Unsigned (77 risultati)

Hardcover. 1st Edition. Very Good: bright paper, edges rubbed, solid, unmarked. Hardcover, 8x9", black cloth spine, pictorial paper-covered boards, 24 types of boats described (the Lumber Boat; Coast Guard Boat; Whaling Ship; Lightship "the lightship is a floating lighthouse."; the Fireship; the Sandsucker Dredge) etc. Two extra leaves are inserted, so Lightship, Coast Guard Boat and others are repeated twice; and all the others there too. Unsigned 3-color cover painting looks like Jules Dorson. Unsigned 3-color cover painting looks like Jules Dorson. (illustratore).…

No Binding. Condizione: Good. Sized 6 x 10 inches, faded damp-staining noted at margins, light foxing, apparently salvaged from Godey's Lady's Book, Volume LXI, July,1850. August Fashions on verso.

Soft Cover. Condizione: Fine. A fine small salmon-colored staple-bound softcover. 12 pages. No date.

Soft Cover. Condizione: Fine. A fine small green staple-bound softcover. 12 pages. No date.

Paperback. Condizione: Brand New. 86 pages. 9.00x6.00x0.22 inches. In Stock.

Hardcover. Condizione: Good. Hardcover in Good-plus condition, 16mo. Red(?) textured cloth with embossed decorative border, gold-stamped title and decoration on front board, illustrated title page, no date (est. ca. 1860), 69 illustrated pages (woodcuts by E.J. Whitney (Elias James); P. Annin (Phineas F.); Childs (Benjamin F.); Bross (Robert S.) and Bogart (Robert M.); Jocelyn (Albert H.); others unsigned) with short moralistic or religious captions under each. Boards faded to pale pink, back board mottled (see photo), tips worn, prior owner name in pencil (multiple times), some illustrations colored by prior owner, a few gatherings a bit loose. Bookseller accession no.: 17655. E.J. Whitney (Elias James); P. Annin (Phineas F.); Childs (Benjamin F.); Bross (Robert S.) and Bogart (Robert M.); Jocelyn (Albert H.); other unsigned. (illustratore).…

Soft cover. Condizione: Fine. Humor and Comic Christmas Cards without Envelops. 7 x 5 inches. Printed in three colors, black/white/red or green. Without interior message. FINE. All corners pointed. Without tears, creases, bumps or chips. Not marked and very clean and bright. All items carefully wrapped and sent boxed.…

Hardcover. addresses, etc., etc., for the use of preachers. [Orig. series 7 vols, new series 6 vols., 1887-92: 26 sermons per vol.] 314 p.; 21.5 cm. Fair orig. brown cloth, lacks backstrip.

Hardcover. Condizione: Very Good. No Jacket. end paper art 20's cover pastedown 30's internally gift dated christmas 1930. typical donohue. Artwork Unsigned (illustratore).

Hardcover. addresses, etc., etc., for the use of preachers. [Orig. series 7 vols, new series 6 vols., 1887-92: 26 sermons per vol.] 324 p.; 21.5 cm. Good lt. edgestained orig. brown cloth.

Hardcover. addresses, etc., etc., for the use of preachers. [Orig. series 7 vols, new series 6 vols., 1887-92: 26 sermons per vol.] 312 p.; 21.5 cm. VG orig. brown cloth.

Hardcover. addresses, etc., etc., for the use of preachers. [Orig. series 7 vols, new series 6 vols., 1887-92: 26 sermons per vol.] 324 p.; 21.5 cm. Good orig. brown cloth, lacks ffep.

Hardcover. addresses, etc., etc., for the use of preachers. [Orig. series 7 vols, new series 6 vols., 1887-92: 26 sermons per vol.] 312 p.; 21.5 cm. Good lt. rubbed orig. brown cloth.

Softcover. Cream & color illus. stapled wraps. 36 pp. 8 color, 26 bw plates. Issued in conjunction with a 1973 exhibition of work by American artist Theodore Wores. An unsigned essay chronologically presents the artist's life. Includes images of Chinatown and Japan painted by the artist in Saratoga, California. The exhibition checklist cites 43 pieces, and most are pictured here. Uncommon. Published to accompany an exhibition held at Kennedy Galleries, NY: May 4 to June 1, 1973. VG, small label on lower front cover. …

Softcover. White & color illus. wraps. [16 pp.], 6 color, 21 bw repros. Features essays on Paul Weber (1823-1916), Carl Philip Weber (1849-1921), Carl Weber (1850-1921). Although prolific landscapists, little has been written on the Webers. The checklist cites 29 pieces, and most are pictured here. Good repros. See also the Fales Collection Auction Catalogue for numerous works by Carl Weber. Scarce. Published to accompany an exhibition held in Philadelphia: Frank S. Schwarz & Son, Summer 1985. VG (has label on spine, some marks on back, otherwise clean.). …

Paper Wrappers. Condizione: Very Good. No Jacket. First Printing. First printing of the story in the Youth's Companion for September 19 1895. With one unsigned illustration. Unsigned (illustratore).

Soft cover. Condizione: Near Fine. First Edition. Near fine in original wrappers. Complete issue.

Soft cover. Condizione: Near Fine. First Edition. Near fine in original wrappers. Complete issue.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. New York: Grosset & Dunlap, by arrangement with Coward-McCann, Inc., [c. 1938]. Hardcover in light blue-green cloth with navy blue lettering and decorative sail-and-mast motif on front cover and spine. Illustrated dust jacket in full color depicting a dramatic naval battle scene, likely John Paul Jones's engagement with HMS Serapis; jacket spine features crossed swords motif and subtitle "The Story of John Paul Jones." Rear jacket panel lists other volumes in the Boy's Library of Adventure series, including The Red Chief, The River Man, and The Virginian. Title page and copyright page confirm Coward-McCann, 1938 copyright. A dramatized biographical novel chronicling the exploits of Revolutionary War hero John Paul Jones, the "Father of the American Navy." Written by John Herries McCulloch and issued in Grosset & Dunlap's classic adventure reprint line for boys, blending historical accuracy and sea-faring heroics. Tight, square binding; pages clean and unmarked. Light toning to edges, no ownership markings. Jacket shows minor rubbing and shallow edgewear but retains original color and clarity. A handsome vintage copy of this collectible midcentury juvenile adventure in the Boy's Library of Adventure format. Physical Details: 8vo (approx. 7.5 x 5 inches) 298 pages (unillustrated text) Bound in blue-green cloth, dark blue titling and decoration Illustrated dust jacket Printed in the U.S.A. illustrator not stated; jacket art unsigned or uncredited (illustratore).…

Stapled Wrappers. Condizione: Fine. First Edition. Finely Illustrated Brochure On Ac's Inertial Guidance System, With A Second Brochure On The Same Subject, And With A September 9, 1958 Letter And Large Mailing Envelope From Military Sales At Gm Transmitting This Unclassified Information Requested By Professor Tyson At Caltech. Fine Unsigned Graphics (illustratore).…

Hardcover. Condizione: Very Good. No Jacket. Original 1884 edition of Infant Praises, a charming and influential late-19th century Sunday school songbook compiled by gospel composers J. R. Sweney and W. J. Kirkpatrick for the primary department. Bound in publisher's tan pictorial paper-covered boards with ornate Victorian design and illustration of four children singing, backed in purple cloth. Interior includes complete musical scores and lyrics throughout. Copyright 1884 by John J. Hood. Contents include "We Are Little Children," "Growing Up for Jesus," "Young Soldiers for Jesus," "Hosanna to Our King," and "Hushed Was the Evening Hymn," with contributions by Fanny J. Crosby, Josephine H. Sweney, and Arthur Sullivan. A beautiful example of early American religious publishing and children's hymnody, designed for use in Sabbath schools. Boards lightly rubbed and soiled with minor edge wear, cloth spine showing mild fading, binding tight, pages clean and bright with minimal foxing. A solid, well-preserved copy of an uncommon children's hymnal from the golden age of Philadelphia gospel publishing. Cover design unsigned (engraved children illustration) (illustratore).…

Paperback. Condizione: Fair. First Edition. Musical score with sepia toned lithograph cover showing an inset portrait of Queen Victoria in a decorative surround, folio (14-3/8 inches [36.5 cm] tall), pp. 6, plate no. 1056 printed at foot of each page. Covers separated at spine and held by three old tape repairs, multiple closed edge tears and tiny chips to leaves, terminal leaf with one old tape repair, p.o. name, soil and original sellers rubber stamp to front cover. A complete, but Fair copy only. An uncommon survivor of a march written to celebrate the Diamond Jubilee of the reign of Queen Victoria. Not found in OCLC, accessed 01/16. unsigned illustration (illustratore).…

Condizione: Fine. The book is in fine condition.

Hardcover. Condizione: Very Good+. No Jacket. 1st Edition. First American Edition. No DJ. Decorated Binding; design not signed, but probably by DECORATIVE DESIGNERS. Very light soiling and wear to the covers and spine. Unmarked pages. TEG. This work has been reissued many times in many formats, but nothing compares with owning a copy in its original first edition state. More images and/or description can be sent on request. Will insure at buyer's expense, if requested. Condition: Very Good+. DECORATIVE DESIGNERS [unsigned] (illustratore).…

Soft cover. Condizione: Very Good. 1st Edition. 24 Pp. Card Covers With A Yosemite Illustration On Cover. Inscribed To A Friend And Dated 1947 (But May Have Been Published Well Before 1947, Looks Like 1930'S Style; Worldcsat Shows On E Copy Only, In The Oakland Public Library). Lilian A. Cross Was The Daughter Of Carpenter John Francis Cross (1828-1910) And Schoolteacher Sarah Meservey (1835-1928) Who Came From Maine To California In The 1850'S. Unsigned Cobver Illustration Of Yosemite (illustratore). Inscribed by Author(s).…

No Binding. Condizione: Very Good. Original Artwork. Painting 120" X 16", Not Clearly Signed But May Have Very Faint Signature In Lower Right Corner. Paint Aged, Some Crackling.

Hardcover. Condizione: Very Good. 1st Edition. Brightly colored opaque watercolor on board; red, blues and yellow. Untitled, c. 1947. 19 x 16 inches; framed 24 x 20 1/2 inches black wood custom framed with silken cloth mat and no glass.

Condizione: Good. Original color lithograph, 14 x 9 inches. Very Good. One page biography of subject laid in. Scarce. Published on March 1, 1873, depicting Sir Richard Owen KCB FRS FRMS (20 July 1804 - 18 December 1892), an English biologist, comparative anatomist and palaeontologist. Vanity Fair was a British magazine known for its social, political, and literary content. It gained fame particularly for its caricatures of prominent figures of the time. These caricatures, drawn by renowned artists, captured the essence of their subjects with a mix of humor, satire, and artistry.…

Approx 16.0 x 19.5cm, 6.25 x 7.5 inches (Medium) soit l?image visible 20/16 CM (notre gravure est proposée encadrée. Français PROVENANCE: "A New Royal, Authentic and Complete System of Universal Geography", by Thomas Bankes, Edward Warren Blake, Alexander Cook & Thomas Bowen, printed for C. Cooke, No. 17, Pater-Noster Row (1789). …

No binding. Condizione: Very Good. CHARLES DARWIN BY THE ARTIST JAMES TISSOT. 350 x 220 mm., coloured lithograph, with accompanying descriptive biography, in excellent condition. One of the most famous portraits of Charles Darwin (1809-82), one of the greatest scientists to have ever lived. So famous that his achievements barely required mention. The accompanying biography states that 'Among these theories one of the most striking is that which Mr. Darwin has given to the world with reference to the Origin of Species by means of Natural Selection.' He became famous following his voyage on the 'Beagle' which led ultimately to the publication of 'On the Origin of Species', in 1859. He is depicted propped up on a cushion on his chair with wheels which he used to move around his office. His son Francis recalled 'He had his chair in the study and in the drawing-room raised so as to be much higher than ordinary chairs . . . sitting on a low or even an ordinary chair caused him much discomfort.' The University of Cambridge preserves Darwin's archive and amongst the letters are references to this portrait. His portrait was very much desired for Vanity Fair, so wrote John Murray (Darwin's publisher) to Darwin, 10 May 1871. Darwin's initial reaction was 'I could not endure to give sittings to his artists.'. Eventually he was convinced and although the finished print is unsigned documentary evidence points to the artist being the famous Frenchman James Tissot (1836-1902). Portraits of Darwin are normally quite stark, here a congenial image is portrayed of a relaxed man.This print was published in 'Vanity Fair' for 30 September 1871. Its owner Thomas Gibson Bowles (1841-1922) was brought up in a bohemian household and after a short period in the civil service became a journalist. In 1868 he began his own society journal and called it 'Vanity Fair'. On 30 January 1869 he introduced the first full paged coloured caricature, of Benjamin Disraeli, and sales never looked back. In the words of Matthews and Mellini it was 'the most successful Society magazine in the history of English journalism'. Provenance: private American collection. Arlott (1952); Harris & Ormond (1976); Matthews & Mellini (1982); ODNB; Savory (1979).…