Tuite diana (88 risultati)
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- Prima edizione
Da: The Second Reader Bookshop, Buffalo, NY, U.S.A.The Second Reader Bookshop
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 9,05
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Paperback. Condizione: As New. First Edition. New catalogue from Katz' most recent exhibition, with eight full color , full page plates of finished paintings and 12 full color, full page plates of charcoal and oil studies for the finished works. Includes the essay, "Subject to Reversal: The Recent Work of Alex Katz" by Diana Tui…te. Brief note by Mark Krisco about the paintings on copyright page. ; Oblong 4to.
Hello Nature: How to Draw, Paint, Cook, And Find Your Way
Wegman, William; Salatino, Kevin [Contributor]; Powel, Padgett [Contributor]; Tuite, Diana [Contributor];
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Da: A Squared Books (Don Dewhirst), South Lyon, MI, U.S.A.A Squared Books (Don Dewhirst)
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EUR 8,58
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hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 2012; Maine; glossy paper covered boards with white titles; light edge and corner wear; dust jacket is edge worn and wavy; Interior is clean and unmarked; 4to - over 9 3/4" to 12" tall; 171 pages.
- Brossura
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
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EUR 10,86
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Softcover, unpaginated; good condition: ex-gallery library copy with call number on lower left corner of front cover, taped around bottom of spine; sticker and stamps on first page; no other internal marks. As is; fine reference copy. Foreign shipping may be extra.
- Brossura
- Prima edizione
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.Jeff Hirsch Books, ABAA
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EUR 13,58
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First Edition. First edition. Oblong softcover. Exhibition catalog for a show that ran June 19 through August 2, 2008. Features text by Diana Tuite. Includes 20 color illustrations and a checklist. A fine copy in French style wrappers.
- Brossura
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
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EUR 18,10
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Softcover, unpaginated; as new condition; clean and crisp; no internal marks.
- Brossura
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
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EUR 22,63
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Softcover, 64 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
- Rilegato
- Prima edizione
Da: Green Mountain Books & Prints, Lyndonville, VT, U.S.A.Green Mountain Books & Prints
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EUR 27,15
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Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Pink and black boards, top half is fuzzy black, bottom is pink with legs! Two pink ribbon page markers. Interior is clean and bright, binding is tight.
- Brossura
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
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EUR 27,15
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Softcover, staple-bound, 48 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.
- Brossura
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
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EUR 27,15
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Softcover, 64 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
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Da: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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EUR 33,60
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Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Da: Half Price Books Inc., Dallas, TX, U.S.A.Half Price Books Inc.
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 30,69
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hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
Contatta il venditoreVenditore con 4 stelleCondizione: Usato
EUR 22,63
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Hardcover. Matte color-illustrated boards with the title printed in yellow font down a red spine. The front cover has the title debossed in white lettering. The free and pasted end pages are color illustrated. Pages: (8), 9-184. Profusely illustrated with many full-color images. "Best known for his wire sculptures, Hayward L. Ou…bre, Jr. (1916-2006), was an important Black American artist and educator, who has until now received little attention from scholars and museums. He created sculptures, paintings, and prints that tested the bounds of each of these mediums. These works share a previously untold history of American modernism rooted in the South. Academically-trained, Oubre worked with an everyday material - wire coat hangers - that led some early critics to associate his sculpture with folk art, despite wire rising to prominence as a material for modernist sculptors in this period. While making his art he also trained a subsequent generation of artists through his teaching, first at Alabama State College (now Alabama State University), from 1949 to 1965, and then at Winston-Salem State University, from 1965 to 1981, both Historically Black Colleges and Universities. Within Oubre's story is a history of Alabama art shaping American art that has never been written." Contents are as follows: Reflections by Oubre's family, friends, and collectors -- Uncrossed wires : miscegenation from the inside out -- A rich background : Hayward Oubre and the Iowa idea(L) -- Trees of learning : Hayward Oubre, Hale Woodruff, Selma Burke, and art education in Southern HBCUS -- Hayward Oubre : the painter -- Outside the lines -- Reflections by Oubre's former students. Structural Integrity / Katelyn D. Crawford -- Reflections By Oubre's family,k friends and collectors -- Perspective on Hayward Oubre / Mervin Anthony Green -- Meetings with a remarkable man / Carter B. Cue -- Discovering Hayward Oubre / Brenda and Larry Thompson -- Uncrossed Wires: Miscegenation from the Inside Out / Amalia K. Amaki -- Plates 1-13 -- A Rich Back ground Hayward Oubre and the Iowa Idea(L) / Diana Tuite -- Trees of Learning: Hayward Oubre, Hale Wodruff, Selma Burke, and Art education in Southern Hbcus / Rebecca L. Giordano -- Plates 14-30-- Hayward Oubre: The Painter / Shawnya L. Harris -- Outside the Lines / Marin R. Sullivan -- Plates 31-52 -- Reflections by Oubre's Former students -- A great Mentor makes Great Artists / Noah Jemisin -- The Legacy of H.L. Oubre / Floyd W. Coleman, Sir -- Mr. Oubre as My Teacher / Paul A. Gary -- Chronology / Hina M. Zaidi and Katelyn D. Crawford. VG-, bottom right corner considerably warped with boards crinkling from damage, otherwise excellent and still in plastic.
Altre immaginiLingua: Inglese
Editore: Bowdoin College Museum of Art, Brunswick, Maine 2010
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Da: Exquisite Corpse Booksellers, Houston, TX, U.S.A.Exquisite Corpse Booksellers
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Ottimo
EUR 27,15
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Wrappers. Condizione: Fine Condition. 64 pages 30 illustrations in color. Illustrated wraps. Published on the occasion of the exhibition from Bowdoin College Museum of Art, Brunswick, Maine April 8-July 11, 2010 and January 26-July 11, 2010. Figure List. Notes. Book.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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EUR 36,59
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: new. Hardcover. Alex Katz's long-standing fascination with dance and collaborations with renowned writers and choreographers has yielded some of his most complex compositions. Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for him. Dance, according to the artist, bel…ongs to the same long tradition of gestures as painting. This publication is the first to examine the many decades of Katzs work for the stage, including the ways that he introduced tenets of postwar painting into theatre and dance aesthetics. 'Id never seen anything like it', Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons. Among Katzs most celebrated sets is the ensemble of cutouts he created for Kenneth Kochs 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz's working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s. Alex Katz's long-standing fascination with dance and collaborations with renowned writers and choreographers has yielded some of his most complex compositions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Browsing Is Arousing, Middlebury, VT, U.S.A.Browsing Is Arousing
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Molto buono
EUR 31,68
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Condizione: Very Good. Hardcover in a bright dust jacket, 208 pages, color plates. Celebrating an experimental decade in the career of Alex Katz, this book introduces audiences to a relatively unknown body of his work. Coming of age as an artist in the 1950s, Alex Katz set out to reinvent representational painting in the wake of… Abstract Expressionism. At first, Katz struggled to find an audience, destroying hundreds of canvases. This book surveys the artwork that survived from this momentous decade, one in which he first painted outdoors, innovated with collages, and met Ada del Moro, his wife and muse. The essays in this book contextualize Katz?s painting, consider how he and his peers looked at one another, mined 19th-century portraiture, and borrowed from television, advertising, and cinema. The result is a fascinating study of a young artist laying the groundwork for an astonishingly successful career. Fans of Katz will be inspired by the radicality of his early work, and those being introduced to the artist will be struck by its freshness and relevance. Record # 372022.
Lingua: Inglese
Editore: Bowdoin College Museum of Art, Brunswick, ME 2010
- Brossura
Da: Olana Gallery, Brewster, NY, U.S.A.Olana Gallery
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Buono
EUR 32,58
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Paper. Condizione: Good. Good paper copy ex. cat. April 8 - July 11, 2010, 63 no. pp, 2 pp fwd and ack. by Kevin Statino, Director with 1 pp notes, illus. throughout in 4/C, 2/C, B/W and sepia, 7 figure illus., 4 pp notes, figure list, lists 21 works - all well known artists.
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Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.Powell's Bookstores Chicago, ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 29,87
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Hardcover. Condizione: Very Good. Minor shelf wear. Else a bright, clean copy. Alex Katz's long-standing fascination with dance and collaborations with renowned playwrights and choreographers yielded some of his most complex compositions. Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for…him. Dance, according to the artist, belongs to the same ?long tradition of gestures? as painting. This publication is the first to examine the many decades of Katz?s work for the stage, including the ways that he introduced tenets of postwar painting into theater and dance aesthetics. ?I?d never seen anything like it,? Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons. Among Katz?s most celebrated sets is the ensemble of cutouts he created for Kenneth Koch?s 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz's working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s. .
Lingua: Inglese
Editore: COLBY COLLEGE MUSEUM OF ART / PRESTEL, WATERVILLE ME 2015
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- Prima edizione
Da: ARD Books, cleveland, OH, U.S.A.ARD Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Ottimo
EUR 40,73
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Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. SOLID CLEAN BRIGHT AND UNMARKED A BEAUTIFUL TITLE PUBLISHED IN CONJUNTION WITH AN EXHIBIT AT THE COLBY COLLEGE MUSEUM OF ART ALL COLOR PLATES FOCUSING ON THE ARTISTS WORK IN THE 1950S FORWARD BY THE AUTHOR ESSAY / BIOGRAPHY BY KATY SIEGEL BOOK IS AS N…EW IN BRIGHT COMPLETE JACKET. PHOTOS (illustratore).
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Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 42,98
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Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Alex Katz : Dance & Theater: The Art of Performance
Reinhart, Charles L. (CON); Salle, David (CON); Storr, Robert (CON); Tipton, Jennifer (CON); Tuite, Diana (CON)
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 40,80
EUR 2,32 spedizioneSpedito in U.S.A.Quantità: 15 disponibili
Condizione: New.
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Molto buono
EUR 31,68
EUR 11,41 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: VG+. Matte color-illustrated boards with the title printed in yellow font down a red spine. The front cover has the title debossed in white lettering. The free and pasted end pages are color illustrated. Pages: (8), 9-184. Profusely illustrated with many full-color images. "Best known for his wire sculptur…es, Hayward L. Oubre, Jr. (1916-2006), was an important Black American artist and educator, who has until now received little attention from scholars and museums. He created sculptures, paintings, and prints that tested the bounds of each of these mediums. These works share a previously untold history of American modernism rooted in the South. Academically-trained, Oubre worked with an everyday material - wire coat hangers - that led some early critics to associate his sculpture with folk art, despite wire rising to prominence as a material for modernist sculptors in this period. While making his art he also trained a subsequent generation of artists through his teaching, first at Alabama State College (now Alabama State University), from 1949 to 1965, and then at Winston-Salem State University, from 1965 to 1981, both Historically Black Colleges and Universities. Within Oubre's story is a history of Alabama art shaping American art that has never been written." Contents are as follows: Reflections by Oubre's family, friends, and collectors -- Uncrossed wires : miscegenation from the inside out -- A rich background : Hayward Oubre and the Iowa idea(L) -- Trees of learning : Hayward Oubre, Hale Woodruff, Selma Burke, and art education in Southern HBCUS -- Hayward Oubre : the painter -- Outside the lines -- Reflections by Oubre's former students. Structural Integrity / Katelyn D. Crawford -- Reflections By Oubre's family,k friends and collectors -- Perspective on Hayward Oubre / Mervin Anthony Green -- Meetings with a remarkable man / Carter B. Cue -- Discovering Hayward Oubre / Brenda and Larry Thompson -- Uncrossed Wires: Miscegenation from the Inside Out / Amalia K. Amaki -- Plates 1-13 -- A Rich Back ground Hayward Oubre and the Iowa Idea(L) / Diana Tuite -- Trees of Learning: Hayward Oubre, Hale Wodruff, Selma Burke, and Art education in Southern Hbcus / Rebecca L. Giordano -- Plates 14-30-- Hayward Oubre: The Painter / Shawnya L. Harris -- Outside the Lines / Marin R. Sullivan -- Plates 31-52 -- Reflections by Oubre's Former students -- A great Mentor makes Great Artists / Noah Jemisin -- The Legacy of H.L. Oubre / Floyd W. Coleman, Sir -- Mr. Oubre as My Teacher / Paul A. Gary -- Chronology / Hina M. Zaidi and Katelyn D. Crawford.
Lingua: Inglese
Editore: Worcester Art Museum, Worcester, Massachusetts 2019
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
Contatta il venditoreVenditore con 4 stelleCondizione: Usato
EUR 31,68
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Hardcover. grey boards w/ reflective silver illustrations. 135 pgs w/ color, bw illustrations. "Photo Revolution: Andy Warhol To Cindy Sherman nvestigate how and why the 1960s and '70s became a vital era for the ascension of photography to the status of fine art, arguing that critical to the acceptance of both Pop Art and fine p…hotography was a newfound acceptance of multiples. Prior to Pop Art, art media that produced "copies," like in prints and photographs, were perpetually undervalued compared to "original" objects like paintings. However, with the appropriation of photo-based imagery by artists like Andy Warhol and Tom Wesselmann, Pop Art and photography developed a symbiotic relationship as Pop Art certified the aesthetic importance of photography through its appropriation. Using a variety of media derived mostly from the Worcester Art Museum's permanent collection, Photo Revolution: Andy Warhol to Cindy Sherman investigates Pop Art, Conceptual Art, and emerging photo-based art forms, primarily through the lens of photography. It seeks to illustrate how photographs leap from second-tier status to the driving force behind contemporary art production with the emergence of artists like Cindy Sherman, Nan Goldin, and Martha Rosler. The book will also illustrate how photography became entrenched in art production globally, as seen in the photomontages of British conceptual artist John Stezaker, conceptual work by Polish video artist and photographer Andrej Paruzel, and in the work of Japanese documentary photographer Hiromi Tuschida"--WorldCat. VG- (scuffs, scratches to boards; small bump & divet to lower edge. bump to upper spine w/ crease & creasing to spine edges; small bump & creasing to lower tail edge.
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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 44,99
Spedizione gratuitaSpedito in U.S.A.Quantità: Più di 20 disponibili
Hardback. Condizione: New. Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for him. Dance, according to the artist, belongs to the same long tradition of gestures as painting. This publication is the first to examine the many decades of Katz s work for the stage, including the ways that he…introduced tenets of postwar painting into theatre and dance aesthetics. I d never seen anything like it, Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons. Among Katz s most celebrated sets is the ensemble of cutouts he created for Kenneth Koch s 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz s working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s.
Alex Katz : Dance & Theater: The Art of Performance
Reinhart, Charles L. (CON); Salle, David (CON); Storr, Robert (CON); Tipton, Jennifer (CON); Tuite, Diana (CON)
- Rilegato
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 43,38
EUR 2,32 spedizioneSpedito in U.S.A.Quantità: 15 disponibili
Condizione: As New. Unread book in perfect condition.
- Rilegato
Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 45,84
Spedizione gratuitaSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Hardback. Condizione: New. Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for him. Dance, according to the artist, belongs to the same long tradition of gestures as painting. This publication is the first to examine the many decades of Katz s work for the stage, including the ways that he…introduced tenets of postwar painting into theatre and dance aesthetics. I d never seen anything like it, Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons. Among Katz s most celebrated sets is the ensemble of cutouts he created for Kenneth Koch s 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz s working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s.
- Brossura
Da: Calliopebooks, Potomac, MD, U.S.A.Calliopebooks
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 43,45
EUR 4,35 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
paperback. Condizione: Very Good. 2013. Fine and unread condition. Very light shelf wear to cover very slightly rubbed at corners else book is like new.
- Rilegato
Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 49,58
Spedizione gratuitaSpedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
Hardback. Condizione: New. Best known for his wire sculptures, Hayward L. Oubre, Jr. (1916-2006), was an important Black American artist and educator, who has until now received little attention from scholars and museums. He created sculptures, paintings, and prints that tested the bounds of each of these mediums. These works sh…are a previously untold history of American modernism rooted in the South. Academically-trained, Oubre worked with an everyday material-wire coat hangers-that led some early critics to associate his sculpture with folk art, despite wire rising to prominence as a material for modernist sculptors in this period.While making his art he also trained a subsequent generation of artists through his teaching, first at Alabama State College (now Alabama State University), from 1949 to 1965, and then at Winston-Salem State University, from 1965 to 1981, both Historically Black Colleges and Universities. Within Oubre's story is a history of Alabama art shaping American art that has never been written. This new volume, and its accompanying exhibition, will begin to tell this story, laying the foundation for future projects on the work of Black artists in Alabama and the South.
Altre immagini- Rilegato
- Prima edizione
Da: Nightshade Booksellers, IOBA member, Atlanta, GA, U.S.A.Nightshade Booksellers, IOBA member
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: IOBA
Condizione: Usato - Ottimo
EUR 45,26
EUR 4,38 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Fine. 1st Edition. First edition, first printing with full number line. A fine copy without DJ as issued. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking…provided. #RCR2.
Lingua: Inglese
Editore: Colby College Museum of Art and Yale University Press 2021
- Rilegato
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 45,26
EUR 4,39 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover without dustjacket as issued, 216 pages, very good condition; tiny crimp to upper right corner of cover; no internal marks. Foreign shipping may be extra.
Lingua: Inglese
Editore: Delmonico Prestel, Colby College Museum of Art 2015
- Rilegato
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 45,26
EUR 4,39 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover with dustjacket; 208 pages; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.
