tisserand l m (78 risultati)

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

in-quarto, 34 pp., broché Bon état.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Revue bimestrielle, Editions Masson et Cie, 1951, Tome deuxième, Xe série, fascicules 1 à 3, 1951, format 16x25cm, broché, dos insolé sinon bon exemplaire . Sommaire : Données statistiques sur l'aptitude à gouter la phénylthiocarbamide dans la population parisienne, examen critique de la valeur du test par le Dr M. Tisserand, L'Evolution morphologique du cerveau, généralités, le lobe temporal par Antoine Delattre, Les figures anthropomorphes de l'art rupestre de l'Ile de France par J.L. Baudet, Anthropologie de la clavicule par Georges Olivier, Les néoilithiques du tumulus de Fontenay-le-Marmion par le Dr R. Riquet, etc.

Hardcover. Condizione: Good. First Edition. Massively heavy, oversized volume, published in Paris by Imprimerie Nationale, 1887, bound in a tall, heavy folio hardcover format, with xviii, 659 pp. and featuring several appendices. Internally a Near Fine condition, unopened copy, with unexploded top edges. External papers shows considerable wear at the extremities, joints, scuffing to and bumping of spine head and foot, some half-toning to endpapers. Internally quite fine and remarkably bright. Five double-page black-and-white engravings, 19 full-page black-and-white engravings, all with their original tissue guards, hors texte. 46 black-and-white figures in the text. Authored by Adolph Berty (1818-1867) and then by Lazare Maurice Tisserand (1822-1893) who completed this fine addition to the Histoire General de Paris.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Hardcover. Condizione: Very Good. First Edition. Massively heavy, oversized volume, published in Paris by Imprimerie Nationale, 1887, bound in a tall, heavy folio hardcover format, with xviii, 659 pp. and featuring several appendices. Internally a Near Fine condition, unopened copy, with unexploded top edges. Binding shows a little wear at the extremities, some mild damp-staining along edges, some half-toning to endpapers. Internally quite fine and remarkably bright. Five double-page black-and-white engravings, 19 full-page black-and-white engravings, all with their original tissue guards, hors texte. 46 black-and-white figures in the text. Authored by Adolph Berty (1818-1867) and then by Lazare Maurice Tisserand (1822-1893).Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Couverture souple. Condizione: Bon. 445 p. Cote, cachet et porte-carte de biblio. Couverture légèrement défraîchie. Code 1374.

Paperback. Condizione: New. Print on Demand. This book traces the history of the Bibliothà que de l'Hà tel de Ville de Paris, the first public library in Paris. Established in the 1760s, the library's origins lie in the personal collection of Antoine Moriau, a magistrate and bibliophile who bequeathed his vast collection to the city. The author explores the motivations and challenges faced by the library's founders, providing insights into the intellectual and cultural climate of 18th-century Paris. The book also examines the library's growth and development over the years, its significance as a resource for scholars and researchers, and its role in preserving and disseminating knowledge. Ultimately, this book sheds light on the importance of public libraries as repositories of collective memory and centers of intellectual inquiry. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Hardcover. Condizione: Good. First Edition. Massively heavy, oversized volume, unlovely of exterior, but quite remarkably clean, unmarked and bright of interior. Authored by A. Berty and with the assistance of L.M. Tisserand and Camille Platon, published in Paris by Imprimerie Nationale in 1897. Bound in publisher's original green paper over boards, sunned and toned especially spine. Internally, unopened top edges. Six double-page black-and-white engravings, a single color plate, 21 full-page black- and-white plates in text. All with their original tissue guards. The author, Adolphe Berty (1818-1867) was assisted by Lazare Maurice Tisserand and M. Camille Platon. 590 pp. and stuffed with lovely engravings.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Hardcover. Condizione: Good. First Edition. Massively heavy, oversized volume, unlovely of exterior, but quite remarkably clean, unmarked and bright of interior. Authored by A. Berty and with the assistance of L.M. Tisserand and Camille Platon, published in Paris by Imprimerie Nationale in 1897. Bound in publisher's original green paper over boards, but sunned and toned especially at spine. Very light damp-staining along front board fore-edge. Internally, unopened top edges. Six double-page black-and-white engravings, a single color plate, 21 full-page black- and-white plates in text. All with their original tissue guards. The author, Adolphe Berty (1818-1867) was assisted by Lazare Maurice Tisserand and M. Camille Platon. 590 pp. including Table des Metiers, and stuffed with lovely engravings.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Couverture souple. Condizione: Bon. Edition originale. In-4° broché, 35 pages.

Paris, Imprimerie Nationale, 1874, premier tome de la série, in-folio de 350x250 mm environ, xxv-348 pages, avec 14 chromolithographies et 23 héliogravures, cartonnage vert menthe de l'éditeur, armoirie de la ville de Paris estampée sur le plat, titre et auteur dorés sur le dos. Dos émoussé sur les coiffes. Quelques accrocs sur les plats et coins supérieurs émoussés. Tranche et intérieur satisfaisants. Bon exemplaire. Français.

Paperback. Condizione: New. Print on Demand. This book explores the rich history of school drama, tracing its origins in ancient Greece and Rome through its development in medieval and Renaissance Europe. The author examines the evolution of dramatic forms, from the earliest tragedies and comedies to the morality plays and farces of later periods. The work also delves into the educational and cultural significance of school drama, highlighting its role in shaping young minds and fostering a love of the arts. Through detailed analysis of specific plays and historical documents, the author sheds light on the enduring legacy of school drama as a vital force in the development of theater and literature. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Hardcover. Condizione: Good. First Edition. Hardback. Large 4to. pp xxviii, 423, 47 plates. Original publisher's green printed paper boards, lettered black on spine and covers. Illustrated throughout. Text in French. Worn covers, with top quarter of spine missing and library label on front pastedown yet with no other library attributes. Covers used but content sound and clean with some double pages and wood engravings in the text.

Paperback. Condizione: New. Print on Demand. This book examines the lesser-known aspects of Paris during the late medieval period, moving beyond famous landmarks such as Notre Dame Cathedral toward lesser-known but still historically significant subjects like colleges, convents, and schools that shaped the region. The author notes that much of what was constructed during the 12th and 13th centuries still stood and was in active use during the time period of the book's focus, providing a fascinating look at what life was like. This book offers a look at a period of transition in which building and population expansion occurred alongside transformative political and social upheavals, offering valuable insights into a variety of topics relevant to medieval scholars, historians, and casual readers interested in the period. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Paperback. Condizione: New. Print on Demand. This book is the fifth installment in a series, providing an in-depth study of the topography of old Paris by region. The focus of this volume is the western region of the University, an area rich in history and culture. The author draws on both historical and graphic sources to reconstruct the medieval parceling of this area. The region was once home to a Gallo-Roman palace, but by the Middle Ages, it had become a patchwork of vineyards, churches, and monasteries. The construction of the city wall by King Philip Augustus in the late 12th century transformed the area, bringing it within the city limits and spurring new development. The author describes in detail the streets, churches, colleges, palaces, and other landmarks that characterize this region, providing a fascinating glimpse into the urban landscape of medieval Paris. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Couverture souple. Condizione: Bon. Un volume grand in-4 (34,5 cm x 24,5 cm), XXXV pp. Broché. couverture souple verte. Pour accéder à la totalité de notre offre, consultez notre site et notre blog Paris-Libris.

Hardcover. Condizione: Very Good. First Edition. Uncommon in the trade, there being currently few copies available. Étienne Marcel (born somewhere between 1302 and 1310, died on 31 July 1358) was Provost of the merchants of Paris under King John II of France, called, according to his Wikipedia entry, "John the Good (Jean le Bon). He distinguished himself in the defence of the small craftsmen and guildsmen who made up most of the city population. As a delegate of the Third Estate, he played an important role in the general assemblies held during the Hundred Years' War. In 1357, he found himself at the head of a reform movement that tried to institute a controlled French monarchy, confronting the royal power of the Dauphin or heir to the throne. This set is comprised of a tall, heavy, folio hardcover format volume, measuring 10 1/4" x 13 3/4" wide and tall, respectively, featuring bright yellow, newer endpapers in stiff card stock, creased, mildly soiled, and with some moderate chipping of paper to spine head and foot, lightly along extremities. Light toning to first free endpaper, very light waffling to text block, but remarkably bright and clean of interior. Clearly enough, unused. Published in Paris, France in 1874. From the publisher's blurb, "Le present ouvrage, agree en 1869 par l'ancienne Commission municipale des Travaux histroriques, et imprime en placards, aurait paru en 1870, si les circonstances en avaient permis la publication. Repris en 1871, dans l'etat ou les evenements l'avaient lasse, c'est-a-dire prive des reproductions de miniatures et de documents originaux reunis par l'auteur et detruits dans l'incendie de l'Hotel de Ville, il eut pu etre publie dans les premiers mois de 1872; mais d'autres ouvrages.". This volume covers the period 1354-1358, with xliii, 395 pp., complete with a Table Alphabetique des Matieres.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Couverture souple. Condizione: Comme neuf. 2ème Édition. Paris 2018. 1 Volume/1. -- Comme Neuf -- Broché collé. Format 21 x 14,8 cm ( 514 gr ). ------ 395 pages.********************** Choix de textes décrivant Paris sous le règne de Charles V et de Charles VI.********************** ref ya4511.

Hardcover. Condizione: Very Good. First Edition. Uncommon in the trade, there being currently few copies available. Etienne Marcel (born somewhere between 1302 and 1310, died on 31 July 1358) was Provost of the merchants of Paris under King John II of France, called, according to his Wikipedia entry, "John the Good (Jean le Bon). He distinguished himself in the defence of the small craftsmen and guildsmen who made up most of the city population. As a delegate of the Third Estate, he played an important role in the general assemblies held during the Hundred Years' War. In 1357, he found himself at the head of a reform movement that tried to institute a controlled French monarchy, confronting the royal power of the Dauphin or heir to the throne. This set is comprised of a tall, heavy, folio hardcover format volume, measuring 10 1/4" x 13 3/4" wide and tall, respectively, featuring bright yellow, newer endpapers in stiff card stock, creased, mildly soiled, and with some moderate chipping of paper to spine head and foot, lightly along extremities. Light toning to first free endpaper, very light waffling to text block, but remarkably bright and clean of interior. Clearly enough, unused. Published in Paris, France in 1874. From the publisher's blurb, "Le present ouvrage, agree en 1869 par l'ancienne Commission municipale des Travaux histroriques, et imprime en placards, aurait paru en 1870, si les circonstances en avaient permis la publication. Repris en 1871, dans l'etat ou les evenements l'avaient lasse, c'est-a-dire prive des reproductions de miniatures et de documents originaux reunis par l'auteur et detruits dans l'incendie de l'Hotel de Ville, il eut pu etre publie dans les premiers mois de 1872; mais d'autres ouvrages.". This volume covers the period 1354-1358, with xliii, 395 pp., complete with a Table Alphabetique des Matieres.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Couverture souple. Condizione: Très bon. Edition originale. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.

Couverture souple. Condizione: Très bon. Edition originale. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.

Hardcover. Condizione: Very Good. First Edition. Exceedingly scarce to the trade, there being currently no copies of both hardcover copy in First Edition state along with the softcover Introduction, in tandem. Etienne Marcel (born somewhere between 1302 and 1310, died on 31 July 1358) was Provost of the merchants of Paris under King John II of France, called, according to his Wikipedia entry, "John the Good (Jean le Bon). He distinguished himself in the defence of the small craftsmen and guildsmen who made up most of the city population. As a delegate of the Third Estate, he played an important role in the general assemblies held during the Hundred Years' War. In 1357, he found himself at the head of a reform movement that tried to institute a controlled French monarchy, confronting the royal power of the Dauphin or heir to the throne. This set is comprised of a tall, heavy, folio hardcover format volume, measuring 10 1/4" x 13 3/4" wide and tall, respectively, and with the added bonus of the Introduction by L.M. Tisserand published separately as well as in the main body of the text, but bound here in printed, illustrated wraps, being a bit soiled and sunned, chipped along spine, lightly foxed of prelims, else clean and unmarked of interior. The hardcover volume features bright yellow, newer endpapers in stiff card stock, is mildly soiled, and with some moderate chipping of paper to spine head and foot, lightly along extremities. Light toning to first free endpaper, very light waffling to text block, but remarkably bright and clean of interior. Clearly enough, an unused set. Published in Paris, France in 1874. From the publisher's blurb, "Le present ouvrage, agree en 1869 par l'ancienne Commission municipale des Travaux histroriques, et imprime en placards, aurait paru en 1870, si les circonstances en avaient permis la publication. Repris en 1871, dans l'etat ou les evenements l'avaient lasse, c'est-a-dire prive des reproductions de miniatures et de documents originaux reunis par l'auteur et detruits dans l'incendie de l'Hotel de Ville, il eut pu etre publie dans les premiers mois de 1872; mais d'autres ouvrages.". Split into three historical periods. Tomo Premier covers the period 1354-1358, with xliii, 395 pp., complete with a Table Alphabetique des Matieres.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Couverture rigide. Condizione: Moyen. Histoire générale de Paris, Paris et ses historiens aux XIV° et XV° siècles. Documents et écrits originaux recueillis et commentés par Le Roux de Lincy et L. M. Tisserand. XXXVI + 662 p. Histoire générale de Paris. Collection de documents fondée avec l'approbation de l'Empereur par M. le Baron Haussmann, sénateur, préfet de la Seine et publiée sous les auspices du conseil municipal. Quelques planches h-t protégées par des serpentes. 26x35 cm. 662 p. Reliure éditeur. Etat moyen. Mors du 1er plat totalement fendu ! Papier légèrement bruni. Quelques rousseurs notamment sur les planches. Quelques rousseurs en tranche avec faible impact en marge des pages. Frottements nets. Prix en conséquence. in-folio.