Tristan weddigen (83 risultati)

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condizione: Good. COVER SHOWS SOME GENERAL WEAR, SUCH AS SCRATCHES AND RUBBING. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

hardcover. Condizione: Used-Very Good. Cloth with dust jacket. Minor shelf wear.

Paperback. Condizione: Good. 1st Edition. Non-returnable. Light pencil underlining and marginalia throughout.

Condizione: New. Brand New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine Dust Jacket. 320 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Fine dust jacket. Note: Book is still in original publisher shrink wrap.

Hardcover. Condizione: New, still in wrapping. Black and white illustrated dustjacket over brown boards. ix, 314 pp. Features illustrations, some in color. "Heinrich Wölfflin's Principles of Art History was published in Munich in 1915 and was subsequently translated from German into twenty-two languages, becoming one of art history's most read and discussed works and a world classic in the humanities. This collection of essays examines the influence and criticism of Wölfflin's classic in teaching and scholarship in the United States and in seventeen countries in Latin America, Europe, and South and East Asia. The composite is a global history of the discipline of art history over more than a century and a rare account of the reception of a single key work".…

Condizione: New. 320 pp., hardcover, NEW in a NEW dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Features a crystalline fresh translation of art works - published on its one-hundredth anniversary. In this volume the introductory essays provides a historical framework and referencing debates engendered by principles in the twentieth century. It also includes translations of the prefaces and afterword. Num Pages: 368 pages, 122 b/w illustrations. BIC Classification: AB. Category: (P) Professional & Vocational. Dimension: 262 x 182 x 24. Weight in Grams: 1012. . 2015. 1st Edition. Paperback. . . . .…

Paperback. Condizione: new. Paperback. Principles of Art History by Heinrich Woelfflin (18641945), a revolutionary attempt to construct a science of art through the study of the development of style, has been a foundational work of formalist art history since it was first published in 1915. At once systematic and subjective, and remarkable for its compelling descriptions of works of art, Woelfflins text has endured as an accessible yet rigorous approach to the study of style. Although Woelfflin applied his analysis to objects of early modern European art, Principles of Art History has been a fixture in the theoretical and methodological debates of the discipline of art history and has found a global audience. With translations in twenty-four languages and many reprints, Woelfflins work may be the most widely read and translated book of art history ever. This new English translation, appearing one hundred years after the original publication, returns readers to Woelfflins 1915 text and images. It also includes the first English translations of the prefaces and afterword that Woelfflin himself added to later editions. Introductory essays provide a historical and critical framework, referencing debates engendered by Principles in the twentieth century for a renewed reading of the text in the twenty-first. Features a crystalline fresh translation of art works - published on its one-hundredth anniversary. In this volume the introductory essays provides a historical framework and referencing debates engendered by principles in the twentieth century. It also includes translations of the prefaces and afterword. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. 368.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. This book features a crystalline new translation of one of art history's most influential works-published on its one-hundredth anniversary. Principles of Art History by Heinrich Wolfflin (1864-1945), a revolutionary attempt to construct a science of art through the study of the development of style, has been a foundational work of formalist art history since it was first published in 1915. At once systematic and subjective, and remarkable for its compelling descriptions of works of art, Wolfflin's text has endured as an accessible yet rigorous approach to the study of style. Although Wolfflin applied his analysis to objects of early modern European art, Principles of Art History has been a fixture in the theoretical and methodological debates of the discipline of art history and has found a global audience. With translations in twenty-four languages and many reprints, Wolfflin's work may be the most widely read and translated book of art history ever. This new English translation, appearing one hundred years after the original publication, returns readers to Wolfflin's 1915 text and images.It also includes the first English translations of the prefaces and afterword that Wolfflin himself added to later editions. Introductory essays provide a historical and critical framework, referencing debates engendered by Principles in the twentieth century for a renewed reading of the text in the twenty-first.…

Condizione: new.

Condizione: New. Features a crystalline fresh translation of art works - published on its one-hundredth anniversary. In this volume the introductory essays provides a historical framework and referencing debates engendered by principles in the twentieth century. It also includes translations of the prefaces and afterword. Num Pages: 368 pages, 122 b/w illustrations. BIC Classification: AB. Category: (P) Professional & Vocational. Dimension: 262 x 182 x 24. Weight in Grams: 1012. . 2015. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condizione: Brand New. 100 anv edition. 357 pages. 9.75x6.75x1.00 inches. In Stock.

Condizione: New.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: New. 1st.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. 368.

Condizione: Neu. Neuware - This book studies the textile medium in European visual arts and literature of the early modern period as to reconstruct the history of its meanings. A theory of the textile arts is notably lacking from the narrative of western art history. This absence is surprising in light of the great esteem for textiles in medieval and early modern European material culture. The present volume questions the reductive modern paradigm of painting and extends the canon of media in contemporary academic practice. Authors seek to reconstruct a neglected historical textile discourse from visual and literary sources and to weave a historical picture of a self-aware, but hitherto particularly taciturn medium of art. This book exposes meanings of the textile in early modern visual arts and literature from different disciplinary and methodological perspectives. As the collection of essays suggests, the textile - understood as a material, a medium, a technology or a metaphor - is a hybrid notion reaching far beyond the woven object, permeating and interlacing a vast swath of the history of culture and the arts. It participates in an increasing interest in crossing methodological borders within and beyond our discipline and in developing towards a general history of cultural artifacts.…

Softcover. Near Fine in wraps.; 368 pages. One Hundredth Anniversary Edition; First Printing.

Softcover. Fine in wraps. Shrinkwrapped.; 368 pages. One Hundredth Anniversary Edition; First Printing.