Tuna yilmaz (7 risultati)

Softcover. Condizione: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: New.

Condizione: New. HC. Editors: Translator: 456 pages.

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 456 | Sprache: Türkisch | Produktart: Bücher | Sanki rüyada gibiydim. Hele bana ismimi sordugu zamani unutamiyorum. Kendisine adimin Ali Riza oldugunu söyleyince, biraz yüzü asildi. Sasirmistim. Ne oldugunu anlayamadim. Hata yaptigimi düsünmeye baslamistim. Fakat daha sonra ögrenecektim ki, babasi Ali Riza Beyi kücük yasta kaybettigi icin hic kimseye Ali Riza diye hitap etmemis. O kadar büyük saygisi vardi babasina. Bu yüzden bana hicbir zaman adimla hitap etmedi. Saclarimin sari olmasindan dolayi beni hep Sari diye cagirdi.Cumhurbaskani Mustafa Kemal, 29 Ekim günü meclis girisinin hemen önünde, yanina cagirdigi Sariya, ne oldugunu sordu. Ali Riza Tuncay, üzüntü icinde fotografi nasil kacirdigini anlatti. Hosgörüsü yüksek, insanlari mutlu etmeyi seven Cumhurbaskani yanindakilere dönerek, Arkadaslar, tekrar iceri girip, tekrar ayni sekilde disari cikacagiz, dedi. Müthis bir seydi bu. Sonuc mu iste hemen her yerde gördügümüz o fotograf karesi.Atatürk Fotograflarinin Hikayesi, bugüne kadar yapilan Atatürk fotograflari calismalarindan farkli olarak 100 fotografin hikayesini kronolojik olarak ele aliyor, nasil ve kim tarafindan, hangi sartlarda cekildigini gercek, yalin ve carpici bir dille sunuyor. Atatürkün fotograflarini ceken 18 fotografcisinin pek bilinmeyen öyküleri belki de ilk kez bu eserde hayat buluyor.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Cinema and modern city are born in the same period of time and have developed concurrently. They have also interacted and transformed each other. Some cities of the world are referred as 'cinematic cities' as a consequence of this representational relationship. Cinema utilizes designerly tools for both the representation and the construction of cinematic reality. Representation of the city in cinema is no exception. For the representation of cities like New York and Berlin, directors make use of designerly tools such as color, lighting and sound to design and construct the visuality of films. In this book, Istanbul is studied in terms of the representational relationship between cinema and the city. The concept of cinematic representation is discussed and cinematic cities are analyzed, also the representation of Istanbul in both Turkish and American cinema is portrayed. Two American films are taken as case study. Designerly tools and their purpose for the representation of Istanbul are discussed through Jules Dassin's Topkapi (1964) and Alan Parker's Midnight Express (1978) to put Istanbul on the place it deserves together with the other cinematic cities. 120 pp. Englisch.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Cinema and modern city are born in the same period of time and have developed concurrently. They have also interacted and transformed each other. Some cities of the world are referred as 'cinematic cities' as a consequence of this representational relationship. Cinema utilizes designerly tools for both the representation and the construction of cinematic reality. Representation of the city in cinema is no exception. For the representation of cities like New York and Berlin, directors make use of designerly tools such as color, lighting and sound to design and construct the visuality of films. In this book, Istanbul is studied in terms of the representational relationship between cinema and the city. The concept of cinematic representation is discussed and cinematic cities are analyzed, also the representation of Istanbul in both Turkish and American cinema is portrayed. Two American films are taken as case study. Designerly tools and their purpose for the representation of Istanbul are discussed through Jules Dassin's Topkapi (1964) and Alan Parker's Midnight Express (1978) to put Istanbul on the place it deserves together with the other cinematic cities. …

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Cinema and modern city are born in the same period of time and have developed concurrently. They have also interacted and transformed each other. Some cities of the world are referred as 'cinematic cities' as a consequence of this representational relationship. Cinema utilizes designerly tools for both the representation and the construction of cinematic reality. Representation of the city in cinema is no exception. For the representation of cities like New York and Berlin, directors make use of designerly tools such as color, lighting and sound to design and construct the visuality of films. In this book, Istanbul is studied in terms of the representational relationship between cinema and the city. The concept of cinematic representation is discussed and cinematic cities are analyzed, also the representation of Istanbul in both Turkish and American cinema is portrayed. Two American films are taken as case study. Designerly tools and their purpose for the representation of Istanbul are discussed through Jules Dassin's Topkapi (1964) and Alan Parker's Midnight Express (1978) to put Istanbul on the place it deserves together with the other cinematic cities.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 120 pp. Englisch. …