Truman capote novel (10 risultati)

Encuadernación de tapa blanda. Condizione: Bien. Col. Clàssics de la literatura universal, 1. Novel.la (illustratore).

No Binding. Condizione: Fine. Condizione sovraccoperta: Very Good. A fine copy of the LP of the original cast recording. The cast included: Barbara Cook, Carol Brice, Karen Morrow, Ruth Ford, Max Showalter, and Russ Thacker. Book and Lyrics by Kenward Elmslie (with cover art by Joe Brainard), music by Claibe Richardson. The LP is pristine: unplayed. with the original purchase order form for "The Grass Harp" Songbook laid in. A lovely copy of this rare LP. Brainard, Joe (illustratore).…

paperback. Condizione: Acceptable. Ex-Library softcover with some wear to book edges and cover. Library stamps and stickers are present.

Script Format, reprint. Condizione: As New. / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Five vintage borderless black and white photographs from the set of the 1967 film. With two printed mimeo snipes on the verso, along with the stamp of still photographer James Johnson. From the archive of the PIX Agency, a photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Truman Capote's most famous book, and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Most Very Good plus, with light creasing and edgewear, one Very Good, with a tear to the top right corner, repaired with cello tape on the verso. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US.…

Vintage photograph of Mary Linda Rapelye on the set of the 1967 film. Manuscript annotations in pencil and press agency stamps on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. 10 x 8 inches. Near Fine. National Film Registry. Criterion Collection 781. Ebert II. Penzler 101.…

Vintage photograph of Patricia Neal from the 1961 film, struck in 1966 for airing on the "CBS Thursday Night Movies," October 6, 1966. CBS mimeo snipe attached to the verso and folded over the recto. Based on the 1958 novella by Truman Capote, about a naive cafe society girl in New York who falls in love with a struggling writer. 7 x 9 inches. Near Fine. National Film Registry.…

Vintage borderless studio still photograph from the 1967 film, showing writer Truman Capote talking with director Richard Brooks and cinematographer Conrad Hall on location in Kansas. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 7.5 x 10 inches. About Fine. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US.…

Vintage reference photograph of Humphrey Bogart on the set of the 1953 film. Two mimeo snipes, affixed to the verso. Loosely based on the 1951 novel by Claud Cockburn, shot as a parody of Huston's 1941 classic, "The Maltese Falcon." One of the inscrutable films ever made, viewed today variously as a cipher, a long literary joke, a Hollywood film, or a bunch of famous folk on vacation with cameras rolling. In truth, probably all of those things. But film noir to the hilt. Set in Europe, shot on location in Italy in Ravello, south of Naples, Italy, and nearby at Palazzo Ruffolo, Palazzo Confalone and the Villa Cimbrone. Some second unit shooting and retakes were later done in the UK. 8 x 10 inches. Very Good plus, with some creasing and several pinholes in margins, and three very small chips on top edge. Ebert II. Grant US.…

Vintage borderless photograph of Robert Blake and Scott Wilson from the 1967 film. Crop annotations in manuscript pencil and the stamp of photographer Michel Ciment stamp on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Very Good plus, some light creasing and edgewear. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US.…