toroni niele (93 risultati)

Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condizione: new. Paperback. "If I had to sum up Niele Toroni in one word, without hesitation that word would be 'loyalty'. Loyalty in friendship, for I have had the joy of sharing his artistic adventure and epicurean side for more than thirty years. And loyalty in his work, because I know no other artist who has followed the same path without ever deviating from his goal." Yvon Lambert, OEuvres sur papier et photographies, La Collection Yvon Lambert dialogue avec des artistes contemporains, Yokohama Museum of Art, 1998The fourth volume of the Lambert Collection art book series had to be devoted to Niele Toroni and Yvon Lambert, such is the strength of the relationship between the collector and the artist. Their relationship began back in 1970 when Toroni presented his first exhibition at the gallery, and continues through 2021, when the Lambert Collection will be exhibiting its full catalogue of the artist's work, spotlighting two works produced in situ for the museum opening in 2000, composed of a series of paintings on paper, tracing paper, canvas, wood, and even on a school blackboard. This book of the exhibition contains gallery views as well as an interview between Niele Toroni and Yvon Lambert.For more than fifty years, Niele Toroni has been developing a subversive and radical vision of the pictorial act. As early as 1966, his method had already begun to take shape, using a brush no.50 to print repetitive brushstrokes at regular 30-cm intervals. This work was presented for the first time in 1967, beside Daniel Buren, Olivier Mosset and Michel Parmentier, in the pop-up exhibition "Manifestation I" at the 18th Young Painter's Fair at Paris's Museum of Modern Art.The "work/painting" - as the painter calls it - consists of a reproducing a single, minimal, systematic gesture, "which is never the same". The work/painting has no story to tell and no underlying message to convey. What matters is what you see. The works "reboot" our visual experience. Changing viewers' perceptions is Niele Toroni's great ambition; for him, painting means "learning to see again". Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover without dustjacket as issued, 328 pages; in English; very good condition; small bump to bottom corner of rear cover opposite spine; no internal marks. Foreign shipping may be extra.

Condizione: new.

Paperback. Condizione: Brand New. 80 pages. 9.50x6.75x0.31 inches. In Stock.

Hardcover. Condizione: Used: Good. text is in French and Portugese. Robert Combas; Paul-Armand Gette; Eugene Leroy; Annette Messager; Niele Toroni; Michael Verjux; 10 septembre - 10 decembre 1991; good plus overall; interior is VG; mild shelfwear to boards; sewn binding. Unpaginated; 1 lb 8 oz.

Broché. Condizione: Très bon. Didier Bay. Christian Boltanski. Daniel Buren. André Cadere. Pierre Dunoyer. Bernard Frize. Paul-Armand Gette. Micha Laury. Bertrand Lavier. Jean Le Gac. Annette Messager. Anne et Patrick Poirier. Sarkis. Niele Toroni. Jean-Luc Vilmouth (illustratore). Catalogue de cette exposition collective organisée du 14 décembre 1979 au 20 janvier 1980, dans le cadre du Festival d'Automne à Paris, et présentant des oeuvres de Didier Bay, Christian Boltanski, Daniel Buren - pages blanches -, André Cadere, Pierre Dunoyer, Bernard Frize, Paul-Armand Gette, Micha Laury, Bertrand Lavier, Jean Le Gac, Annette Messager, Anne et Patrick Poirier, Sarkis, Niele Toroni, Jean-Luc Vilmouth. 42 pp.

Exhibition invite, 5 x 7 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 9 inches; very good condition; an unmailed copy.

Soft Cover in Slipcase. Condizione: Fine. First Edition. Japanese, French and English text. Book.

173 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "Moveable Structure / House In An Open Place," by Theodora Vischer and Maria Nordmann; "Pierre Klossowski," by Claude Ritschard; "Rereading A Fugitive Essay," by Howard Singerman; "The Theater Of The Mind," by Thomas Lawson; "Dialogues, Teachings," by Patrick Frey; "Baldessari's Timing," by James Lewis; "John Baldessari's True Colors," by Dave Hickey; "Excerpt From 'Maya.' A Story," by Susan A. Davis; "I Am Always The Other," by Ursula Pia Jauch; "Sidelines," by Eldriede Jelinek; "The Ideal And The Abject," by Norman Bryson; "Suitable For Framing," by Abigail Solomon-Godeau; "John Chamberlain In Baden-Baden," by Rudolf Schmitz; "Les Infos Du Paradis," by Marie-Louise Lienhard; "Cumulus Aus Europa," by Helmut Draxler; "Cumulus From America," by Lynn Gumpert "Balkon," by Robert Ashley. Insert by Niele Toroni. Text in German and English. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft Cover in Slipcase. Condizione: Fine. First Edition. Japanese, French and English text. Book.

Soft cover. Condizione: Near Fine. No Jacket. Text in Dutch, French and English.

Condizione: Neuf.

Softcover, staple-bound, 16 pages; in German and French; very good condition; except light spotting to cover; no internal marks.

Unpaginiert (224 Seiten), Abbildungen auf Tafeln, 8°, Orig.-Broschur (neuwertiges Exemplar / as new). - "Niele Toroni (geb. 15. März 1937 in Muralto bei Locarno) ist ein Schweizer Konzeptkünstler des Minimalismus und der analytischen Malerei. Der ausgebildete Lehrer liess sich 1959 in Paris nieder, um sich der Malerei zu widmen. Dort schloss er sich 1966 mit Daniel Buren und Michel Parmentier (* 1938) zu einer Künstlergemeinschaft zusammen, zu der sich etwas später Olivier Mosset gesellte. Im Jahr 1967 organisierte die kurzlebige und erst nach ihrer Auflösung von der Kritik BMPT (Buren, Mosset, Parmentier, Toroni) genannte Gruppe vier manifestations (frz.: Demonstration, Kundgebung) betitelte Veranstaltungen, mittels der die vier Künstler ihrer strikten Weigerung, durch ihre Kunst eine Botschaft zu vermitteln oder eine Gefühlsregung hervorzurufen, sowie ihrer radikale Ablehnung jeglicher künstlerischer Ideologie Ausdruck gaben und den gesamten Kunstbetrieb in Frage stellten. Toroni blieb dieser Auffassung der Kunst treu. Seit Beginn seiner künstlerischen Tätigkeit und bis zum heutigen Tag malt er ausschliesslich ein- oder mehrfarbige, mit dem gleichen Pinselmodell (n° 50) in regelmässigen Abständen (30 cm) auf einen meist weissen Bildträger aufgetragene Abdrücke (empreintes)." (Wikipedia).

Paperback. Condizione: new. Paperback. "If I had to sum up Niele Toroni in one word, without hesitation that word would be 'loyalty'. Loyalty in friendship, for I have had the joy of sharing his artistic adventure and epicurean side for more than thirty years. And loyalty in his work, because I know no other artist who has followed the same path without ever deviating from his goal." Yvon Lambert, OEuvres sur papier et photographies, La Collection Yvon Lambert dialogue avec des artistes contemporains, Yokohama Museum of Art, 1998The fourth volume of the Lambert Collection art book series had to be devoted to Niele Toroni and Yvon Lambert, such is the strength of the relationship between the collector and the artist. Their relationship began back in 1970 when Toroni presented his first exhibition at the gallery, and continues through 2021, when the Lambert Collection will be exhibiting its full catalogue of the artist's work, spotlighting two works produced in situ for the museum opening in 2000, composed of a series of paintings on paper, tracing paper, canvas, wood, and even on a school blackboard. This book of the exhibition contains gallery views as well as an interview between Niele Toroni and Yvon Lambert.For more than fifty years, Niele Toroni has been developing a subversive and radical vision of the pictorial act. As early as 1966, his method had already begun to take shape, using a brush no.50 to print repetitive brushstrokes at regular 30-cm intervals. This work was presented for the first time in 1967, beside Daniel Buren, Olivier Mosset and Michel Parmentier, in the pop-up exhibition "Manifestation I" at the 18th Young Painter's Fair at Paris's Museum of Modern Art.The "work/painting" - as the painter calls it - consists of a reproducing a single, minimal, systematic gesture, "which is never the same". The work/painting has no story to tell and no underlying message to convey. What matters is what you see. The works "reboot" our visual experience. Changing viewers' perceptions is Niele Toroni's great ambition; for him, painting means "learning to see again". Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. "If I had to sum up Niele Toroni in one word, without hesitation that word would be 'loyalty'. Loyalty in friendship, for I have had the joy of sharing his artistic adventure and epicurean side for more than thirty years. And loyalty in his work, because I know no other artist who has followed the same path without ever deviating from his goal." Yvon Lambert, OEuvres sur papier et photographies, La Collection Yvon Lambert dialogue avec des artistes contemporains, Yokohama Museum of Art, 1998The fourth volume of the Lambert Collection art book series had to be devoted to Niele Toroni and Yvon Lambert, such is the strength of the relationship between the collector and the artist. Their relationship began back in 1970 when Toroni presented his first exhibition at the gallery, and continues through 2021, when the Lambert Collection will be exhibiting its full catalogue of the artist's work, spotlighting two works produced in situ for the museum opening in 2000, composed of a series of paintings on paper, tracing paper, canvas, wood, and even on a school blackboard. This book of the exhibition contains gallery views as well as an interview between Niele Toroni and Yvon Lambert.For more than fifty years, Niele Toroni has been developing a subversive and radical vision of the pictorial act. As early as 1966, his method had already begun to take shape, using a brush no.50 to print repetitive brushstrokes at regular 30-cm intervals. This work was presented for the first time in 1967, beside Daniel Buren, Olivier Mosset and Michel Parmentier, in the pop-up exhibition "Manifestation I" at the 18th Young Painter's Fair at Paris's Museum of Modern Art.The "work/painting" - as the painter calls it - consists of a reproducing a single, minimal, systematic gesture, "which is never the same". The work/painting has no story to tell and no underlying message to convey. What matters is what you see. The works "reboot" our visual experience. Changing viewers' perceptions is Niele Toroni's great ambition; for him, painting means "learning to see again". Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Softcover, 56 pages, in English, Italian and French; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

270 pp.; 28.5 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 29, 2000 - January 21, 2001. Texts by Enrico Lunghi and Jan Debbaut. Artists include Marcel Broodthaers, Nïele Toroni, Mario Merz, Jannis Kounellis, A.R. Penck, Richard Long, Gilbert & George, Giulio Paolini, Luciano Fabro, Giovanni Anselmo, Gerhard Richter, Daniel Buren, Jan Dibbets, André Cadere, Hanne Darboven, Art & Language, Stanley Brouwn, Robert Ryman, Ian Wilson, Joseph Kosuth, On Kawara, Douglas Huebler, Robert Barry, Dan Graham, Bruce Nauman, Sol LeWitt, Lawrence Weiner, Donald Judd, Edward Ruscha, Carl Andre, Michelangelo Pistoletto, Jan Vercruysse, René Daniëls, Jean-Marc Bustamante, Didier Vermeiren, Rodney Graham, Harald Klingelhöller, Reinhard Mucha, Thomas Schütte, Franz West, Martin Kippenberger, and Mike Kelley. includes exhibition checklist, artist texts, list of the artists. Covers by Lawrence Weiner. Texts in English and French. Very Good. Bumping of top right corner of recto and top left corner of verso. Rubbing and yellowing of covers. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Condizione: New. If I had to sum up Niele Toroni in one word, without hesitation that word would be loyalty . Loyalty in friendship, for I have had the joy of sharing his artistic adventure and epicurean side for more than thirty years. And loyalty in his work, because I .

104 pages Ex-library book with typical markings (stamp, catalogue no., deactivated security label in the book). Otherwise only slight signs of use and shelf-wear, good condition. ---- This book is part of a collection of exclusive and large format art books from French, Italian and German speaking countries. It includes many of the relevant art epochs (Renaissance, Classical, Impressionism) as well as all relevant art forms (painting, architecture, sculpture). Contact us if you have further questions! Ohne Schutzumschlag! 9782879005515 Sprache: Französisch Gewicht in Gramm: 550.

(2)pp., 37 plates. Wraps. Artists' book published in conjunction with an exhibition at the Palais des Beaux-Arts, Bruxelles in the exhibition series "Affinités Séelectives.".

Exhibition catalogue. Stapled paperback. Full-page ills in color and b/w. -(The cover is somehat toned and spotted, but otherwise the catalogue is in good condition.).

Encuadernación de tapa blanda. Condizione: Bien. Editions Allia, 2009. Texto en francés. 48 pp. 14 x 9. Tapa blanda de editorial ilustrada con solapas. Sin subrayados. Buen estado de conservación. ISBN: 9782844853509.

Softcover, 36 pages; in French and German; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Softcover. Condizione: Gut bis sehr gut. 1. Auflage. B : 21 x 27 cm, 52 Seiten -.

1991, original hardcover in fine condition. Pictures on request.

Softcover staple-bound, 12 pages; in French and German; very good condition, moderate rubbing to white covers; no internal marks.

gebundene Ausgabe. Condizione: Gut. 15 Seiten; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 400.