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  • Lingua: Inglese

    Editore: Yale University Press, 2018

    0300233531 / 9780300233537

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    Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices

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    Condizione: Nuovo

    EUR 29,22

    EUR 2,35 spedizione 
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    Quantità: 16 disponibili

    Condizione: New.

  • Lingua: Inglese

    Editore: Thomas Cole National Historic Site in association with Yale University Press, Catskill, NY and New Haven, CT, 2018

    0300233531 / 9780300233537

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    • Prima edizione

    Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS

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    Condizione: Nuovo

    EUR 31,65

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    Quantità: 1 disponibile

    Paperback. Condizione: NEW. 1st. x, 179 pages, illustrations (some colour), facsimiles; 28 cm. Catalogue of an exhibition of the same name held at Thomas Cole National Historic Site in Catskill, New York from May 1 to November 4, 2018. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole's own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole's formulation of a profound new category in art--the American sublime." - Publisher. *** CONTENTS: An Inheritance in Print: Thomas Cole and the Aesthetics of Landscape, by Tim Barringer and Jennifer Raab; Working Papers: Thomas Cole's Early Drawings and Notebooks, by Nicholas Robbins; Idyllic and Industrial Visions: Thomas Cole, William Guy Wall, and the Hudson River, by Sophie Lynfold, by Catalogue, by Origins, by Picturesque, by Sublime, by Trans-Atlantic Inheritance. Size: 4to. Collectible. …

  • Lingua: Inglese

    Editore: Yale University Press, 2018

    0300233531 / 9780300233537

    • Brossura

    Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices

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    Condizione: Usato - Come nuovo

    EUR 37,01

    EUR 2,35 spedizione 
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    Quantità: 16 disponibili

    Condizione: As New. Unread book in perfect condition.

  • Altre immagini

    Lingua: Inglese

    Editore: Yale University Press, 2018

    0300233531 / 9780300233537

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    Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA

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    Condizione: Usato - Come nuovo

    EUR 27,52

    EUR 11,57 spedizione 
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    Quantità: 1 disponibile

    Paperback. Condizione: As New. Color pictorial glued wraps.x, 179 pp., profusely illustrated with over 100 color and bw images. Catalogue of an exhibition of the same name held at Thomas Cole National Historic Site in Catskill, New York from May 1 to November 4, 2018. Although the catalogue only lists 31 amply-annotated works, there is a very lengthy and well-illustrated essay which precedes the catalogue. A significant addition to the literature on Cole and his influences and influence. "Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole's own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole's formulation of a profound new category in art--the American sublime." -- Publisher's description.…

  • Lingua: Inglese

    Editore: Yale Center for British Art, 2025

    0300284667 / 9780300284669

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    Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices

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    Condizione: Nuovo

    EUR 40,57

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    Quantità: Più di 20 disponibili

    Condizione: New.

  • Lingua: Inglese

    Editore: Yale Center for British Art, 2025

    0300284667 / 9780300284669

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    Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices

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    Condizione: Usato - Come nuovo

    EUR 43,81

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    Quantità: Più di 20 disponibili

    Condizione: As New. Unread book in perfect condition.

  • Lingua: Inglese

    Editore: Yale University Press, 2018

    0300233531 / 9780300233537

    • Brossura

    Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK

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    Condizione: Nuovo

    EUR 31,96

    EUR 17,98 spedizione 
    Spedito da Regno Unito a U.S.A.

    Quantità: 16 disponibili

    Condizione: New.

  • Lingua: Inglese

    Editore: Yale University Press, 2018

    0300233531 / 9780300233537

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    Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK

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    Condizione: Usato - Come nuovo

    EUR 33,97

    EUR 17,98 spedizione 
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    Quantità: 16 disponibili

    Condizione: As New. Unread book in perfect condition.

  • Lingua: Inglese

    Editore: Yc British Art, 2025

    0300284667 / 9780300284669

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    Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books

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    Condizione: Nuovo

    EUR 37,88

    EUR 14,98 spedizione 
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    Quantità: 2 disponibili

    Hardcover. Condizione: Brand New. 128 pages. 9.75x7.75x0.79 inches. In Stock.

  • Lingua: Inglese

    Editore: Yale Center for British Art, 2025

    0300284667 / 9780300284669

    • Rilegato

    Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK

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    Condizione: Nuovo

    EUR 40,85

    EUR 17,98 spedizione 
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    Quantità: Più di 20 disponibili

    Condizione: New.

  • Lingua: Inglese

    Editore: Yc British Art, 2025

    0300284667 / 9780300284669

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    Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books

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    Condizione: Nuovo

    EUR 45,31

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    Quantità: 1 disponibile

    Hardcover. Condizione: Brand New. 128 pages. 9.75x7.75x0.79 inches. In Stock.

  • Lingua: Inglese

    Editore: Yale Center for British Art, 2025

    0300284667 / 9780300284669

    • Rilegato

    Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK

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    Condizione: Usato - Come nuovo

    EUR 45,17

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    Quantità: Più di 20 disponibili

    Condizione: As New. Unread book in perfect condition.

  • Lingua: Inglese

    Editore: Yale Center for British Art, 2025

    0300284667 / 9780300284669

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    Da: moluna, Greven, Germaniamoluna

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    Condizione: Nuovo

    EUR 44,58

    EUR 48,99 spedizione 
    Spedito da Germania a U.S.A.

    Quantità: 2 disponibili

    Condizione: New.

  • Altre immagini

    Condizione: Usato - Molto buono

    EUR 74,06

    EUR 29,96 spedizione 
    Spedito da Regno Unito a U.S.A.

    Quantità: 1 disponibile

    Hardcover. Condizione: Very Good. 2019 Yale University Press large format hardcover edition. Light reading wear else very good condition. This book presents an innovative portrait of John Ruskin (1819-1900) as artist, art critic, social theorist, educator, and ecological campaigner. Ruskin's juvenilia reveal an early embrace of his lifelong interests in geology and botany, art, poetry, and mythology. His early admiration of Turner led him to identify the moral power of close looking. In The Stones of Venice, illustrated with his own drawings, he argued that the development of architectural style revealed the moral condition of society. Later, Ruskin pioneered new approaches to teaching and museum practice. Influential worldwide, Ruskin's work inspired William Morris, founders of the Labour Party, and Mahatma Gandhi. Through thematic essays and detailed discussions of his works, this book argues that, complex and contradictory, Ruskin's ideas are of urgent importance today. Contents: Director's Foreword - Amy Meyers Acknowledgments Part I: Essays Introduction John Ruskin: Seer of the Storm-Cloud - Tim Barringer Mountains in Miniature: Ruskin's Sketching and Empowerment - Tara Contractor 'Books of the Hour': Ruskin's First Editions - Victoria Hepburn On the Anvil: John Ruskin and the Work of Iron - Judith Stapleton Epilogue Dust to Dust: Jorge Otero-Pailos after John Ruskin - Courtney Skipton Long Part II: Catalogue - Tim Barringer, Tara Contractor, Victoria Hepburn, and Judith Stapleton with contributions by Gavriella Levy Haskell, Sophie Lynford, Mohit Manohar, and Nicholas Robbins The Nature of Seeing Going to Nature Professor Ruskin Ruskin's Global Legacy Further Reading Index.…