Trova ernest t (14 risultati)

Paperback. Condizione: Good. First Edition. 15 pp., 1 fold-out; chiefly color illustrations; 29 cm (quarto). Exhibition catalog. Denting, bumping and creasing throughout; no ownership markings. Well packaged in a box, ships with tracking.

Condizione: Very good. light shelfwear. 0 Includes illustrations.

Paperback. Condizione: Very Good. First Edition. 8vo., bw ill., 14 pp. Sharp copy with no ownership markings, light scuffing to edges of wraps, head of spine bumped. ; Well packaged in a box, ships with tracking.

paperback. Condizione: Fair. 1971 staple bound paperback. Shelf wear and staining to covers and edges. Pages are unmarked.

Soft cover. Condizione: Very Good. London: Hanover Gallery, 1966. 8vo, original silvered wraps. An exhibition catalogue for a show held March 1 - Apr 8, with list of one man exhibitions and public and private collections. Corners dog eared, wraps rubbed and scuffed, else VG.

Paperback. Condizione: Near Fine. 1st. 55 pages, illustrations; 23 cm. Exhibition catalogue. Firm binding, clean inside copy. Age toning. *** Alloway, champion of Pop art, discusses the futuristic, rather dystopian artwork of Ernest Trova, focusing on his Falling Man series. This catalogue was published on the occasion of his third New York solo show at Pace Gallery. Size: 8vo. Collectible.…

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 0 pages; Description: 1 v. : (chiefly ill.) ; 23 cm. Subjects: Trova, Ernest T. (1927-) --Artists. 1 Kg. …

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 0 pages; Description: 1 v. : (chiefly ill.) ; 23 cm. Subjects: Trova, Ernest T. (1927-) --Artists. 1 Kg. …

Paperback. Condizione: Very Good. Lg. square 8vo, paperback. Exterior very faintly rubbed, else vg++ condition, contents bright & clean. Approx. 100 p., chiefly illus., 220 b&w photos.

Paperback. White wraps with red and black illustration and black lettering; 40 pp.; richly illustrated. Created on the occasion of an exhibit at the Gallery of the Loretto-Hilton Center, in Conjunction with Missouri State Council on the Arts, December 5th through 31st, 1967. Good (Ex art library with sticker on the front and inside rear cover; wraps are lightly edgeworn/scuffed/smudged/foxed; textblock edges are lightly worn/scuffed/smudged; interior is clean; binding is solid.).…

Paperback. Condizione: Very Good. 25 pages, Exhibition chronology, a catalogue of 38 works, illustrated with colour and monochrome plates.

By L. Alloway. Ausstellungskatalog The Pace Gallery, Columbus, Ohio 1966. Kl.-4°. 55 Seiten. OBroschur. Vereichnet 44 Arbeiten, alle abgebildet.

[32] pp.; 22.2 x 22.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 1 - November 9, 1969. Essay by Joan C. Siegfried. Includes exhibition checklist. Artists include Terry Allen, Frederick Anderson, Jeremy Anderson, Bernard Aptekar, Robert Arneson, Gene Beery, Wallace Berman, Peter Bodnar, Roger Brown, Roy De Forest, Oyvind Fahlström, Edward C. Flood, William Geis, David Gilhooly, Gerald Gooch, Robert Gordy, Red Grooms, Sue Hall, Philip Hanson, Robert Hudson, Jess, R.B. Kitaj, Nicholas Krushenick, Roy Lichtenstein, Alden Mason, James Melchert, Gladys Nilsson, James Nutt, Claes Oldenburg, Eduardo Paolozzi, Ed Paschke, Peter Phillips, Christina Ramberg, Mel Ramos, Suellen Rocca, Barbara Rossi, Peter Saul, William Schwedler, David Smyth, Norman Steigelmeyer, Ernest Trova, Andy Warhol, H.C. Westermann, William T. Wiley, Karl Wirsum, Ray Yoshida, Arlo Acton, Robyn Martin, and Giovanni Ragusa. Covers designed by Edward C. Flood. Very Good. Light rubbing of covers and cover edges and spine and bumping of top and bottom right corners. 2.3 cm. of water staining to the bottom of pages 27-32 at spine. Contents otherwise clean and unmarked.…

Softcover. Condizione: Near Fine. 16pp.; 21.2 x 15.1 cm. Pale orange paper wrappers printed in black; stapled. Mood, No. 24 (Fall 1950), one of two issues of Ernest Trova's literary magazine The Mood dedicated to EP; the other being No. 23: Ezra Pound (May 1950). Possibly the final issue of Mood, not much information on the magazine exists and issues are incredibly scarce, being locally produced for cheap and of small run. This issue in particular marks something of a misstep in the care taken over Pound's post-war publications in America. With Laughlin and Eliot's (and Dorothy Pound's careful) suppression of EP's political material, the few journal pieces to appear between 1945 and 1949 are both one-off and literary. While in England, 1950 saw the release of Peter Russell's Money Pamphlets, reproducing Pound's incendiary wartime (and thus somewhat historic) material, the attitude towards publishing in America was quite different. In 1950 publication of Four Pages also began, "edited" by Dallam Simpson, shadow-edited by EP, and which at Dorothy Pound's request was strictly not to use either her or EP's names. The same is true for the later reviews (Strike, Edge, Voice; 1955-1957), in which EP's contributions are either unsigned, pseudonymous, or literary. Mood, No. 24, and the preceding No. 23 (in which Gallup only accounts for the Introductory Text-Book; Gallup C1724) are most unusual in their blase use of Pound's name (see the cover of No. 23 here). No. 24 even more so for its inclusion of inflammatory material. One piece in particular which does not appear to be reprinted elsewhere until collected in Contributions to Periodicals (which butchers the format, suggesting the piece is from Nine), "A Draft Bill of Rights Adapted for the Needs of Great Britain," is a Gessellite criticism of tax, proclamation for the individual's land rights, and suggestion for elections to be held among trade representatives, which asks Americans to consider the same. The reason why Trova so liberally used Pound's name is unknown--all relevant BRBL material remains offline--but is undoubtedly unusual for its bannering EP's name and views in America at this time. Trova (1927-2009), at the time a young man as Simpson or Stock, later gained a reputation as an American sculptor, his series Falling Man received international acclaim for sometime and was displayed publicly around St. Louis. No study conducted (or found) on his relationship with EP. No information available on G. Wendleton, nor why Trova gave his initial as "T." Light pencil to the front cover reading "Mercure de France, April '49 on EP," referring to an article in the Gazette at the very back of the issue, "Ezra Pound a-t-il trahi?" containing responses by DP and "Shakespear and Parkyn" to accusations of Pound's fascism by Jacques Vallette in the previous issue; further letters from Rome, and a final word from the editor (?) Camillo Pellizzi, former President of the ex-Institute of Fascist Culture of Rome, stating that EP was never a member of the Fascist Party. See here, p.764. Short tear to fore-edge, two inches from bottom, front cover and the first six pages. Three spots of fox near the top staple. Gallup C1726. …