tim laere (37 risultati)

Hardcover. Condizione: Near Fine. Near fine condition hardcover. Exterior shows minimal wear. Binding is tight and pages are free from writing/markings.

First Edition. Hardcover, very good with light wear only. Illustrated.

Hardcover without dustjacket as issued, unpaginated; in English, Dutch and French; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: As New. As new.

Hardcover without dustjacket as issued, unpaginated; in English, Dutch and French; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: As New. As new condition hardcover. Minimal wear on the exterior, no visible wear on the interior. Binding is tight and pages are free from writing/marking.

Hardcover. Condizione: Fine. 1st. Pictorial boards, [52] pages, colour illustrations; 26 cm. Exhibition held at the Tim van Laere Gallery, Antwerp, 26 January to 10 March 2012. Firm binding, clean inside copy. *** Armenian-born artist, living in Switzerland. Size: 4to.

Hardcover. Condizione: Near Fine. Text in Dutch and English. Like new with light wear to covers and no marks to text. Art Box 13 ; 4to 11" - 13" tall; 96 pages.

Hardcover. Condizione: New. No wear. Accompanied 2020 show.

softcover, 72 pages, Quadrilingual: English, Dutch, French, Italian. BEN SLEDSENS - Magazine Un Nuovo Viaggio 0 g.

softcover, 104 pages, Quadrilingual: English, Dutch, French, Italian. JONATHAN MEESE - Magazine A.R.T. IS TOTAL FAMILY-BUSINESS! AGRIPPINA=ARTMOTHERZ NERO=ARTSOLDIER(C SAREN-ROULETTE, NO PROBLEM, YEAH) 0 g.

Condizione: as new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Condizione: Good. Original pictorial boards, numerous (full page) colour illustrations and some in b/w, unpaged, 4to.

Hardcover. Condizione: Fine. 1st Edition. Title - Aaron van Erp / Author - Tim van Laere / Publisher - Tim van Laere gallery / Year - 2012 / Language - Dutch - English / Binding - Hardcover / Pages - 46 / Size - 20,5 x 25,5 cm.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Signed & inscribed by Marcel Dzama with drawing to the previous owner on the front free end page. First edition. Hardbound, no dust jacket as issued. Spine is only slightly cocked, otherwise very good. Front free end page shows bleeding from the sharpie inscription on opposite side. Signed by Author(s).

Hardcover without dustjacket as issued, unpaginated; in English, Italian; Dutch and French; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

HARDCOVER. Condizione: New. 1st Edition. 4to in colour printed thick boards, unpaginated, approx. 60pp on stiff art paper, colour plates, etc. Dual text in Dutch and English . [CONDITION: NEW copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condizione: Very good.

132 pagina's, ge llustreerd, 25,5 x 20,5 cm, hardcover, Nederlands/Engels/Frans. ISBN 9789464004076. The work of Henk Visch (b. 1950 in Eindhoven, the Netherlands; lives and works in Eindhoven and Berlin) impresses, moves and evokes a series of memories and associations. The quiet, introverted force of his works makes us pause and transports us to a new dimension that feels both familiar and strange. Henk Visch observes, researches and archives, and this has led to a well-founded knowledge of the most diverse subjects, ranging from the traditions of sculpture, literature, myths and world history to psychologies and natural sciences. This knowledge is tangible in his works, but not immediately recognizable. Like a magician, Henk Visch throws us off the track and misleads us in a playful manner that can often lead to misunderstandings. According to Henk Visch, the misunderstanding falls within the logical apparatus, but does not quite fit in. And that is what makes Henk Visch interesting. With poetic finesse and an intuitive approach, he represents his own memories and associations in different forms and materials. These materials can vary from bronze, aluminium and rebar to fake fur, synthetic hair and polystyrene. 715 g.

96 pagina's, kleurenillustraties, hardcover, Engels / Nederlands. ISBN 9789082714531. The catalog to the third solo exhibition by the internationally acclaimed Austrian artist Franz West ( 1947, Vienna ? ?2012, Vienna) at Tim Van Laere Gallery. West is without doubt one of the most important sculptors and environment artists of contemporary art. His oeuvre is characterized not only by the forms he invents, but also for the communicative quality with which he directly addresses the viewer, urging him/ her to participate. The exhibition brings together various aspects from the broad oeuvre of Franz West. Both collages, sculptures from papier-m ch , plaster and polyester, furniture, an outdoor sculpture in aluminium and installations from different periods of his career are shown. 585 g.

Gebonden, Hardcover 120 pages, 25.5x20.5cm, NL/FR/ENG. Illustrated. ISBN 9789464004038. Enjoy and Take Care aantalIn winkelmand In maart 2020 werd ons leven op pauze gezet. Het uitbreken van de wereldwijde pandemie veroorzaakt door het virus COVID-19 dwong landen van over heel de wereld om nieuwe strategie n uit te vinden om de verspreiding van de ziekte tegen te gaan. Dit resulteerde in lockdowns, het sluiten van alle internationale grenzen en social distancing. In lijn met de door de regering vastgestelde maatregelen sloot Tim Van Laere Gallery de galerie voor het eerst sinds de oprichting in 1997 voor meer dan een maand voor het publiek. Na deze periode vond de galerie het belangrijk om het leven en de kunst opnieuw te vieren en besloot een groepsshow samen te stellen met bijna alle kunstenaars van de galerie. Hoewel reisrestricties nog steeds actief zijn, bracht deze groepsshow op een manier de kunstenaars via hun werk weer bij elkaar. De titel van de show ?Enjoy and Take Care!? versterkt dit gevoel van feest, solidariteit en samenhorigheid /// Enjoy and Take Care quantity In March 2020 our lives were put on hold. The outbreak of the global pandemic caused by the COVID-19 virus forced countries around the world to invent new strategies to combat the spread of the disease. This resulted in lockdowns, the closing of all international borders and social distancing. In line with governmental measures, Tim Van Laere Gallery closed the gallery to the public for more than a month for the first time since its inception in 1997. After this period, the gallery felt it was important to re-celebrate life and art and decided to put together a group show featuring almost all of the gallery's artists. Although travel restrictions are still active, this group show in a way brought the artists back together through their work. The show's title "Enjoy and Take Care!" Reinforces this sense of celebration, solidarity and togetherness 0 g.

bound, hardcover, 100 pages, Illustrated., 25.8 21.7 cm, NL/ENG. ISBN 9789082714555. In april 2019 verhuist Tim Van Laere Gallery naar het Antwerpse Nieuw Zuid. Voor de deuren van de Verlatstraat definitief dicht gaan, organiseert Van Laere er nog een laatste afscheidstentoonstelling, getiteld The Last Waltz (For Leon). De tentoonstelling is een feestelijke afsluiter van een periode van 20 jaar waarin vriendschap, kwalitatieve tentoonstellingen en plezier centraal stonden. Alle kunstenaars die de voorbije twintig jaar de ruimte mee hebben bepaald met opvallende tentoonstellingen krijgen een plek in deze expo. Zowel grote namen die de galerie mee op de kaart geplaatst hebben als Rinus Van de Velde, Kati Heck, Adrian Ghenie, Jonathan Meese en Franz West dus, maar ook nieuwe talenten als Tomasz Kowalski, Ben Sledsens, Ryan Mosley of Anke Weyer komen aan bod in de expo. 0 g.

Bound, Hardcover, 96 pages, Illustrated. 25,5 21,5 cm NL/ENG. ISBN 9789082714548. Friedrich Kunath's werk is doordrongen van ambigu teit. Zijn werk is be nvloedt door de cultuur van de wijsheid en de populaire cultuur, tot het punt van obsessie en soms zelfs systematisering. Zijn persoonlijke reis van Oost- naar West-Berlijn, naar zijn nieuwe thuis in Los Angeles, presenteerde Kunath met een breed scala aan bronnenmateriaal, vari rend van de canon van de kunstgeschiedenis en de Duitse filosofie tot het idioom van de kitsch en de make-believe wereld van Hollywood en Los Angeles. Kunath?s werk gaat over de universele thema?s van het menselijk bestaan, zoals liefde, verlies, optimisme, kwetsbaarheid en melancholie. Zijn oeuvre omvat verschillende media, van schilderen, beeldhouwen, tekenen, video en fotografie tot uitgebreide installaties, allemaal voorzien van een tragikomisch pathos en dromen over mogelijkheden. In bijna elk werk is het besef voelbaar dat de wereld een schouwspel is van onvervulde dromen, waarin de rauwheid van het leven wordt ontvlucht via het parallelle universum van de populaire cultuur. Zonder zich vast te houden aan oppervlakkige humor, maakt Kunath gebruik van het groteske en uitvergrotingen in zijn werken. Zijn sculpturen, schilderijen of gedetailleerde tekeningen en karikaturen zijn geen onschuldige grappen, maar eerder ambigue metaforen voor het heden. Hij onderzoekt de vraag naar zelfpositionering binnen het kader van verschillende culturele invloeden met de nodige ironie. Zijn werken ondergraven ingesleten beeldtradities en conventies en verbinden het schijnbare onverenigbare zoals humor en melancholie, narratie en abstractie of fictie en realiteit. 0 g.

Bound, Hardcover, 96 pages, Illustrated. NL/ENG. ISBN 9789082714531. The catalog to the third solo exhibition by the internationally acclaimed Austrian artist Franz West ( 1947, Vienna 2012, Vienna) at Tim Van Laere Gallery. West is without doubt one of the most important sculptors and environment artists of contemporary art. His oeuvre is characterized not only by the forms he invents, but also for the communicative quality with which he directly addresses the viewer, urging him/ her to participate. The exhibition brings together various aspects from the broad oeuvre of Franz West. Both collages, sculptures from papier-m ch , plaster and polyester, furniture, an outdoor sculpture in aluminium and installations from different periods of his career are shown. In the mid-1970s, West made his so-called Pa st cke (Adaptives), movable sculptures made of plaster and metal that were intended to be moved, touched, and handled ? transforming viewers into participants. For West, the essence of the artwork is not the aesthetic quality, but how the work is used. These objects stimulate the ingenuity of the public and disrupt conditioned behavior in the exhibition space. From the 80s, he incorporated more fragile materials, such as papier-m ch and glass bottles in his sculptures, which he combined in the Labst cke (Refresher Pieces). As a consistent continuation of the Pa st cke, West has been working since 1987 to construct furniture for sitting and reclining, using prefabricated elements and discarded industrial products which he covered by stretching fabrics or carpets over them. His work makes us think about our living space and the social and personal activities that are happening there. The artist aims to create a certain interaction between artwork and viewer, between object and subject. An interaction that must ensure that art becomes an open and interactive process. Later in his career, Franz West also focuses on sculptures in the public space. In fall 2018, a major retrospective will open at the Centre Pompidou, Paris, and will travel to the Tate Modern, London the following year. 0 g.

Hardcover, ongepag (ca 90pp.); 25.5x20.5cm., doorlopend geillustr. in kleur, nieuwstaat. 10 may - 30 june 2012. Interview in het nederlands van Aaron Van Erp door Tim van Laere. 0 g.

hardcover, 112 pages, throughout colour illustrations Text in English, Dutch, French, Italian. . ISBN 9789464004281. BRAM DEMUNTERB urrowers, Climbers, Crawlers30 November, 2023 - 20 January, 2024 INSTALLATION VIEWS WORKS Tim Van Laere Gallery presents the second solo exhibition by Bram Demunter, titled Burrowers, Climbers, Crawlers. Bram Demunter's work is about us, human beings, and about the place we occupy in the world. It is about the mythologies we shape around ourselves, the narratives and the visual cultures we create, as well as the traces we leave behind in the natural world. His paintings and drawings strongly illustrate his process of collecting, examining and categorizing different elements. The artist can spend many hours studying an object, while wondering where it came from and what history it has been gone through. These objects then manage to nestle in his subconscious, establishing new connections between obscure stories, tales, legends and myths with forgotten symbolism, which he seamlessly connects to more recent events. His oeuvre does not convey an unambiguous message, but rather weaves meanings that resonate with individual and collective memories whereby a depicted motif reminds us of countless other images. His references do not focus on specific symbols or archetypes and must not be mistaken as unequivocal allusions. In doing so, the artist emphasizes that all things can exist simultaneously and can be displayed as such. This phenomenon is clearly demonstrated in his work Turn the Mud Around, where Demunter makes use of an eclectic range of influences and sources: ranging from the late Middle Ages to the Flemish Primitives as well as the impasto of seventeenth-century artists like Rubens and Jordaens. His artistic affiliations, such as his depiction of landscapes and other scenes of nature in some of his paintings, seem to originate from Italian Renaissance painting and and are reminiscent of the sfumato technique of that period. His imagery extends far beyond classical influences; it is infused with elements of twentieth-century abstract expressionism including artists such as Philip Guston, neo-expressionist Georg Baselitz and Grandma Moses. In addition, Demunter embraces the refinement of Indian miniature art, the splendor of Persian and Indian tapestries, alongside the intimacy of Enclosed Gardens. For this exhibition, Demunter drew inspiration from obscure maps and old books, diving deep into human history in search of handed-down traces of interaction with nature. Rocks are therefore an important theme in his work, and take the form of mountains, rock formations, caves, meteorites, thereby embodying ancient symbolism. The diversity of symbols reveals the deep-rooted human fascination with nature across epochs and cultures. Instead of using maps as merely representational tools, Demunter exploits them as sources that capture the human interaction with the world. Demunter's approach is not limited to visual compositions, but extends far beyond words: each work, whether drawn, painted or written, forms an exploratory journey, which transcends time and space; his images suspend time, as it were. Bram Demunter (b. 1993, Kortrijk) lives and works in Kortrijk, Belgium. Work of the artist can be found in several national and international collections. ? 0 g.

hardcover, 144 pages, illustrations,full color, 26x21.5cm, quadrilingual: English, Dutch, French, Italian *new. ISBN 9789464004359. Eline Vansteenkiste ( 1991, Gent) is een hedendaagse Belgische kunstenares die bekend staat om haar kleine olieverfschilderijen op houten panelen. Ze bouwt surrealistische en cinematografische landschappen waarin groteske wezens, strijdende vrouwen en cartografisch ge nspireerde sc nes samenkomen . Haar werk is visueel rijk en psychologisch geladen, met duidelijke referenties naar middeleeuwse meesters zoals Jeroen Bosch, Pieter Bruegel en Joachim Patinir. Tegelijkertijd echoot het de filmische sfeer van regisseurs als Andrei Tarkovsky, waarbij de landschappen een diepzinnige narratief en emotionele gelaagdheid bieden. Vansteenkiste had haar eerste solotentoonstelling bij Tim Van Laere Gallery in Antwerpen (10 april 17mei 2025), waar haar werk in een verfijnde tentoonstelling zichtbaar was ________________________________________ Kortom: Vansteenkiste maakt kleine, maar rijk gelaagde landschappen vol mythologische en psychologische verwijzingen. Haar werk nodigt uit tot zowel verhalende als symbolische interpretatie, waarbij ze een moderne echo geeft aan middeleeuwse cartografie en cinematografie. ------Eline Vansteenkiste (b. 1991, Ghent) is a contemporary Belgian artist known for her small oil paintings on wooden panels. She builds surreal and cinematic landscapes in which grotesque creatures, warring women and cartographically inspired scenes come together . Her work is visually rich and psychologically charged, with clear references to medieval masters such as Hieronymus Bosch, Pieter Bruegel and Joachim Patinir. At the same time, it echoes the cinematic mood of directors such as Andrei Tarkovsky, with the landscapes offering profound narrative and emotional layering. Vansteenkiste had her first solo exhibition at Tim Van Laere Gallery in Antwerp (April 10 - May 17, 2025), where her work was visible in a sophisticated exhibition ________________________________________ In short, Vansteenkiste creates small but richly layered landscapes full of mythological and psychological references. Her work invites both narrative and symbolic interpretation, giving a modern echo to medieval cartography and cinematography. . 0 g.

hardcover, 122 pages, Numerous black & white and color illustrations in and outside the text.quadrilingual: English, Dutch, French, Italian. 26-21cm *new ISBN 9789464004328. Tim Van Laere Gallery presents Frames, Muller Van Severen's first solo exhibition at the gallery. Over the past 15 years, Muller Van Severen has developed a synergistic body of work that continually explores the boundaries between sculpture and functional object. This exhibition is the first time they present a series of works that are all unique. The exhibition Frames can be seen as a total installation, an all-encompassing universe of form, color, light, reflection and transparency. More than 30 works are brought together in the monumental space of Tim Van Laere Gallery, in which the artist duo searches for the most essential sculptural impact through minimal intervention. For Frames, Muller Van Severen always starts from a single plate, from which openings and depths arise through cutting and folding that not only provide space for functions, but also bridge the gap between reality and imagination. From the flat surface of a plate, a sculpture emerges that moves between abstraction and figuration. With Frames, Muller Van Severen creates a fictional world of images, in which alternative intrinsic meanings and possibilities are expressed, balancing between realism and surrealism. 0 g.

Hardcover, 152 pages,25.5 x 20.5 cm, quadrilingual: English, Dutch, French, Italian. *NEW. ISBN 9789464004373. RINUS VAN DE VELDE, 28 august - 4 October 2025 0 g.

HARDCOVER. Condizione: NEW. 1st Edition. 4to in colour printed thick boards, unpaginated, approx. 136pp on thick art paper, colour plates, etc. Text in English, Flemish and German . [CONDITION: NEW unread and unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . __NOTE Due to size and/or weight posting to some destinations outside the UK will cost more than the shipping price shown. If so, orders made by card will only be completed after you have approved any extra cost. . We always ship in STRONG PROTECTIVE CARD PARCELS.