ubl ralph (52 risultati)

Condizione: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

Condizione: acceptable. Fast Free Shipping â" A well-loved copy with text fully readable and cover pages intact. May display wear such as writing, highlighting, bends, folds or library marks. Still a complete and usable book.

Condizione: As New. Unread book in perfect condition.

Broschiert. Condizione: Gut. 138 S.; Ill. Einband etwas berieben und knickspurig, guter Zustand LIEFERZEITEN / DELIVERY TIMES: DEUTSCHLAND 5 - 14 Tage EUROPA/EUROPE: 7 - 30 Tage/Days USA/WELTWEIT/WORLDWIDE: 14 - 60 Tage/Days (!!!) +++ Sprache: Deutsch Gewicht in Gramm: 600.

hardcover. Condizione: Good. Ex-library: discarded stamps to front and rear pastedowns, mylar cover for jacket, with sticker to lower spine edge. Modest shelfwear to cover, clean pages and sound binding.

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: VG. Black and white wraps with illustration and black lettering. 111 pp. Color and BW illustrations. Catalogue of an exhibition from September 19 to November 14, 2005. Text in German and English.

Hardcover without dustjacket as issued, 780 pages; very good condition; small crimp at bottom of spine; overall clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: New.

Condizione: New.

Condizione: New. Brand New.

Condizione: New.

Paperback. Condizione: Brand New. German language. 6.69x4.65x1.22 inches. In Stock.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Willem de kooning (illustratore). Possibly, probably, a first edition, not seeing any determining reference. Rather rare book. In English and German. 204 pages, 65 illustrations, 56 in color. Foreword by Bernhard Mendes Burgi. First chapter titled 'Abstract Landscapes', text by Bernhard Mendes Burgi. That is followed by a section of the artist's works. Next up 'Painting's Skin', text by Klaus Kertess. Then another section of paintings. Then 'From the Painting to the Picture: The Question of Orientation in the Work of Willem de De Kooning' by Ralph Ubl. That's followed by another section of paintings. Then Interview mit Willem de De Kooning (1972) by Harold Rosenberg (in German). And following that: Interview with Willem de De Kooning (1972) amazingly also by Harold Rosenberg (in English). That's followed by another section of the artist's works. Then Zur Biografie Willem de De Kooning (in German), and then Biographical Notes on Willem de De Kooning (in English), by Roland Wetzel. And the book concludes with a Selected Bibliography and a list of Selected Exhibitions. From the dust jacket (in both English and German): 'A concentrated selection of large paintings show how his works-- although recognizable as landscapes-- grew abstract under the influence of his intense experience of nature while his brushwork literally liberated itself from all bonds. This book focuses for the first time on this period of vigorous, pioneering creativity in the art of the master of American post-war modernism.' You can see the white covers in the photos. They are very clean, one tiny amber spot at the top edge of the spine and one or two of the same at the bottom edge of the rear cover. The gilt lettering on the front and spine is nicely bright and crisp. The cover edges and corners are in excellent shape, no rubbing. The page edges are perfectly clean. The book is very solidly bound from cover to cover with nicely tight pages throughout and nicely tight covers as well. The interior of the book is in excellent condition. The pages are exceptionally clean. I'm not finding any instances of soiling. There is a light bit of sun-toning at the outer edges of the semi-glossy pages. I don't see any creasing on any of the text pages (bit of minor crinkling on the blank gray front end paper). There are no markings in the book. No attachments of any kind. And no one has written their name or anything else anywhere. You can see the dust jacket in the first few photos. It's in very nice shape. It's very clean, just one or two tiny spots on the spine. There is a scratch on the rear cover, a couple of edge crinkles. There are no tears. The large flaps are in very good shape, one little crinkle off the front one's top edge. The jacket is not priced or clipped. I will fit it with a protective cover after the photos are scanned.

Condizione: new.

Softcover. Condizione: NF. Condizione sovraccoperta: NF. Near Fine softcover with dust-jacket -- ditto Near Fine, 199 pages. Bilingual text -- German/English. Excellent color reproductions.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: About Fine. 1st Edition. Hardcover with complete DJ. Beautifully color-illustrated. Slightly bumped lower corner, otherwise, Clean, unmarked, and square. 4to.

Condizione: New.

Softcover. Condizione: Guter Zustand. Condizione sovraccoperta: Guter Originalschutzumschlag. Katalog zur Ausstellung im Kunstmuseum Basel 17. September 2005 - 22. Januar 2006; 199 Seiten mit ganzeitigen, farbigen Abbildungen und Fotografien; Buch mit leichten Gebrauchsspuren - sonst gutes und sauberes Exemplar - Museumsausgabe; 1,5 kg Versandgewicht = 6 Euro Versandkosten für Deutschland;

Condizione: New. One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. This title reveals, Ernst was interested in the construction and phenomenology of both collective and individual modern history and memory. Translator(s): Tucker, Elizabeth. Num Pages: 248 pages, 4 color plates, 60 halftones. BIC Classification: ACXD7; AFC; AGB. Category: (G) General (US: Trade). Dimension: 254 x 178 x 25. Weight in Grams: 885. . 2013. Hardback. . . . .

Hardcover. Sehr guter Zustand. BITTE BEACHTEN: KEIN VERSAND AUSSERHALB EU - PLEASE NOTE: NO SHIPPING OUTSIDE EUROPEAN UNION. Pappband mit Schutzumschlag, 283 Seiten. 31, x 25 cm. Gewicht: 2200.

Hardcover. Condizione: Brand New. 1st edition. 248 pages. 12.01x9.65x0.79 inches. In Stock.

Hardcover. Condizione: Brand New. 247 pages. 9.50x7.50x1.00 inches. In Stock.

Soft cover. Condizione: Fine. Condizione sovraccoperta: Fine. Erwin Gross Malerei 1982- 2007 cataloog 295 x 220 mm, 167 blz hard cover,in grijs linnen met op de rugzijde zwarte opdruk, stofwikkel, in goede staat 300 x 230 mm, soft cover 0.

Condizione: New. - One of the world s most acclaimed photo artists- New works in dialogue with iconic images from Wall s early career- Each group of works is accompanied by the artist s own commentary- One of the world s most acclaimed photo artists- New works in dialogue.

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z : 204 pp., 65 ills. hardcover 24.70 x 30.80 cm - Willem de Kooning (1904-1997) is regarded as a leading exponent of Abstract Expressionism and celebrated in the U.S. as one of the most significant figures in twentieth-century painting. Yet in Europe, the artist has yet to be fully recognized as the important figure he was. That applies in particular to his work of the sixties and seventies, his years of retreat from urban life to live and work on Long Island. This part of his oeuvre bears the imprint of a fundamental experience of landscape, and it is here that he developed a style of figuration (which de Kooning never really abandoned) characterized by a new sense of color and energetic gesture. This period of vigorous, pioneering creativity in the art of Willem de Kooning is explicitly illuminated for the first time in this book. Featuring a concentrated selection of painting in large formats, it shows how his works - although recognizable as landscapes - grew abstract under the influence of his intense experience of nature while his brushwork literally liberated itself from all bonds.

Condizione: New. One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. This title reveals, Ernst was interested in the construction and phenomenology of both collective and individual modern history and memory. Translator(s): Tucker, Elizabeth. Num Pages: 248 pages, 4 color plates, 60 halftones. BIC Classification: ACXD7; AFC; AGB. Category: (G) General (US: Trade). Dimension: 254 x 178 x 25. Weight in Grams: 885. . 2013. Hardback. . . . . Books ship from the US and Ireland.

Exhibition catalogue. First edition. Bilingual edition, German and English. 260x180mm 136 pages. Illustrated, Paperback. Fine. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc., with a picture of the cover available on request. All items are as described and dispatched within 36 hours in a secure package. We are professional booksellers with 30 years experience and a real-life bookshop. You may order with confidence.

gebunden. Condizione: Neu. Neu -Am 18. Oktober 1997 öffnete die Fondation Beyeler zum ersten Mal ihre Türen, um einem breiten Publikum ihre Sammlungsschätze zugänglich zu machen. Gerade einmal zwanzig Jahre trennen dieses Ereignis von der Gegenwart, in der sich das Museum ein einzigartiges Renommee und eine feste Stellung in der internationalen Kunstwelt erarbeitet hat. Dies verdankt sich nicht nur den Begründern Ernst und Hildy Beyeler und ihrem besonderen Gespür beim Auffinden und Zusammentragen herausragender Werke. Der Erfolg ist auch der kontinuierlichen Fortsetzung dieser Sammlungstätigkeit geschuldet. Zum 20-jährigen Bestehen erscheint eine reich bebilderte Publikation, in der die Künstlerinnen und Künstler der Sammlung selbst zu Wort kommen: Ihre Zitate, die Briefen, Interviews oder eigenen Schriften entstammen, sprechen vielstimmig über Arbeitsweisen und Gedanken zur Kunst. Durch Einbezug der Künstlerinnen und Künstler werden die Vergangenheit und die Gegenwart zusammengeführt, um auch schon mit Vorfreude auf die Zukunft der nächsten zwanzig Jahre zu blicken. Mit Werken von: Hans Arp, Louise Bourgeois, Paul Cézanne, Edgar Degas, Jean Dubuffet, Wassily Kandinsky, Paul Klee, Kasimir Malewitsch, Henri Matisse, Piet Mondrian, Claude Monet, Pablo Picasso, Auguste Rodin, Henri Rousseau, Wolfgang Tillmans, Vincent van Gogh, Jordan Wolfson u.a. 304 pp. Deutsch.