Tracy fitzpatrick (42 risultati)

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condizione: New. Condizione sovraccoperta: As New.

Condizione: New.

Condizione: New. Brand New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover with dustjacket, 268 pages; as new condition; clean and crisp; no internal marks.

Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Condizione: As New. Unread book in perfect condition.

No Binding. Condizione: Fine. Fine condition! Fold-out card stock brochure of an exhibition held in 2021 and 2022 sponsored by the American Federation of Arts and the Neuberger Museum of Art. (10 pages.) No current listings in North American libraries in WorldCat. Ships from NC. All paper bound items are sealed in recycled plastic, packaged securely with recycled cardboard backing, and shipped promptly with tracking information. (E-2.).…

Soft cover. Condizione: Very good. No jacket. Excellent condition. Cover corners are lightly worn. Binding is tight and inside is clean and unmarked.

Paperback. Condizione: Very Good. Reprint. 7 X 0.25 X 8 inches; 108 pages.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Explores artistic production surrounding the world's most famous public transportation system, from just before its opening in 1904 onwards. Using images, this work offers perspectives on ways in which the subway has been used as a subject about which to make art, as a site within which to make art, and as a canvas upon which to make art. Num Pages: 288 pages, Illustrations (some col.). BIC Classification: 1KBBEY; ACX. Category: (G) General (US: Trade). Dimension: 261 x 185 x 25. Weight in Grams: 922. . 2009. Hardback. . . . .…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. First US edition, first printing. Hardback in dustwrapper. 26 × 18.5cm, 267pp. The New York City subway, considered an engineering feat and a work of art, has kindled the imagination of millions. Art and the Subway explores artistic production surrounding the world's most famous public transportation system, from just before its opening in 1904 to the present day. Using a stunning array of images, Tracy Fitzpatrick offers perspectives on ways in which the subway has been used as a subject about which to make art, as a site within which to make art, and as a canvas upon which to make art. The author captures the emotions of artists and riders alike, as she explores paintings, photographs, performance art, graffiti, and public art by artists such as Walker Evans, Bruce Davidson, DONDI, Keith Haring, Yayoi Kusama, Jacob Lawrence, Reginald Marsh, Elizabeth Murray, and many others. She also considers representations of the subway in film, on song sheet covers, and in illustration. By examining the cultural, technological, and social contexts for these creative interpretations, Fitzpatrick illuminates in fresh ways the contradictions and harmonies between public and private space. Featuring 17 colour plates and 80 black-and-white images, Art and the Subway takes readers on a fascinating ride through the visual history of one of the twentieth century's greatest urban planning endeavours as it grew, changed form, and reinvented itself with passion and vitality. Condition: This copy is in very good condition, with a little light wear to the wrapper's edges.…

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Soft cover. Condizione: New. 1st Edition. Hannah Wilke: Gestures (NEW! SEALED!) The catalogue features works by Wilke, never before seen, as well as works not seen in over forty years. It contains a scholarly essay by exhibition curator Tracy Fitzpatrick, the transcript of a panel discussion held at the Neuberger Museum of Art between scholars Saundra Goldman, Tom Kochheiser, and Griselda Pollock on Wilke's art and legacy, and the first published chronology of Hannah Wilke's artistic practice. The exhibition, Hannah Wilke: Gestures, held at the Neuberger Museum of Art, Purchase College, The State University of New York, between October 3, 2008 and January 25, 2009, included over sixty works by the artist. The act of folding is the salient gesture in the sculptures of American artist Hannah Wilke (1940-1993). Taking such materials as clay, bubble gum and Play-Doh, Wilke fashioned serial forms that folded inward or opened out with overtly labial sensuousness. Wilke often placed these objects in compromising situations--hinged with pins or glued to walls and boards, placed freely on the floor, always seemingly on the verge of disaster. Today she is famed for her many nude self-portraits, which have threatened to eclipse the sculptural basis of both the portraits themselves and her work in general. By emphasizing folding as a gesture, this catalogue--the first on the artist to appear in many years--unites Wilke's sculpture and photography under the rubric of performance, and the performing of material. With an abundance of color reproductions and critical commentary, Hannah Gestures offers a fresh assessment of a pioneer in sculpture, feminist art and performance.…

Condizione: New. Explores artistic production surrounding the world's most famous public transportation system, from just before its opening in 1904 onwards. Using images, this work offers perspectives on ways in which the subway has been used as a subject about which to make art, as a site within which to make art, and as a canvas upon which to make art. Num Pages: 288 pages, Illustrations (some col.). BIC Classification: 1KBBEY; ACX. Category: (G) General (US: Trade). Dimension: 261 x 185 x 25. Weight in Grams: 922. . 2009. Hardback. . . . . Books ship from the US and Ireland.…

Soft Cover. Condizione: As New. This is an as new softcover copy still in the publisher's shrinkwrap, unopened. This catalog was prepared to accompany the exhibition at the Neuberger Museum of Art, from October 25, 2008 to January 25, 2009. Essays by Tracy Fitzpatrick, Saundra Goldman, Tom Kochheiser and Griselda Pollock. Illustrated in color. Chronology. 10" high X 8" wide, 108 pages. This book will be securely packed and shipped with tracking.…

Softcover, 108 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Condizione: NUOVO. Neuberger Museum of Art cm.23x27, pp.96 illustrazioni a colori, legatura editoriale cartonata, copertina figurata a colori. Romuald Hazoumè: The Fâ Series presents a significant yet little-known body of work by one of Africa's most celebrated artists. Romuald Hazoumè's large-scale canvases are based on his dedicated study of Fâ divination, a centuries-old knowledge system that originated among Yorùbá-speaking communities in Nigeria, where it is known as Ifá. Its practice has since extended elsewhere in West Africa including the Republic of Benin, where Hazoumè is based, and to the diaspora. Hazoumè's research on Fâ in the early 1990s was revelatory, radically shifting his understanding of art and creativity. The resulting canvases draw from the visual lexicon associated with Fâ, referencing its sacred knowledge through symbols and glyphs. Described by the artist as his cultural anchor, these intimate, esoteric works speak to the generative potential of the artistic process in an ongoing quest for knowledge. Published on the occasion of an exhibition at the Neuberger Museum of Art, this fully illustrated catalog is the first extensive examination of Hazoumè's Fâ series. In an introductory essay, exhibition curator Christa Clarke discusses the evolution and significance of the series within Hazoumè's larger creative practice. An accompanying essay by Didier Houénoudé, professor of art history at the University of Abomey-Calavi in Cotonou, Benin, describes the divinatory process and offers an in-depth reading of Hazoumè's canvases.…

Paperback. Condizione: Very Good. 2016 Routledge paperback edition. Light reading wear else very good condition. Contents: 1 'Crammed with Distressful Bread? Bakers and the Poor in Early Modern England' by Diane Purkiss, 2 'Fishes, Fowl, and La Fleur de toute cuysine: Gaster and Gastronomy in Rabelais's Quart livre' by Timothy J. Tomasik, 3 'Recipes for Knowledge: Maker's Knowledge Traditions, Paracelsian Recipes, and the Invention of the Cookbook, 1600-1660' by Elizabeth Spiller, 4 'Cooking as Research Methodology: Experiments in Renaissance Cuisine' by Ken Albala, 5 'Distillation: Transformations in and out of the Kitchen' by Wendy Wall, 6 'Performances of the Banquet Course in Early Modern Drama' by Tracy Thong, 7 'I Must Eat my Dinner': Shakespeare's Foods from Apples to Walrus' by Joan Fitzpatrick, 8 'Narrative and Dramatic Sauces: Reflections upon Creativity, Cookery, and Culinary Metaphor in Some Early Seventeenth-Century Dramatic Prologues' by Chris Meads.…

Paperback. Condizione: Very Good. 2010 Neuberger Museum of Art paperback edition. Light reading wear else very good condition.

Condizione: Very Good. First Edition. Pictorial wraps. Some minor scuffing to covers with a small tear to spine (see image), but overall a nice clean copy with no previous owners' names or other defacements. 9 x 10.75 in (23 x 27.5 cm).

Condizione: New. Print on Demand.

Condizione: New. &Uumlber den AutorTracy Fitzpatrick is an assistant professor in art history at Purchase College (SUNY) and a curator at the Neuberger Museum of Art in Purchase, NY.InhaltsverzeichnisCont.

Buch. Condizione: Neu. Neuware - The New York City subway, considered an engineering feat and a work of art, has kindled the imagination of millions. Art and the Subway explores artistic production surrounding the world's most famous public transportation system, from just before its opening in 1904 to the present day. Using a stunning array of images, Tracy Fitzpatrick offers perspectives on ways in which the subway has been used as a subject about which to make art, as a site within which to make art, and as a canvas upon which to make art.Fitzpatrick captures the emotions of artists and riders alike, as she explores paintings, photographs, performance art, graffiti, and public art by artists such as Walker Evans, Bruce Davidson, DONDI, Keith Haring, Yayoi Kusama, Jacob Lawrence, Reginald Marsh, Elizabeth Murray, and many others. She also considers representations of the subway in film, on song sheet covers, and in illustration. By examining the cultural, technological, and social contexts for these creative interpretations, Fitzpatrick illuminates in fresh ways the contradictions and harmonies between public and private space.Featuring 17 color plates and 80 black-and-white images, Art and the Subway takes readers on a fascinating ride through the visual history of one of the twentieth century's greatest urban planning endeavors as it grew, changed form, and reinvented itself with passion and vitality.…

Small Quarto. Cloth boards in dust jacket; xv, 267pp. Old price sticker to rear cover of jacket. Minor dust soiling to bottom edge of boards, otherwise a tight, clean, unmarked copy. Dust jacket showing some external wear. Very Good.