Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 56,46
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Da: GreatBookPrices, Columbia, MD, U.S.A.
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 61,97
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EUR 76,32
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Aggiungi al carrelloHardback. Condizione: New. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 1390-1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eyck's pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not "from life" but "into life." Animation, not representation, drove Van Eyck and his contemporaries. Turel's interpretation reverses the commonly held belief that these artists were inspired by the era's burgeoning empiricism, proposing instead that their "living pictures" helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works' key role in shaping, rather than simply mirroring, the early modern world.
Condizione: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Hardcover. Condizione: new. Hardcover. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 13901441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eycks pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not from life but into life. Animation, not representation, drove Van Eyck and his contemporaries. Turels interpretation reverses the commonly held belief that these artists were inspired by the eras burgeoning empiricism, proposing instead that their living pictures helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works key role in shaping, rather than simply mirroring, the early modern world. A significant new interpretation of the emergence of Western pictorial realism Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 68,40
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Da: Revaluation Books, Exeter, Regno Unito
EUR 69,32
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Aggiungi al carrelloHardcover. Condizione: Brand New. 189 pages. 11.00x8.50x1.00 inches. In Stock.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 68,41
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Aggiungi al carrelloHardback. Condizione: New. New copy - Usually dispatched within 4 working days.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 76,40
Quantità: 18 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Yale University Press, New Haven, 2020
ISBN 10: 0300247575 ISBN 13: 9780300247572
Da: art longwood books, Gloucester, MA, U.S.A.
Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition/First Printing. cloth, hardcover in dust jacket., no flaws or wear. clean. no markings. no bumps, tears, creases. strong binding.; english text.; ix-189pp., 94 illustrations, mostly color. looks at the impact of van eyck's painting, particularly the ghent altarpiece, on his contempraries and those who worked in its aftermath. Size: 4to - over 9¾" - 12" tall.
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EUR 76,71
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 13901441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eycks pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not from life but into life. Animation, not representation, drove Van Eyck and his contemporaries. Turels interpretation reverses the commonly held belief that these artists were inspired by the eras burgeoning empiricism, proposing instead that their living pictures helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works key role in shaping, rather than simply mirroring, the early modern world. A significant new interpretation of the emergence of Western pictorial realism Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
EUR 71,29
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Aggiungi al carrelloHardback. Condizione: New. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 1390-1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eyck's pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not "from life" but "into life." Animation, not representation, drove Van Eyck and his contemporaries. Turel's interpretation reverses the commonly held belief that these artists were inspired by the era's burgeoning empiricism, proposing instead that their "living pictures" helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works' key role in shaping, rather than simply mirroring, the early modern world.
EUR 121,67
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 13901441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eycks pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not from life but into life. Animation, not representation, drove Van Eyck and his contemporaries. Turels interpretation reverses the commonly held belief that these artists were inspired by the eras burgeoning empiricism, proposing instead that their living pictures helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works key role in shaping, rather than simply mirroring, the early modern world. A significant new interpretation of the emergence of Western pictorial realism Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
EUR 235,44
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 238,18
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 250,66
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Aggiungi al carrelloCondizione: New.
EUR 267,73
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Aggiungi al carrelloCondizione: New.
EUR 231,06
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Aggiungi al carrelloHardcover. Condizione: New. Über den AutorStephen Perkinson, Ph.D. (1998, Northwestern University), is Professor of Art History and Associate Dean for Academic Affairs at Bowdoin College. He is the author of The Likeness of the King (Chicago, 2009) and .
Lingua: Inglese
Editore: Koninklijke Brill BV Nov 2020, 2020
ISBN 10: 9004430024 ISBN 13: 9789004430020
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 323,84
Quantità: 2 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. Neuware - Picturing Death: 1200-1600 explores the visual culture of mortality over the course of four centuries that witnessed a remarkable flourishing of imagery focused on the themes of death, dying, and the afterlife. In doing so, this volume sheds light on issues that unite two periods--the Middle Ages and the Renaissance--that are often understood as diametrically opposed. The studies collected here cover a broad visual terrain, from tomb sculpture to painted altarpieces, from manuscripts to printed books, and from minute carved objects to large-scale architecture. Taken together, they present a picture of the ways that images have helped humans understand their own mortality, and have incorporated the deceased into the communities of the living. Contributors: Jessica Barker, Katherine Boivin, Peter Bovenmyer, Xavier Dectot, Maja Dujakovic, Brigit Ferguson, Alison C. Fleming, Fredrika Jacobs, Henrike C. Lange, Robert Marcoux, Walter S. Melion, Stephen Perkinson, Johanna Scheel, Mary Silcox, Judith Steinhoff, and Noa Turel.
Editore: Yale University press
ISBN 10: 0300247117 ISBN 13: 9780300247114
Da: Asano Bookshop, Nagoya, AICHI, Giappone
EUR 86,49
Quantità: 2 disponibili
Aggiungi al carrelloSoft cover. Condizione: New. Brand New.
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 157,09
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new. Questo è un articolo print on demand.
Da: Revaluation Books, Exeter, Regno Unito
EUR 243,83
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 454 pages. 9.25x6.25x1.25 inches. In Stock. This item is printed on demand.