Ulmann doris photographs (11 risultati)

Soft cover. Condizione: Good. 1st Edition. A Good soft cover. 111 pages with photographs in black and white. Contents clean and securely bound. The outside cover has toned edges more on the spine. A few random discoloration marks on the front and some spots on the back. The tips are curled and flared. Also slight rubbing to bottom edge with two red remainder marks.…

dj. 8vo, blue cloth, gilt titles, pictorial endpapers, 370pp. Fifth printing, 1948. Boards minimally worn with smile spotting and fading to cloth. Unclipped dust jacket (3.50) with some loss to spine panel, rubbing and foxing to rear panel. Contents clean, binding firm. A comprehensive WPA-era study of Appalachian handicraft and folk arts, concentrating on Eastern Kentucky, Tennessee, and Western North Carolina. Fifty eight black and white plates of artisans at work by Appalachian photographer Doris Ulmann. A nice copy in mylar.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good-. Edition Not Stated. Ex-libris, ffep. Dust jacket price-clipped, 1/3" stain to front, light edge wear. Text and photographs near fine. Expedited or International shipping may cost more. Ulmann, Doris; Photographs By (illustratore).…

Hardcover. Condizione: Very Good. 28x24 cm Original-Leinen mit Original-Schutzumschlag, mit Prägung auf dem Buchrücken- und deckel, mit Frontispiz, 1. Auflage Schutzumschlag am Rücken nachgedunkelt, leichte Randläsur und etwas fleckig, Vorsatz leicht beschädigt, sonst GUTES EXEMPLAR. Very good copy---In englischer Sprache Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , 111 Seiten. nein.…

Gebundene Ausgabe, Leinen. Condizione: Sehr gut. 111 pages : illustrations ; 28 cm Zustand: sehr gut bis neuwertig; v10520 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Englisch Gewicht in Gramm: 810.

Hardcover. Condizione: Near fine. Condizione sovraccoperta: Very good-. Later printing. Octavo, 370pp., illustrated. A crisp, clean copy, near fine, in the publisher's navy cloth. A few tiny dampstains to the bottoms of the boards, not affecting the interior or the jacket. Dust jacket about very good, heavily foxed on the spine, but otherwise nice. SIGNED by Eaton on the title page. A detailed survey of folk art traditions of the Southern Appalachian mountain region, extensively illustrated from photographs by Doris Ulmann. Signed.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. First Edition. First edition. Fifty-eight photographs by Doris Ulmann. Large but attractive bookplate on the front pastedown and a neat, contemporary gift inscription, else fine in a lightly soiled, near fine dustwrapper with a modest internally repaired tear on the rear panel. The Ulmann photographs have always made the many editions of this book desirable; the first edition has become very uncommon in jacket.…

Cloth. Condizione: Very good. Limited Edition. Quarto, [10], 13-341pp, [1]. Original brown paper-covered boards, three-quarter white linen corners and spine. Title in gilt on spine, portrait stamped in blind to front cover. Top edge gilt. Solid text block, foxing to cloth, some rubbing to gilt title on spine. Housed in the publisher's brown slipcase, small points of restoration with archival glue to corners. Complete with 90 full-page photographs depicting former enslaved peoples, their families, and their homes. All plates remain vibrant, most lacking tissue guards. Includes an original photograph by Ulmann, laid-in at front with her signature in pencil on the bottom right corner. Stated on limitation page: "Of this special edition of Roll, Jordan, Roll, 350 copies, each numbered and signed by Julia Peterkin and Doris Ulmann, have been printed by letterpress and copper-plate photogravure. Of these 327 are for sale. This is copy number 122, signed by both Peterkin and Ulmann on the colophon." This collaboration between Ulmann and Peterkin focuses on a group of former slaves and their descendants in the Gullah region of South Carolina. This is the first appearance of the text, followed by the first trade edition published the same year. The signed limited edition of Roll, Jordan, Roll with text by Julia Peterkin and photographs by Doris Ulmann, complete with 90 photographic plates. (illustratore). Signed.…

Signed Limited First Edition. Signed limited first edition. Author Julia Peterkin's own copy, number #3 of only 350 copies, of which 327 were offered for sale, signed by both photographer Doris Ulmann and Peterkin on the limitation page. Presuambly the first few copies were given to the publisher, author, and photographer. Letter of provenance from a descendant of Peterkin laid in. Printed by letter press and with 90 superb tissue-guarded full-page copperplate hand-pulled photogravure plates and with an additional original signed photogravure. 342 pp. Bound in publisher's original brown paper boards over half cream cloth with spine lettered in gilt. Lacking slipcase. Near Fine with light rubbing and soiling to boards, front hinge a bit free, light foxing to contents, typical offsetting from photos. A very clean, attractive copy. "Ulmann's photographic collaboration with Julia Peterkin focuses on the lives of former slaves and their descendants on a plantation in the Gullah coastal region of South Carolina. Peterkin, a popular novelist who won the Pulitzer Prize in 1929, was born in South Carolina and raised by a black nursemaid who taught her the Gullah dialect before she learned standard English. She married the heir to Lang Syne, one of the state's richest plantations, which became the setting for Roll, Jordan, Roll. Ulmann's soft-focus photos-rendered as tactile as charcoal drawings in the superb gravure reproductions here-straddle Pictorialism and Modernism even as they appear to dissolve into memory" (Roth, 101 Books). Signed. …

First Trade Edition. First Printing, preceded by a limited edition of 350 copies. Octavo (22cm); blue cloth with titles stamped in gilt on spine; black topstain; dustjacket; 251pp; illustrated with 70 full-page photographs by Doris Ulmann. Hint of sunning to spine ends, some trivial wear to corner tips, with a tiny splash mark to topstain; contents clean; Near Fine. Dustjacket is unclipped (priced $3.50), gently spine-sunned, modest wear to joints and extremities, with shallow loss to crown, several tiny nicks and tears to extremities, and a 2" split at lower front flap fold; Very Good+. One of the great documentary photobooks of the 1930's, examining the lives of black plantation workers in the Gullah coastal region of South Carolina. The idea for the book was originally conceived by American photographer Doris Ullman (1882-1934), who met Julia Peterkin at a literary gathering in 1929 - the same year Ullman had undertaken a project to create a volume of photographic studies of African Americans throughout the South. Ulmann's portraits of the Gullah people were taken on the Lang Syne plantation, owned by the family of Peterkin's husband; paired with text and stories written by Peterkin, Ullman's portraits of the former slaves and their descendants have long been praised for both their quality, and the sense of dignity they convey. Many times scarcer in an attractive jacket than the signed, limited issue, published the same year. BLOCKSON 3932; ROTH 101. PARR-BADGER, Vol.1, p.135.…

Condizione: Near Fine. Signed Limited First Edition. Signed limited first edition. Copy number 346 of only 350 copies, of which 327 were offered for sale, signed by both photographer Doris Ulmann and Julia Peterkin. Printed by letter press and with 90 superb tissue-guarded full-page copperplate hand-pulled photogravure plates and with an additional original signed photogravure. Bound in publisher's original brown paper boards over half cream cloth with spine lettered in gilt. Lacking the original slipcase but housed in a custom cloth chemise case; tissue guards replaced though originals are present and laid into a custom-made compartment in the slipcase. Near Fine. Neatly recased, light rubbing and color retouching to covers, contents lightly foxed at edges. Toning, light edge wear and light soiling to additional signed photogravure. "Ulmann's photographic collaboration with Julia Peterkin focuses on the lives of former slaves and their descendants on a plantation in the Gullah coastal region of South Carolina. Peterkin, a popular novelist who won the Pulitzer Prize in 1929, was born in South Carolina and raised by a black nursemaid who taught her the Gullah dialect before she learned standard English. She married the heir to Lang Syne, one of the state's richest plantations, which became the setting for Roll, Jordan, Roll. Ulmann's soft-focus photos-rendered as tactile as charcoal drawings in the superb gravure reproductions here-straddle Pictorialism and Modernism even as they appear to dissolve into memory" (Roth, 101 Books). Signed.…