Trudy hansen (79 risultati)

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Condizione: Very Good. Binding is nice, pages are unmarked, very little wear.; Rug Hooking Magazine's Framework; 8 X 0.5 X 11 inches; 84 pages.

paperback. Condizione: Good. a good solid copy. clean and tight pages. fast and secure shipping.

Hardcover. Condizione: Used Good. Condizione sovraccoperta: Missing. Light wear to cover, slightly bumped corners, pages clean and unmarked. Some pages have light foxing (tan spots or browning). Sun exposure has faded the spine and cover. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.…

Hardback. Condizione: Good. An extraordinary outburst of creative activity occurred among American printmakers between the years 1960 and 1990. New workshops sprang up, like Universal Limited Art Editions on Long Island and the Tamarind Lithography Workshop in Los Angeles, as well as small presses throughout the country. In contrast to traditional European studios, where professional printers reproduced artists' designs, the new American workshops emphasized collaboration between printer and artist, and radical experimentation with mediums and processes. This book shows how the new presses attracted an influx of talented people to printmaking during those years. Frank Stella, Robert Rauschenberg, Red Grooms, Jennifer Bartlett and Robert Longo are just a few of the artists whose work is illustrated here. Due to their achievement and that of other artists, printmaking became recognized as a major art form, and the climate of experimentation fostered by these workshops became a driving force in the contemporary art world. The book is published to coincide with an exhibition which opened at the Zimmerli Art Gallery, New Jersey in April 1995, and is travelling around the United States.…

Hardback. Condizione: Fair. An extraordinary outburst of creative activity occurred among American printmakers between the years 1960 and 1990. New workshops sprang up, like Universal Limited Art Editions on Long Island and the Tamarind Lithography Workshop in Los Angeles, as well as small presses throughout the country. In contrast to traditional European studios, where professional printers reproduced artists' designs, the new American workshops emphasized collaboration between printer and artist, and radical experimentation with mediums and processes. This book shows how the new presses attracted an influx of talented people to printmaking during those years. Frank Stella, Robert Rauschenberg, Red Grooms, Jennifer Bartlett and Robert Longo are just a few of the artists whose work is illustrated here. Due to their achievement and that of other artists, printmaking became recognized as a major art form, and the climate of experimentation fostered by these workshops became a driving force in the contemporary art world. The book is published to coincide with an exhibition which opened at the Zimmerli Art Gallery, New Jersey in April 1995, and is travelling around the United States.…

Hardback. Condizione: Fair. An extraordinary outburst of creative activity occurred among American printmakers between the years 1960 and 1990. New workshops sprang up, like Universal Limited Art Editions on Long Island and the Tamarind Lithography Workshop in Los Angeles, as well as small presses throughout the country. In contrast to traditional European studios, where professional printers reproduced artists' designs, the new American workshops emphasized collaboration between printer and artist, and radical experimentation with mediums and processes. This book shows how the new presses attracted an influx of talented people to printmaking during those years. Frank Stella, Robert Rauschenberg, Red Grooms, Jennifer Bartlett and Robert Longo are just a few of the artists whose work is illustrated here. Due to their achievement and that of other artists, printmaking became recognized as a major art form, and the climate of experimentation fostered by these workshops became a driving force in the contemporary art world. The book is published to coincide with an exhibition which opened at the Zimmerli Art Gallery, New Jersey in April 1995, and is travelling around the United States.…

Hardback. Condizione: Good. An extraordinary outburst of creative activity occurred among American printmakers between the years 1960 and 1990. New workshops sprang up, like Universal Limited Art Editions on Long Island and the Tamarind Lithography Workshop in Los Angeles, as well as small presses throughout the country. In contrast to traditional European studios, where professional printers reproduced artists' designs, the new American workshops emphasized collaboration between printer and artist, and radical experimentation with mediums and processes. This book shows how the new presses attracted an influx of talented people to printmaking during those years. Frank Stella, Robert Rauschenberg, Red Grooms, Jennifer Bartlett and Robert Longo are just a few of the artists whose work is illustrated here. Due to their achievement and that of other artists, printmaking became recognized as a major art form, and the climate of experimentation fostered by these workshops became a driving force in the contemporary art world. The book is published to coincide with an exhibition which opened at the Zimmerli Art Gallery, New Jersey in April 1995, and is travelling around the United States.…

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Mass Market Paperback. Condizione: Very Good. First Edition. This first edition paperback is in excellent condition. The cover shows minimal wear, and the binding is tight and intact. There are no inscriptions, signatures, or library markings. The pages are clean and free of any annotations, maintaining the book's integrity and value for collectors. unknown (no dust jacket visible). Michael Mazur (illustratore). …

Soft cover. Condizione: Very Good. Light wear. Clean text. Front cover is creased. B13.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Hardbound in dust jacket.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. clean, unmarked copy.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: Fine. *FREE DOMESTIC SHIPPING until Monday, Oct. 19* 102 pp., Paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

softcover. Condizione: Collectible; Very Good. First Edition; First Printing. Numerous color illustrations. Foreword by Chuck Close. With essays by Donna Stein, Susan Gosin, and Trudy Hansen. Published on the occasion of the traveling exhibition, 2001-2003. ; Tight, clean and crisp. A gently read book in Very Good condition. No inscriptions. No remainder mark. Not ex-library.…

Hardcover. Very good paperback copy. An extraordinary outburst of creative activity occurred among American printmakers between the years 1960 and 1990. New workshops sprang up, like Universal Limited Art Editions on Long Island and the Tamarind Lithography Workshop in Los Angeles, as well as small presses throughout the country. In contrast to traditional European studios, where professional printers reproduced artists' designs, the new American workshops emphasized collaboration between printer and artist, and radical experimentation with mediums and processes.…

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. hardcover. Text block firm and clean, binding unblemished, boards straight, without highlights or underlining. Fine, like new condition. Like new without DJ. Supporting Bay Area Friends of the Library since 2010. Well packaged and promptly shipped.

Paperback. Condizione: Fine. Softcover. 4to. First edition. Fine condition. Catalogue published to accompany an exhibit held in 1990. Includes an interview at Hudson River Editions with Sylvia Roth, Mary Seibert, and John Beerman, a glossary of intaglio printing terms, and a bibliography. All plates in black-and-white. Erratum slip bound in. 45 pp.…

hardcover. Condizione: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. First Edition. ***Please Read*** Price written inside cover - No marks on text - My shelf location - bn3-top*. Michael Mazur (illustratore).

paperback. Condizione: Very Good. Orders shipped daily from the UK. Professional seller.