I can't move this piano, and I'm struggling to move it, and it's obviously not going to get moved across the stage, and I'm putting out a great exertion of energy, and I'm on a public platform, and you are all viewing me, which is the whole point of this thing.' I said, 'You figure it out.'"-Ray JohnsonRay Johnson (1927-1995) was a singular artist, for whom life and work were inextricably linked. Born in Detroit, Johnson attended Black Mountain College before moving to New York, where his work anticipated Pop art and he was active in early Fluxus circles. Best known for his collages and Mail art activities, including his New York Correspondence School, he operated fluidly in a wide range of modes. For Johnson, everything and everyone were potential material for his art-any form could become a space for artistic activity-and the form of the interview proved no exception.That Was the Answer: Interviews with Ray Johnson brings together a selection of eleven interviews and conversations from 1963 to 1987 that offer unique access to Johnson's distinctive thinking and working methods. These materials, which include exhibition ephemera, an oral history, radio transcripts, and magazine articles, are marked throughout by his humor and close attention to language. Gathering these exchanges for the first time, That Was the Answer serves as an exceptional introduction to Ray Johnson as well as a resource for those who are interested in gaining deeper insight into the artist and his kaleidoscopic body of work.…

Paperback. Condizione: new. Paperback. "I did one of my most bizarre lectures up at the Rhode Island School of Design. It consisted of my trying to move a piano across a stage, and people kept coming up to ask if they could help, and I said, 'Certainly not! I mean the point is that I can't move this piano, and I'm struggling to move it, and it's obviously not going to get moved across the stage, and I'm putting out a great exertion of energy, and I'm on a public platform, and you are all viewing me, which is the whole point of this thing.' I said, 'You figure it out.'"Ray JohnsonRay Johnson (19271995) was a singular artist, for whom life and work were inextricably linked. Born in Detroit, Johnson attended Black Mountain College before moving to New York, where his work anticipated Pop art and he was active in early Fluxus circles. Best known for his collages and Mail art activities, including his New York Correspondence School, he operated fluidly in a wide range of modes. For Johnson, everything and everyone were potential material for his artany form could become a space for artistic activityand the form of the interview proved no exception.That Was the Answer: Interviews with Ray Johnson brings together a selection of eleven interviews and conversations from 1963 to 1987 that offer unique access to Johnsons distinctive thinking and working methods. These materials, which include exhibition ephemera, an oral history, radio transcripts, and magazine articles, are marked throughout by his humor and close attention to language. Gathering these exchanges for the first time, That Was the Answer serves as an exceptional introduction to Ray Johnson as well as a resource for those who are interested in gaining deeper insight into the artist and his kaleidoscopic body of work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condizione: Very Good+. First Edition. 267 pp. Trade paperback format. Lightly rubbed on the corners with a flat uncreased spine; no interior markings. This anthology contains: Introduction by Dana Stabenow; Smart Aleck by Loren D. Estleman; Better Lucky Than Good by Jeanne C. Stein; The High Life: A Heartland Homicide Story by Max Allan Collins and Matthew V. Clemens; Rust by N. J. Ayres; I/M Print: A Tess Cassidy Short Story by Jeremiah Healy; A Trace of a Trace by Brendan DuBois; Five Sorrowful Mysteries by Julie Hyzy; Mitt's Murder by John Lutz; The Retired Arsonist by Edward D. Hoch; Patriotic Gestures by Kristine Kathryn Rusch; Articulation of Murder by Michael A. Black; Occam's Razor by Maynard F. Thomson; and On the Evidence: A Liam Campbell Short Story by Dana Stabenow. Size: 8vo. Book.…

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: New.

Paperback. Condizione: Brand New. 200 pages. 9.00x8.00x1.00 inches. In Stock.

Hardcover. Condizione: Fine. Condizione sovraccoperta: No Jacket (As Issued). First Edition. A Fine unused copy. 8.5 x 10.75 in. 216pp., with many color reproductions and b/w photos. // A detailed study of the role and legacy of weaving at the legendary Black Mountain College.

Condizione: As New. Unread book in perfect condition.

hardcover. Condizione: Good. Gently used, with light spine wear but no markings.

Condizione: New.

Condizione: New. In English.

Hardback. Condizione: New. A detailed study of the role and legacy of weaving at the legendary Black Mountain College   In the mid-twentieth century, Black Mountain College attracted a remarkable roster of artists, architects, and musicians. Yet the weaving classes taught by Anni Albers, Trude Guermonprez, and six other faculty members are rarely mentioned or are often treated as mere craft lessons. This was far from the case: the weaving program was the school's most sophisticated and successful design program. About ten percent of all Black Mountain College students took at least one class in weaving, including specialists like textile designers Lore Kadden Lindenfeld and Else Regensteiner, as well as students from other disciplines, like artists Ray Johnson and Robert Rauschenberg and architects Don Page and Claude Stoller. Drawing upon a wealth of unpublished material and archival photographs, Weaving at Black Mountain College rewrites history to show how weaving played a much larger role in the legendary art and design curriculum than previously assumed.   The book illustrates dozens of objects from private and public collections, many of which have never been shown in this context. Essays explore connections and networks fostered by Black Mountain weavers; the ways in which weaving at the college was linked to larger discourses about weaving and craft; and Bauhaus influences transmitted by way of Anni Albers. The book also includes works by five contemporary artists that connect and respond to the legacy of weaving at Black Mountain College today.   Distributed for the Black Mountain College Museum + Arts Center  Exhibition Schedule  Black Mountain College Museum + Arts Center, Asheville, NC (September 29, 2023-January 6, 2024).…

HARDCOVER. Condizione: NEW. Black Mountain College Press. HARDCOVER. 2023. 9780300273564 :Subject:Design | Textile & Costume . NEW.

Soft cover. Condizione: New. Brand new copy.

Condizione: New. 2023. hardcover. . . . . .

Condizione: New.

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New. 2023. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condizione: New. A detailed study of the role and legacy of weaving at the legendary Black Mountain College   In the mid-twentieth century, Black Mountain College attracted a remarkable roster of artists, architects, and musicians. Yet the weaving classes taught by Anni Albers, Trude Guermonprez, and six other faculty members are rarely mentioned or are often treated as mere craft lessons. This was far from the case: the weaving program was the school's most sophisticated and successful design program. About ten percent of all Black Mountain College students took at least one class in weaving, including specialists like textile designers Lore Kadden Lindenfeld and Else Regensteiner, as well as students from other disciplines, like artists Ray Johnson and Robert Rauschenberg and architects Don Page and Claude Stoller. Drawing upon a wealth of unpublished material and archival photographs, Weaving at Black Mountain College rewrites history to show how weaving played a much larger role in the legendary art and design curriculum than previously assumed.   The book illustrates dozens of objects from private and public collections, many of which have never been shown in this context. Essays explore connections and networks fostered by Black Mountain weavers; the ways in which weaving at the college was linked to larger discourses about weaving and craft; and Bauhaus influences transmitted by way of Anni Albers. The book also includes works by five contemporary artists that connect and respond to the legacy of weaving at Black Mountain College today.   Distributed for the Black Mountain College Museum + Arts Center  Exhibition Schedule  Black Mountain College Museum + Arts Center, Asheville, NC (September 29, 2023-January 6, 2024).…

Condizione: New.

Soft cover. Condizione: Fine. 198pp. Mainly text with occasional in-text illustration. Excellent used condition.

Hardcover. Condizione: Brand New. 215 pages. 11.00x8.75x1.00 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: New.

Hardcover. Condizione: Brand New. 215 pages. 11.00x8.75x1.00 inches. In Stock.

Paperback. Condizione: new. Paperback. "I did one of my most bizarre lectures up at the Rhode Island School of Design. It consisted of my trying to move a piano across a stage, and people kept coming up to ask if they could help, and I said, 'Certainly not! I mean the point is that I can't move this piano, and I'm struggling to move it, and it's obviously not going to get moved across the stage, and I'm putting out a great exertion of energy, and I'm on a public platform, and you are all viewing me, which is the whole point of this thing.' I said, 'You figure it out.'"Ray JohnsonRay Johnson (19271995) was a singular artist, for whom life and work were inextricably linked. Born in Detroit, Johnson attended Black Mountain College before moving to New York, where his work anticipated Pop art and he was active in early Fluxus circles. Best known for his collages and Mail art activities, including his New York Correspondence School, he operated fluidly in a wide range of modes. For Johnson, everything and everyone were potential material for his artany form could become a space for artistic activityand the form of the interview proved no exception.That Was the Answer: Interviews with Ray Johnson brings together a selection of eleven interviews and conversations from 1963 to 1987 that offer unique access to Johnsons distinctive thinking and working methods. These materials, which include exhibition ephemera, an oral history, radio transcripts, and magazine articles, are marked throughout by his humor and close attention to language. Gathering these exchanges for the first time, That Was the Answer serves as an exceptional introduction to Ray Johnson as well as a resource for those who are interested in gaining deeper insight into the artist and his kaleidoscopic body of work. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

hardcover. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…