trine breum (8 risultati)

Soft cover. Condizione: Good. 2nd Edition. Scarce paperback, 268 pages, NOT ex-library. A lightly used, clean and bright copy, with firm binding and unmarked text; free of inscriptions and stamps. Limited signs of gentle wear. Uncreased spine. -- This book is about the dramatic, psychological and storytelling craftsmanship, inherent to all good stories. The classical American scriptwriting used by Robert McKee, Syd Field and Linda Seger among others, provides this book with its starting point. It has been constructed around a series of case studies and a string of entertaining and thought provoking analysis of well known films and TV series such as Fight Club, The Full Monty, Shrek, Thelma & Louise, The Celebration, Ally McBeal, Friends, As Good As It Gets, Italian for Beginners, Pretty Woman and many more. It is a practical user guide aimed at the author, director and producer. It will be useful to anyone with an interest in film and TV drama, and those curious to know why film can be so seductive. -- Contents: I The Hidden Structure: 1. Strategy of seduction [Our own story; Need for security - and excitement; Fear of failure; Dramatic story; Good storyteller; Professional audience; Genre conventions] 2. Conflicts [Premise; Genuine conflicts; Personal lopsidedness; Outer goals & inner needs; Sub-conflicts & sub-plots; Relationship between the main & sub-conflicts; What's the conflict really about?; Problems with the conflict] 3. Characters' Dramatic Function [Same old story; Main character vs the leading character; Main character's outer goal & development; Supporters & opponents; Followers & contrasts; Confidant; Mentor; Normal character; Credibility; Orchestration] / II Dramatic and Narrative Structure: 4. First act [Three acts; Two different worlds; Set-up; Dramatic set-up; Mysterious set-up; Establishing set-up; Combined set-up; Point of attack; Presentation; Move from the ordinary world to the special world; First turning point] 5. Second act [Elaboration; Symbolic scene; Development; Midpoint and the point of no return; Symbolic death; Escalation of the conflict; Scene of regret; Resistance; Second turning point; Difference between the two turning points; Relationship between midpoint and second turning point] 6. Third act [Back to the ordinary world; Resolution; Climax: resolution of the main conflict; Fade-out; Further Adventures of the Ugly Duckling] / III Dramatic and Narrative Effects: 7. Familiarisation & identification [Credibility of the story; Identification; Sympathy for the bad guy; Recognition; So do something, then!; Stories with several leading characters] 8. Narrator [Concept; Implicit & Explicit narrator; Shift in POV; Four different narrative points of view; Subjective narrator; Personal narrator; Omniscient narrator; Recording narrator; Use of voice-over; Use of POV in Fight Club] 9. Suspense, surprise & credibility [Withholding knowledge; Hints and portents; Set-up - pay-off; Obstacles; Just when everything was going so well; Cooperating with the audience] / IV Filmic Tools and Visual Expression: 10. Moving pictures [Single frame; Camera movements; Point of view; Light & colour; Visual style] 11. Time [Film time; Reaction shots; Flashbacks] 12. Dialogue [Show it - don't say it; Um. what?; Mental dialects; Text and subtext; Direction of the dialogue; True-to-life dialogue; Monologues] / V Working on The Script: 13. Working out what you want [Personal vs the private story; Good yarns and psychodramas; Two universal conflicts; Outer story as metaphor; Meeting of opposites; Choice of theme and arena] 14. Finding and formulating your story [Structuring the idea; Worst that could happen; Using different types of heroes; Pitch; Developing the idea; Natural story; Sequences; Getting started; Synopsis; Character bibles; Actual story; Tell the story; Treatment] 15. Getting it to work [Script format; Division into scenes; Choice of location; Dual function of a scene; Dramatic structure of the scene; Kill your darlings].

Condizione: New. In Danish.

Paperback. Condizione: New.

Condizione: New.

Taschenbuch. Condizione: Neu. Film - Fortælling og forførelse | om filmdramaturgi og manuskriptskrivning | Trine Breum | Taschenbuch | 280 S. | Dänisch | 2016 | BoD - Books on Demand | EAN 9788771705089 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

paperback. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Et godt manuskript er den første forudsætning for enhver god film.Men hvordan skriver man en god historie Hvordan skaber man levende og troværdige karakterer Hvordan strukturerer man forløbet så det bliver både spændende og bevægende Hvordan får man replikkerne til at fungere som en naturlig del af historien, karaktererne og dramatikken Hvordan fanger fastholder og forfører man sit publikum 'FILM - Fortælling og Forførelse 2' handler om det dramatiske, psykologiske og fortællemæssige håndværk der ligger bag en hver god fortælling. Bogen sigter mod at give læseren en indgående viden om den dramatiske fortælling og dens virkemidler.'.jeg bliver slået med ydmyghed over den indsigt og det overblik Breum lægger for dagen . bogen er uforskammet godt skrevet og spækket med fantastisk fagkundskab.'Kim Bruun, Pråsen 2011'Finally it is here - the book the professional community has looked out for, the educational institutions has begged for and the general well-informed public will find useful, enlightening and in-expendably informative'Kjeld Veirup, tidligere Script editor på DreamWorks i Californiaog leder af den Europæiske Filmhøjskole.'. lad det være klart fra starten - det er en uddybende og inspirerende metodebog. Breum er en smittende og inciterende læser af film og TV-serier'Bo Tao Michaëlis, Politiken 2001'Det er på alle måder en fornøjelse som retoriker at læse en bog der ubekymret og ubesværet beskæftiger sig med den store kunst at forfører'Christina Matthiesen,RetorikMagasinet 2001 280 pp. Dänisch.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Et godt manuskript er den første forudsætning for enhver god film.Men hvordan skriver man en god historie Hvordan skaber man levende og troværdige karakterer Hvordan strukturerer man forløbet så det bliver både spændende og bevægende Hvordan får man replikkerne til at fungere som en naturlig del af historien, karaktererne og dramatikken Hvordan fanger fastholder og forfører man sit publikum 'FILM - Fortælling og Forførelse 2' handler om det dramatiske, psykologiske og fortællemæssige håndværk der ligger bag en hver god fortælling. Bogen sigter mod at give læseren en indgående viden om den dramatiske fortælling og dens virkemidler.'.jeg bliver slået med ydmyghed over den indsigt og det overblik Breum lægger for dagen . bogen er uforskammet godt skrevet og spækket med fantastisk fagkundskab.'Kim Bruun, Pråsen 2011'Finally it is here - the book the professional community has looked out for, the educational institutions has begged for and the general well-informed public will find useful, enlightening and in-expendably informative'Kjeld Veirup, tidligere Script editor på DreamWorks i Californiaog leder af den Europæiske Filmhøjskole.'. lad det være klart fra starten - det er en uddybende og inspirerende metodebog. Breum er en smittende og inciterende læser af film og TV-serier'Bo Tao Michaëlis, Politiken 2001'Det er på alle måder en fornøjelse som retoriker at læse en bog der ubekymret og ubesværet beskæftiger sig med den store kunst at forfører'Christina Matthiesen,RetorikMagasinet 2001.