Trepanier esther (34 risultati)

Paperback. Condizione: As New. 1984 paperback. Very minor shelf wear to covers. Pages are unmarked.

Souple. Condizione: Très Bon. Signature d'ancien prop., sinon un bel exemplaire.

4to. Original pictorial card covers (softback) (Fine). Pp. 270, with coloured and b&w illus (no inscriptions).

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Soft cover. Condizione: Très bonne condition. Text in French / En Francais. Book.

Soft cover. Condizione: Near Fine / Très Bon État. Size: 4to - over 9¾ - 12" tall. Book.

Souple. Condizione: Très Bon. Signature d'ancien prop., sinon un bel exemplaire. Book.

Soft cover. Condizione: Très bonne condition. Text in French / En Francais. Book.

Soft cover. Condizione: Near Fine / Très Bon État. Size: 4to - over 9¾ - 12" tall. Book.

Soft cover. Condizione: Very Good. No Jacket.

Softcover. Condizione: Very Good+. No Dust Jacket. Stiff unmarked book in bright illustrated covers with a faint crease to rear. Bilingual text.; 8.4 X 5.9 X 0.7 inches; 181 pages.

Couverture souple. Condizione: Très bon.

Couverture souple. Condizione: Très bon. Nombreuses illustrations couleurs.

Couverture souple. Condizione: Très bon. Petit in-4. 207 pages. Publié à l'occasion d'une exposition. Ouvrage bien documenté.

Couverture souple. Condizione: Très bon. Catalogue d'exposition de ce groupe d'artiste, incluant notamment : Narcisse Poirier, Clarence Gagnon, Edwin Holgate, William Brymner, Marc-Aurèle Fortin, etc.

Couverture souple. Condizione: Très bon. Catalogue d'exposition.

Rigide. Condizione: Bon. ( IN FRENCH and IN ENGLISH - EN FRANÇAIS et EN ANGLAIS ) 95 pages; Catalogue d'une exposition intitulée "Chimère / Shimmer" organisée par le Musée national des beaux-arts du Québec et présentée du 11 novembre 2010 au 3 avril 2011. Oeuvres de Patrick Bernatchez - Valérie Blass - Sylvain Bouthillette - Geneviève Cadieux - Pierre Dorion - Karilee Fuglem - Betty Goodwin - Pascal Grandmaison - Massimo Guerrera - Nelson Henricks - Peter Krausz - Fernand Leduc - Alain Paiement - Claire Savoie - Nick Sikkuark - Françoise Sullivan - Angèle Verret.; Illustrations en couleurs.; Livre à couverture rigide. En très bon état. ///////////////// 95 pages; Catalogue accompanying an exhibition organized by the Québec National Museum of Fine Arts and presented from 11 November 2010 to 3 April 2011. Colour illustrations.; Hardcover in very good condition. Size: 8vo. Livre.…

Softcover. Condizione: Near Fine. No Dust Jacket. 8vo. Printed paper wraps with folding flaps. Text in English and French. Illustrated, with artist's chronology and list of works exhibited. "ABC Art Books Canada" stamp on lower inside flap. Near fine.

Softcover. Condizione: Very Good with no dust jacket. 94 pp. Illus. Edgewear, corners rubbed. French and English text. Texte francais et anglais. Catalogue of the exhibition held at the Ottawa Art Gallery from January to May 2004, and subsequently the Art Gallery of Peterborough, the Musee d 'art de Joliette, the Owens Art Gallery, Mount Allison University, and the Art Gallery of Greater Victoria. ; 8vo 8" - 9" tall.…

Paperback. Condizione: New. Four artists who are today relatively or almost entirely unknown - one woman and three men - nevertheless played a part in the aesthetic upheavals that led to abstraction in 1940s Montreal. Very active in the art milieu throughout the decade, Marian Dale Scott, Fritz Brandtner, Henry Eveleigh, and Gordon Webber captured the attention of critics of the time, who employed the term "abstract art" to describe both non-objective works and bold formal explorations that retained some reference to visible reality. An examination of these artists' practices reveals a remarkable openness to international contemporary art trends - French, German, British, and American. Their work and its critical reception conjure a complex picture of the debates on abstraction that took place in Montreal during the 1940s, so often reduced to the controversies surrounding the emergence of the Automatiste movement. The artistic innovations of Paul-Émile Borduas and his group and the radical tone of their 1948 manifesto Refus global cemented their status as Quebec's abstract avant-garde but also had the effect of eclipsing other visions of abstraction being explored during the same period. This book reinstates the oeuvres of these forgotten protagonists in the narrative of abstract art, illustrating how their practices encompassed a variety of themes: emotion, science, human experience in the broadest sense - but also, as the Second World War unfolded, the violence that marked their era.…

Condizione: Very Good. a few pencil marks on flyleaf otherwise unmarked, light wear to covers 287 pp.

Couverture souple. Condizione: Très bon. In-4. 287 pages. Documentation de qualité, nombreuses illustrations.

Couverture souple. Condizione: Neuf. « Cet ouvrage sur l'art du nu retrace le développement d'un genre méconnu, voire oublié dans l'histoire de l'art du Canada. On y trouve réunies des oeuvres de 55 artistes avec quelques 130 peintures, sculptures, dessins, estampes et photographies en provenance d'une trentaine de musées et de collections privées. Suscitant souvent la controverse, ces artistes ont rompu avec la tradition classique pou adopter des expressions plus libres, à caractère intimiste, social ou purement esthétique, plongeant ainsi dans les grands courants de la modernité.».…

Softcover. Condizione: Fine. No Dust Jacket. Small quarto. Illustrated paper wraps. 270 pp. Illustrated in colour throughout. Fine copy, very light handling.

Soft cover. Condizione: Very Good. 1st Edition. Substantial publication accompanying travelling exhibition organized by the Musee du Quebec. Illustrated with section of approximately 30 full page colour reproductions and many more smaller black-and-white. Detailed resume and bibliography. Minor edge wear to covers. No marks, inscriptions or fading to inside pages. Not ex-library. Not a remainder. No reading crease to spine. Binding is firm. 293 pages. s256.…

Paperback. pp. 191. 4to. Colour photographs and reproductions. Light shelfwear with minor rubbing to covers; very good. Catalogued published in conjunction with exhibition presented in Quebec City on October 8, 2009 - January 3, 2010. Exhibition was also presented at the Glenbow Museum in Calgary from Febuary 13 - April 25, 2010 and at the Winnipeg Art Gallery from May 20 to August 8, 2010. Co-published with Somology Art Publishers of Paris, France.…

Couverture souple. Condizione: Comme neuf. Paris/Québec, Somogy éditions d'art/Musée National des beaux-arts du Québec, 2009, soft cover, about 11 X 8 3/4 inches, 191 pages, fully illustrated in colours. The book is as new EXCEPT for a short inscription + a black mark on half-title page, nothing else. Scarce. MODE DE PAIEMENT de préférence directement au vendeur par Paypal ou par carte de crédit à Abebooks.…

Broché. Condizione: Bon. ( IN FRENCH - EN FRANÇAIS ) 192 pages; Dans cet ouvrage les auteurs ont réunii les oeuvres de 55 artistes avec quelques 130 peintures, sculptures, dessins, estampes et photographies en provenance d'une trentaine de musées et de collections privées. En couleurs sur papier glacé. -------------- Broché. Couverture un peu frottée. L'état est très bon. Size: 4to. Livre.…

Paperback. Condizione: New. Four artists who are today relatively or almost entirely unknown - one woman and three men - nevertheless played a part in the aesthetic upheavals that led to abstraction in 1940s Montreal. Very active in the art milieu throughout the decade, Marian Dale Scott, Fritz Brandtner, Henry Eveleigh, and Gordon Webber captured the attention of critics of the time, who employed the term "abstract art" to describe both non-objective works and bold formal explorations that retained some reference to visible reality. An examination of these artists' practices reveals a remarkable openness to international contemporary art trends - French, German, British, and American. Their work and its critical reception conjure a complex picture of the debates on abstraction that took place in Montreal during the 1940s, so often reduced to the controversies surrounding the emergence of the Automatiste movement. The artistic innovations of Paul-Émile Borduas and his group and the radical tone of their 1948 manifesto Refus global cemented their status as Quebec's abstract avant-garde but also had the effect of eclipsing other visions of abstraction being explored during the same period. This book reinstates the oeuvres of these forgotten protagonists in the narrative of abstract art, illustrating how their practices encompassed a variety of themes: emotion, science, human experience in the broadest sense - but also, as the Second World War unfolded, the violence that marked their era.…

Soft cover. Condizione: Very Good. Book measures 28x22cm 191pp,Illustrated throughout, Bound in original publishers softcover. Binding lightly rubbed with some minor shelf wear, Binding in near fine condition, internally pages clean, A very good clean copy.