Townsend laura (91 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Pat Paris (illustratore).

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Pat Paris (illustratore).

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Pat Paris (illustratore).

Condizione: very_good. May have limited writing in cover pages. Pages are unmarked. May have varying covers. Fast Shipping - Mailed in plastic mailer. Pat Paris (illustratore).

Paperback. Condizione: Good. Pat Paris (illustratore).

Paperback. Condizione: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear . Pat Paris (illustratore).

Paperback. Condizione: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Pat Paris (illustratore).

Condizione: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Paperback. Condizione: new. New Copy. Customer Service Guaranteed. Pat Paris (illustratore).

Paperback. Condizione: New. New Condition.Clean crisp tight copy, no marks or tears. Email Notification. Satisfaction Guaranteed.

Paperback. Condizione: New. This is a new book. All orders ship by next business day! We are a small company and very thankful for your business.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Includes dust jacket. Signed. First Edition. SIGNED by the author.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. 298p., very good first edition in quarter-cloth boards and unclipped dust jacket. Memorial volume.

Soft cover. Condizione: New. No Jacket. New. Pat Paris (illustratore).

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Soft cover. Condizione: New. No Jacket. New. Pat Paris (illustratore).

Soft cover. Condizione: New. No Jacket. New. Pat Paris (illustratore).

Soft cover. Condizione: New. No Jacket. New. Pat Paris (illustratore).

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Very Good. In very good clean condition.

Soft cover. Condizione: New. No Jacket. New. Pat Paris (illustratore).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Barnes & Noble Edition. Oversize 9 1/2" x 11" design. Black full cloth boards, gilt spine titles, lt. shelf wear. Heavy stock coated pages fine. Dj lt. edge wear; protected in new clear sleeve. Large full page illustration, photos throughout. A complete general and entertaining overview of the cases and phenomenon w/the best pics, stories, and hypotheses. 160 pages. Size: 4to - over 9¾" - 12" tall. Townsend, Lloyd K. (Cover Art) (illustratore). Book. …

Soft cover. Condizione: New. No Jacket. New. Pat Paris (illustratore).

Paperback. Condizione: Brand New. 1st edition. 198 pages. 9.00x6.00x0.50 inches. In Stock.

Softcover. Condizione: Good with no dust jacket. Sound binding. Clean, age-darkened pages. Wraps are age-darkened at spine and around edges, with overall handling wear. Contents: Rogers, "Tom Stoppard's Protagonists: Searching for the Bridge." Craven, "Towards a Newer Virgil - Mondrian De-mythologized." Barbera, "Choruses of Revolt in Verdi's Operas of the 1840s." Loomis, "Frumps, Dowagers, Shakespeare, and Aeroplanes: Love for Life in Mrs. Dalloway." Townsend, "Flaxman and Homer: A Marriage of Art Forms." Oakley, "The Forest of Arden: This Other Eden, Demi-paradise." Notes on contributors. 9.0" tall; 124 pages.…

Paperback. Condizione: New. First Fieldwork: Pacific Anthropology, 1960-1985 explores what a generation of anthropologists experienced during their first visits to the field at a time of momentous political changes in Pacific island countries and societies and in anthropology itself. Answering some of the same how and why questions found in Terence E. Hays' Ethnographic Presents: Pioneering Anthropologists in the Papua New Guinea Highlands (1993), First Fieldwork begins where that collection left off in the 1950s and covers a broader selection of Pacific Islands societies and topics. Chapters range from candid reflections on working with little-known peoples to reflexive analyses of adapting research projects and field sites, in order to better fit local politics and concerns. Included in these accounts are the often harsh emotional and logistical demands placed on fieldworkers and interlocutors as they attempt the work of connecting and achieving mutual understandings. Evident throughout is the conviction that fieldwork and what we learn from and write about it are necessary to a robust anthropology. By demystifying a phase begun in the mid-1980s when critics considered attempts to describe fieldwork and its relation to ethnography as inevitably biased representations of the unknowable truth, First Fieldwork contributes to a renewed interest in experiential and theoretical nuances of fieldwork.Looking back on the richest of fieldwork experiences, the contributors uncover essential structures and challenges of fieldwork: connection, context, and change. What they find is that building relationships and having others include you in their lives (once referred to as "achieving rapport") is determined as much by our subjects as by ourselves. As they examine connections made or attempted during first fieldwork and bring to bear subsequent understandings and questions-new contexts from which to view and think-about their experiences, the contributors provide readers with multidimensional perspectives on fieldwork and how it continues to inspire anthropological interpretations and commitment. A crucial dimension is change. Each chapter is richly detailed in history: theirs/ours; colonial/postcolonial; and the then and now of theory and practice. While change is ever present, specifics are not. Reflecting back, the authors demonstrate how that specificity defined their experiences and ultimately their ethnographic re/productions.…