tummers anna (70 risultati)

Soft cover. Condizione: New. A new copy in pictorial wraps still sealed in its shrink-wrap. A larger book requiring additional postage for priority and international orders. 4to., 160 pages.

Hardcover. Condizione: Very Good. 349 pp. Tightly bound. Corners not bumped. A hint of mustiness. Text is free of markings. No ownership markings. Very good dust jacket. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.

Paperback. Condizione: Very Good. Light cover crease else as new.

Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condizione: Fine. Color Reproductions; 4to 11" - 13" tall; 192 pages; 2018 Uitgeverji Waanders. Oversize paperback with glossy pictorial French fold covers. Tightly bound and fresh. Profusely illustrated with color reproductions from work in the exhibitions. Superb copy feels and appears unread and about as new. About Fine . Oversize book likely to require additional charges for expedited or international shipping.

Condizione: Good. Paperback, veel illustraties in kleur.; Rug verkleurd.

Condizione: New.

Hardcover. Condizione: new. Hardcover. Frans Hals is hailed as one of the three greatest painters of the Dutch seventeenth century along with Rembrandt and Vermeer. Of all seventeenth-century Dutch painters, Frans Hals is also the most controversial in as far as the exact scope of his oeuvre is concerned. Halss popularity, the lack of technical reference material as well as the differing views among experts as to the exact scope of his oeuvre make works in his style prone to doubts and misattributions. It has led to fierce debates and legal battles about the attribution of paintings done in his style.In this Open Access book, experts from Ghent University, Leiden University, Amsterdam University, Delft University of Technology, the Frans Hals Museum (Haarlem), the Rijksmuseum (Amsterdam), the Gemaeldegalerie (Berlin) and the Metropolitan Museum of Art (New York) give surprising new insights into some of Halss most well-known paintings as well as into some of the most fiercely contested pictures in his style. Their insights result from in-depth study of a wealth of reference material: seventeenth-century sources, advanced technical analyses and newly developed digital visualisation tools.Tummers and Erdmann have produced a work of ground-breaking new scholarship. They combine in-depth art historical study with new technical analyses and data visualisation tools in order to solve current issues in the attribution of paintings by Frans Hals. This book significantly sharpens our understanding of Halss virtuoso work process, his characteristic workshop practice, and his notion of authenticity. The rich data gathered for the case studies will be useful for a next generation of art historians and connoisseurs: digital tools enhance the human eye in matters of attribution.Prof. Thijs Weststeijn, Professor of Art History before 1800, Utrecht University"Tummers bravely interrogates the history of connoisseurship and the seemingly never-ending search for attributions of paintings associated with Frans Hals. A series of well-chosen case studies of paintings rigorously subjected to the most current means of examination and scientific imaging by leading experts in the field extends our understanding of Hals, his manner of painting, and the possibilities for aligning traditional connoisseurship with technical studies and techniques. In the process, this book thoughtfully probes the merits, challenges, and potential of 21st-century digital tools alongside the role of visual analysis."Christopher D.M. Atkins, Van Otterloo-Weatherbie Director of the Center for Netherlandish Art at the Museum of Fine Arts, Boston Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. New book and DJ, still in publisher's shrinkwrap.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Condizione: As New. Unread book in perfect condition.

Condizione: NEW.

Condizione: Very good.

Hardback. Condizione: New. 2024 ed. Frans Hals is hailed as one of the three greatest painters of the Dutch seventeenth century along with Rembrandt and Vermeer. Of all seventeenth-century Dutch painters, Frans Hals is also the most controversial in as far as the exact scope of his oeuvre is concerned. Hals's popularity, the lack of technical reference material as well as the differing views among experts as to the exact scope of his oeuvre make works in his style prone to doubts and misattributions. It has led to fierce debates and legal battles about the attribution of paintings done in his style.In this Open Access book, experts from Ghent University, Leiden University, Amsterdam University, Delft University of Technology, the Frans Hals Museum (Haarlem), the Rijksmuseum (Amsterdam), the Gemäldegalerie (Berlin) and the Metropolitan Museum of Art (New York) give surprising new insights into some of Hals's most well-known paintings as well as into some of the most fiercely contested pictures in his style. Their insights result from in-depth study of a wealth of reference material: seventeenth-century sources, advanced technical analyses and newly developed digital visualisation tools."Tummers and Erdmann have produced a work of ground-breaking new scholarship. They combine in-depth art historical study with new technical analyses and data visualisation tools in order to solve current issues in the attribution of paintings by Frans Hals. This book significantly sharpens our understanding of Hals's virtuoso work process, his characteristic workshop practice, and his notion of authenticity. The rich data gathered for the case studies will be useful for a next generation of art historians and connoisseurs: digital tools enhance the human eye in matters of attribution."Prof. Thijs Weststeijn, Professor of Art History before 1800, Utrecht University"Tummers bravely interrogates the history of connoisseurship and the seemingly never-ending search for attributions of paintings associated with Frans Hals. A series of well-chosen case studies of paintings rigorously subjected to the most current means of examination and scientific imaging by leading experts in the field extends our understanding of Hals, his manner of painting, and the possibilities for aligning traditional connoisseurship with technical studies and techniques. In the process, this book thoughtfully probes the merits, challenges, and potential of 21st-century digital tools alongside the role of visual analysis."Christopher D.M. Atkins, Van Otterloo-Weatherbie Director of the Center for Netherlandish Art at the Museum of Fine Arts, Boston.

Hardbound. Condizione: VG, ex-lib. Black cloth, illustrated DJ. 350 pp. Many color plates. Contents as follows: Attributing seventeenth-century Dutch and Flemish paintings: developments since 1945 -- Original or copy -- 'By his hand': the paradox of seventeenth-century connoisseurship -- 'Without changing his manner': seventeenth-century views on style -- The painter versus the connoisseur. The best judge of pictures in seventeenth-century theory and practice -- The essence of seventeenth-century connoisseurship. Attributing old master paintings is one of the most difficult tasks of the art historian. Moreover, the stakes can be high, especially when the painting in question might be that of a famous master. The difference in price between an authentic old master painting and a work 'in the manner of' a well-known painter can add up to several million dollars. The fingerprint of an Old Master discusses issues regarding attribution of Dutch and Flemish paintings of the seventeenth-century. Rembrandt's David and Jonathan (Hermitage, St. Petersburg), de-attributed by the Rembrandt Research Project in 1989, provides an unique opportunity to compare seventeenth- and twentieth-century connoisseurship. An analysis of the painting based on terms of seventeenth-century art theory shows that the painting must have been successful according to contemporary standards of appreciation, that is, worthy of carrying Rembrandt's name.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. In.

Condizione: Very good.

hardcover. Condizione: New.

Hardcover. Condizione: Brand New. 200 pages. 9.25x6.10x0.83 inches. In Stock.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 4to, Hardback with original Dust Jacket, pp. 400. Sold As New. In original shrink wrap.

Condizione: new.

Soft cover. Condizione: Near Fine. Title - Judith Leyster / Author - Anna Tummers / Publisher - Frans Hals museum / Year - 2010 / Language - English - Dutch / Binding - Paperback / Size - 24 x 17 cm / Pages - 32 / ISBN - 97894901980309.

Condizione: New.

Condizione: New. pp. 192 65 Illus. (Col.).

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good. Folded stiff wrappers (softcover), 152p : illustrations (chiefly in color); 27 cm. Very good, clean, no internal marks. Fear, sadness, surprise, anger, lust and love - virtually nothing was more important in the paintings ofthe Golden Age than convincingly depicting humanemotions. In this publication, the Frans Hals Museumand Rembrandt expert Gary Schwartz present a selection of masterpieces in which these emotions aresublimely portrayed. According to seventeenth-century connoisseurs, the beauty of a painting was not even half as important as the passions that could be seen in that painting; they formed the soul of the work. Painters such as Rembrandt, Frans Hals, Maerten van Heemskerck and Cornelis van Haarlem were masters at depicting a range of emotions. Their works are presented in a new context- the emotional life - and with a focus on the flourishing scientific study of emotions in our own time.