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Soft cover. Condizione: Fine. No Jacket. This book is straight and tight with previous owner stamp on front free end paper, but no other marks noted. The book shows what is happening in British Columbia forests and what can be done about it. It also highlights the high stakes battles between loggers and environmentalists. Proceeds from the sale of this book benefit environmental restoration and education.

Soft cover. Condizione: Near New. First Printing. Some of BC's best-known forest policy analysts on the major issues in BC's Forest Industry. xi, 236 p. : ill., maps ; 23 cm. Bright, clean and unmarked excepting a Gift Inscription to the half-title page. Tight, square binding, no spine creases. Still reasponably fresh. Weight, 413g. NB - Postal Rates shown by ABE are frequently incorrect and are vague estimates NOT guaranteed rates. WE use Canada Post, the United States Postal Service and Asendia and try to offer very competitive postal charges - based on actual costs, no overcharging. Images are available. Shipped well packed. USA postage is usually $6.50. Canadian postage varies considerably depending on weight and destination. Postage to anywhere within Canada, can now be approx US$16.00 for weights up to 5kg total - boxed, insured, trackable and faster than regular parcels. Less will be charged if rates indicate. NOW available - new, considerably lower Trans-Canada rates for many markets, and, new, considerably lower rates for Overseas destinations. Size: 8vo - over 7¾" - 9¾" tall. Book.

Softcover. Condizione: VERY GOOD. Lower back corner bumped. 23 cm. 236 pages. Essays examining British Columbia's forest industry and the conflicts between logging, conservation, and forest policy in the early 1990s. Additional info or photos on request. Ships in sturdy cardboard packaging, with tracking and insurance.

Paperback. Condizione: Very Good. First Edition. 236 pages including index. Moderate amount of blue highlighting. Some of B.C.'s best-known forest policy analysts update us on the major issues that fuel the current battles between loggers and environmentalists.

Soft cover. Condizione: Very Good +. B/W Diagrams (illustratore). SUBTITLED : ` B,C, Forests at the Crossroads '. Read more about the Intertribal Forestry Association . Also : Northwood Pulp Company, Tashish watershed,Herrick Valley, clear-cutting, timber wealth, log-home construction, compacted soil, and Pasco Interlocutory Injunction. The editors and 5 other writers make up this 236 page text - INDEX at back. Some graphical data and some b/w drawings amplify text. Cond : Paper wrapper is brown with green lettering. Cover art shows stumps in a heavily logged forest. Volume is tight, bright, square, and clean. No creases, no tears. P/O name has been blacked-out on half-title. Excellent reference copy. Quote (p. 183) : " Another favourite forest industry and government political symbol is ` our competitive position' . It is reinforced with enough conviction to persuade people that we actually take the issue seriously and is usually accompanied by dire warnings intended to put fear in ._._._. ." Size: 8vo.

[12] pp.; 22.8 x 15.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 16 - June 29, 1991. Text by Cornelia [Connie] Butler. Artists include Chelo Amezcua, Prophet William J. Blackmon, Freddie Brice, Ray Hamilton, Bessie Harvey, Asterios Matakos, and Phillip Travers. Includes images, artist biographies, and quotes from interviews for some of the included artists. "As an alternative space, Artists Space has for seventeen years been committed to dissolving the many boundaries historically present in the art world-boundaries established to exclude certain art and artists from the ''mainstream'' culture. By consistently exhibiting the work of people of color, unknown emerging artists and work with difficult scale and uncommodifiable concepts, Artists Space has insisted that the "mainstream" concept of contemporary art and art history is a bankrupt one. It is my hope that the whole notion of the mainstream be dissolved and that we begin to look at the range of human ''art'' production with fresh eyes---not to ghettoize what we see with elitist categories like folk, outsider, primitive, ethnographic etc. By exhibiting the work of untrained, non-art educated artists that "mainstream" concept is further dissolved. This show is one of many before and many to follow which forces us to look and not to name. I am convinced that through looking we can recognize a vision of power and quality." -- from Gregory Amenoff''s introduction. Very Good / Fine. Light wear to covers. Contents clean and unmarked.