Treves toby (83 risultati)
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EUR 20,72
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Hardcover. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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EUR 26,22
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Condizione: New. 2025. paperback. Remains in plastic wrap. Not a first edition copy. . . . Books ship from the US and Ireland.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 23,95
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Da: Don Kelly Books, London, , Regno UnitoDon Kelly Books
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EUR 19,69
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Pub.pictorial Boards. Condizione: As New. Condizione sovraccoperta: No as Issued. First. Unpaginated Catalogue of an exhibition of fifty works.
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 33,82
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Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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EUR 36,38
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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EUR 29,92
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Da: Majestic Books, Hounslow, , Regno UnitoMajestic Books
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EUR 30,47
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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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EUR 39,67
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Paperback. Condizione: new. Paperback. This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1950s and early 1960s he was a regular and acute critic of contemporary art for Art News and Review, The Observer, The Spectator, Times Literary Review an…d the New York-based magazine Arts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980: nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporary art, not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype. Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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EUR 41,33
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Paperback. Condizione: New. Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1950s and ea…rly 1960s he was a regular and acute critic of contemporary art for Art News and Review, The Observer, The Spectator, Times Literary Review and the New York-based magazine Arts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980: nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporary art, not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype.
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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 46,57
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Paperback. Condizione: New. Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1950s and ea…rly 1960s he was a regular and acute critic of contemporary art for Art News and Review, The Observer, The Spectator, Times Literary Review and the New York-based magazine Arts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980: nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporary art, not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype.
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 29,67
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Condizione: New.
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Da: Chiron Media, Wallingford, , Regno UnitoChiron Media
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EUR 29,86
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paperback. Condizione: New.
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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condizione: New.
Alan Bowness Writings: Writings 1950-2016
Ades, Dawn (Author)/ Bowness, Sophie (Author)/ Treves, Toby (Author)
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Da: Revaluation Books, Exeter, , Regno UnitoRevaluation Books
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EUR 31,46
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Paperback. Condizione: Brand New. 544 pages. 9.26x6.21x8.90 inches. In Stock.
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Da: Chiron Media, Wallingford, , Regno UnitoChiron Media
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EUR 31,50
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paperback. Condizione: New.
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Da: THE SAINT BOOKSTORE, Southport, , Regno UnitoTHE SAINT BOOKSTORE
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EUR 32,57
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 35,25
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Condizione: As New. Unread book in perfect condition.
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Da: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, , GermaniaRheinberg-Buch Andreas Meier eK
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Taschenbuch. Condizione: Neu. Neuware -Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1…950s and early 1960s he was a regular and acute critic of contemporary art forArt News and Review,The Observer,The Spectator,Times Literary Reviewand the New York-based magazineArts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980:nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporaryart,not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype. 608 pp. Englisch.
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, , GermaniaBuchWeltWeit Ludwig Meier e.K.
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EUR 31,50
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Taschenbuch. Condizione: Neu. Neuware -Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1…950s and early 1960s he was a regular and acute critic of contemporary art forArt News and Review,The Observer,The Spectator,Times Literary Reviewand the New York-based magazineArts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980:nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporaryart,not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype. 608 pp. Englisch.
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
Contatta il venditoreVenditore con 4 stelleCondizione: Nuovo
EUR 46,85
EUR 9,95 spedizioneSpedito da Germania a U.S.A.Quantità: 3 disponibili
Condizione: New.
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Da: Wegmann1855, Zwiesel, , GermaniaWegmann1855
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
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Taschenbuch. Condizione: Neu. Neuware -Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1…950s and early 1960s he was a regular and acute critic of contemporary art forArt News and Review,The Observer,The Spectator,Times Literary Reviewand the New York-based magazineArts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980:nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporaryart,not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype.
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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 41,47
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Paperback. Condizione: new. Paperback. This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1950s and early 1960s he was a regular and acute critic of contemporary art for Art News and Review, The Observer, The Spectator, Times Literary Review an…d the New York-based magazine Arts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980: nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporary art, not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype. Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: Speedyhen, Hertfordshire, Regno UnitoSpeedyhen
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EUR 30,07
EUR 47,49 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 3 disponibili
Condizione: NEW.
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Da: moluna, Greven, , Germaniamoluna
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EUR 28,93
EUR 48,99 spedizioneSpedito da Germania a U.S.A.Quantità: 3 disponibili
Condizione: New.
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Da: CitiRetail, Stevenage, Regno UnitoCitiRetail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 36,98
EUR 42,86 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: new. Paperback. This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1950s and early 1960s he was a regular and acute critic of contemporary art for Art News and Review, The Observer, The Spectator, Times Literary Review an…d the New York-based magazine Arts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980: nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporary art, not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype. Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Da: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 48,49
EUR 43,20 spedizioneSpedito in U.S.A.Quantità: 2 disponibili
Paperback. Condizione: New. Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1950s and ea…rly 1960s he was a regular and acute critic of contemporary art for Art News and Review, The Observer, The Spectator, Times Literary Review and the New York-based magazine Arts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980: nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporary art, not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype.
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Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germaniabuchversandmimpf2000
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 31,50
EUR 60,00 spedizioneSpedito da Germania a U.S.A.Quantità: 2 disponibili
Taschenbuch. Condizione: Neu. Neuware -Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1…950s and early 1960s he was a regular and acute critic of contemporary art forArt News and Review,The Observer,The Spectator,Times Literary Reviewand the New York-based magazineArts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980:nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporaryart,not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 608 pp. Englisch.
