tijtgat (34 risultati)

Original publisher's cream cloth hardback, illustration frontcover, 2nd printing, 12mo: title printed in red & black, 62pp. [ij], 4 page-large wood-engravings, advertisement. Volume 6: WB-Verhalen.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

23,5 x 15,5 cm - n.p. (28 pgs) - orig. wrappers -.

Hardcover. Condizione: Good. 1st Edition. 164 Pp + Ads By Various Publishers At Rear. Errata Slip Tipped In. Light Yellow Ribbed Boards Printed In Blue, Spine Label. . First Printing. Worn And Dusty, Top And Bottom Of Spine Chipped Away, Spine Label Intact Except For Tiny Chip At Lower Left Corner. Elaborate Pictorial Engraved Bookplate Of Gwynneth Capes.

Condizione: New.

Condizione: New. In.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 204.

Soft cover. Condizione: Fine. (42) pp., pictorial paperboard wrappers. Light shelf wear, fine copy. Ills. in colour. 25 x 18 cm.

Laren, Sinder Museum & Gent, Museum voor Schone Kunsten, 1971. 17 blz.tekst & ills. Slappe kaft. [154967].

Laren, Singer Museum & Gent, Museum voor Schone Kunsten. 17 blz.tekst & ills. Slappe kaft, geknakt. [36479].

Condizione: Very good.

: Edgar Tijtgat (illustratore). originele uitgeversomslag, 21,5 x 16cm., 88pp., mooie buitentekstillustraties in sepia. . mooi exemplaar met originele felle oranje kaft. 0 g.

: Edgar Tijtgat (illustratore). originele uitgeversomslag, 21,5 x 16cm., 103pp., mooie buitentekstillustraties in sepia. . Binnenin licht roestvlekkig. 0 g.

Hardcover. Condizione: Very Good. No Jacket. Anne Estelle Rice/ Frontispiece woodcut by Edgard Tijtgat (illustratore). 1st Edition. Tan paper boards with black printing." Dedicated to the memory of (those specifically cited) and to all those gallant gentlemen who, but for having died in the service of their country, would have been pioneers along he new paths of literature and art." Including contributions by Walter de la Mare, D. H Lawrence, Aldous Huxley, Edith Sitwell and many others. Top 3 and 1/2 inches of spine detached and laid in. Rubbing and/or chipping to board corners and some edges. Light surface soil. Interior clean, binding tight.

Amsterdam, Stedelijk Museum, 1950. Orig. stapled wrappers. With illustrations in b/w. Typ. des. Benno Wissing. 32 pag. [Stedelijk Museum / Municipal Museum [Stedelijk Museum Amsterdam] ].

Soft cover. Condizione: Fine. Condizione sovraccoperta: Fine. Edgard Tijtgat (illustratore). De Drij vagebonden, burleske in Antwerpschen Poesje-stijl met prenten van Edgar Tijtgat Zachte kaft, Ingenaaid, 270 x175 mm. Ill.: Edgard Tijtgat. Met voorwoord van Jan De Schuijter over 'De ziel van de Poesje'. Oplage 800 ex. Met zeven prenten van Edgard Tijtgat, , eenzijdig gedrukt + 1voor- en 1 achterzijde kaft. 800 exemplaren waarvan 150 exemplaren werden eenzijdig bedrukt op papier Ingres chamois. De platen werden met de hand gekleurd. genummerd van 1 tot 150, dit is nummer 13/150. uitzonderlijke goede staat 0.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Edgard Tijtgat (Tytgat) (illustratore). 1st Edition. Yellow cloth binding in pictorial dustjacket. Binding is firm, pages are clean. Black & white and color photographs throughout. Typography by Dick Elffers and Ben Duijvelshoff. Top edge foxed. Dustjacket is bright with light edge wear, light creasing and small tears. Not paginated. 25,5 x 23,5 cm.

Small 4to. (260 x 192 mm). [37 leaves: 21 doubled leaves of papier antique, 16 leaves of Chine]. Leaf with vignette recto, leaf with half-title recto, leaf with title in red and green with colour floral motif recto and justification verso, 16 leaves with printed text verso to face leaf with illustration,inserted leaf of Chine with matching illustration in colour interposed between text and illustration, final leaf with achevé d'imprimer with the vignette of 'Imagerie de Watermael' dated 'Avril 1918'; text and illustration on doubled leaves stitched in the Japanese manner printed in sepia from original wood blocks (for the text) or original linoleum cuts (for the illustration) by Tijtgat throughout, inserted leaves of Chine with the illustrations in colour. Stitched as issued in original publisher's white printed paper boards with colour titles and vignettes by Tijtgat to front and rear boards, repeated colour floral motif to spine, printed endpapers with repeated colour floral motif. Edgard Tijtgat's charming Le Petit Chaperon Rouge. From the edition limited to 50 numbered copies, with this one of 40 on papier antique. Printed on thick doubled sheets of papier antique, stitched in the Japanese manner, Tijtgat's text and illustration detail the story, or at least Perrault's version, of Little Red Riding-Hood. Each of the linocuts on papier antique is preceded by a leaf of Chine with the same illustration in colour; there are, thus, 16 prints, each in two states, 32 linocuts in total. The entire text of the book, is printed from original woodblocks, including the title in three colours while all illustration (as outlined above) is linocut; the endpapers too are decorated with a repeated floral design in four colours. Tijtgat's version of Little Red Riding-hood was first printed in London in a folio edition of 15 copies in 1917. A second London edition - the present version - was published the following year in an edition of 50 copies. Both editions were issued under the imprint of Cyril Beaumont; a third edition of 100 copies was published in Tijtgat's native Belgium, in Brussells, in 1921. Tijtgat (or Tytgat) had finalised the work by 1910 but it was only issued in 1917 despite the cover of the Brussells edition indicating a date of '1915 - 1916'.

Couverture rigide. Condizione: Bon. Edition originale. Portefeuille illustré en carton crème, fermé par deux rubans grenats, 272 x 232 mm. Edition originale. Tirage à 150 exemplaires, celui-ci l'un des 110 sur papier de Chine. L'album contient 6 bois gravés en couleurs sur Chine, contrecollés sur papier fort, dont 3 exceptionnellement signés au crayon par Tytgat, le tout précédé de l'introduction "écrite, ornée et dessinée par l'imagier". Rousseurs et petits manques de papier sur la chemise, bois très bien conservés. Signé par l'illustrateur.

Hardcover. Condizione: Very Good. Tijtgat, Edgard (illustratore). 1st Edition. Boards with color illustrations on front and rear cover. Cloth covered spine. With 10 full page plates by Edgard Tijtgat, including cover illustrations + title illustration and colophon vignette, all colored by hand. The libretto by Ramuz was translated into Dutch by Martinus Nijhoff. This is number 67 of a limited edition of 225 copies printed on 'Hollandsch papier'. Corners a bit scuffed, light soiling to rear cover. Inside clean, no marks or inscriptions. 48 pp., 29 x 20 cm.

Van Tilborg & Kenens éditeurs. Anvers, sans date, [1935]. Un volume broché (17 x 22 cm) de 103 pages, 4 planches hors texte. Bon exemplaire. Cinq compositions originales d'Edgard Tijtgat, couverture en couleurs et quatre hors texte en sépia et noir d'après les gravures de l'artiste. L'histoire méconnue du quatrième roi mage par l'écrivain Gérard Walschap (1898-1989). Livres.

Gent, 1930, origineel nummer zoals gepubliceerd, formaat in-4°. Zonder de twee linosneden buitentekst, volblad.van Jan frans Cantré.

The third woodcut from the artist's Carrousels et baraques first published in London by Cyril Beaumont in 1919, but this one reprinted for the first part of the Brussels review Au Jardin de l'inutile in 1920, probably in an edition of 500. Woodcut print in four colours on papier chine (152 × 204 mm, sheet size 188 × 240 mm). Signed in pencil. Marginal waterstain to blank margin at upper right. Original red printed upper wrapper. [Taillert 41, 3.].

Édition originale comprenant 19 illustrations dessinées et gravées sur bois par Edgard Tytgat : 6 hors-texte en couleurs sur chine collé, 2 illustrations en couleurs sur la chemise et 11 en noir dans le texte.Tirage limité à 150 exemplaires dits sur chine. Celui-ci est un des 110 (n° 92), sans le coloris réalisé à la main. Seuls les hors-texte sont tirés sur chine ; le livre est imprimé sur papier vergé filigrané " A.Millbourn & Co / British handmade ".Réfugié à Londres pour fuir la Première Guerre mondiale, Edgard Tytgat exprime dans cet ouvrage la nostalgie de sa belgique natale : " Toutes les étincelles des perles sur le velours noir et des petitesglaces aux mille et un reflets ornant les carrousels et baraques de mon village ».Restaurations aux coins de la chemise. En feuilles, chemise de l?éditeur illustrée en couleurs, dos entoilé crème, lacets d?attache bordeaux, rabats.

Folder. Condizione: Very Good. First Limited Edition. No. 107 of 150 limitation, on Papier de chine. Oblong, 23 by 27 cm. 7 pp. 6 mounted color plates, representing fairs in Belgium and England (three each. The palette is the artwork is tenebrous like pre-Provincal van Gogh, and the style is deliberately primitive as one finds with other post-Impressionists, among them Vlaminck, Vuillard, etc. Through these means Tijtgat conveys a sense of nostalgia, distance and loss towards the gay subject matter. The folder cover is lightly soiled. The contents are clean and fresh.

Gent, 1930, origineel nummer zoals gepubliceerd, formaat in-4°. Bevat twee originele linosneden buitentekst, volblad.(door Jan frans Cantré).

Bruxelles, Rémy Havermans, s.d. (1913), lg. in-4°, 30 x 24,5 cm, 90 nn pp, printed at one side, containing 16 delicately coloured full-page lino-engravings by Edgard Tijtgat. Original illustrated wrapper. Printed .in 110 copies, this being copy n°39 on Japan paper, signed and numbered in pencil by the artist. A perfect copy of the first illustrated book by the artist. (Taillart nr. 17). This publication by Tijtgat is much rarer then the printed number suggests. Upon his homecoming after the First World War , which the artist had spent in London, he contacted the printer Havermans where he had left the unsold copies of this book, published just before the war. Tijtgat was severely disappointed to discover that many of the unsold copies where damaged and had become worthless due to bad stocking conditions.